Terrifiés

This is a really enjoyable, strange, low-key horror film from Argentina. Many scenes are filmed in a sickly yellow light, and the horrific prosthetics are often *just* out of focus. When they are dwelt upon, they look truly horrific.

The story, as has been said elsewhere, comes second to the scares - which is acceptable for the most part, because the film *is* scary, both in terms of jump scares and the overriding feeling of unease, which is beautifully conveyed.

The narrative sometimes descends into a tumble, with it being made unclear which moments are being told in flashback, and which characters to invest in. Truth be told though, this might even be deliberate to enhance the delirium.

A terrific film; happily, both a remake and an Argentinean sequel appear to be in the works. My core is 8 out of 10.

This Argentinian addition to the horror genre is a refreshing submission from a fledgling director. Written and directed without the usual hubris that we as humans can solve any supernatural problem by basically willing it away and shot in a way which evokes a feeling of being lost from the beginning. Told in a non-linear format with the vantage point being that of multiple characters, each with their own observations and fears keeping the movie fresh through it relatively short run time.

With a few masterfully and patiently created scares blended seamlessly into a engrossing and thoughtful plot this film is a welcome addition to the currently bland horror movie genre.

TERRIFIED is an inventive, original, and highly effective horror film from Argentina.

A paranormal investigator (Elvira Onetto) and a forensics expert (Norberto Gonzalo) work together with the rest of their assembled team to solve a bizarre mystery. It seems that a neighborhood has become the epicenter for supernatural phenomena. The team must split up, in order to uncover what has happened in three separate homes. As the evening progresses, the terror increases, culminating in a nightmare of ghoulish death.

If you enjoy disturbing, unpredictable stories of the paranormal variety, then this should satisfy!...

'Terrified (2017)' is a film that focuses wholly on its scares, to the point that it actually sort of shoots itself in the foot a little. What I mean is that everything other than its horror is so barebones that it's actually difficult to care about, or even remember, anything that's going on. Though the scary sequences are truly well achieved, they don't have nearly as much impact as they could have if the flick's other elements weren't neglected as much as they are. The picture has a protagonist problem that sees the audience bounce about from person to person for far too long before settling on someone who finally feels like (at least in retrospect) a 'main character'. This is just one of the factors that adds up to that 'narrative neglect' I mentioned earlier. The others include a general lack of structure, a pace that's almost too fast (if there is such a thing) and a few story points that don't quite line up with the otherworldly explanation offered towards the end. It probably sounds like I don't like the picture, but that isn't true. It's entertaining enough in the moment and it has a strong atmosphere. Plus, (as I've mentioned already) it has more than a handful of genuinely high-calibre scares and it never takes the easy, 'cattle prod' approach even though there are more than enough jump scares throughout (including one of the best, most earned shocks I've recently seen). Despite its issues, the film isn't bad at all. The trouble is that it's really, really forgettable. Still, it's arguable that good experiences are worth having even if you don't remember them. If you want some top-notch horror, that's certainly the case here. 6/10.

Ahh, a breath of fresh air! Can you feel it too? You the one about to read some movie info in order to make the best decision: see it or not? Of course you have to see it! Even its name is on point, as it seriously delivers a massive quantity of fear and panic.

I can't go into too many details with this one as I fear i might ruin it for you, so just understand that it is a big step up from your average horror/supernatural, with lovely elements from both worlds, combined into a small gem.

Aterrados is proof that Latin countries are starting to develop better horror than our casual Hollywood productions, because if you put this next to Silent House (Uruguay) and a big list of Mexico and Spanish movies, well, the future looks bright and world wide.

Cheers!