ÉVALUATION IMDb
6,2/10
4,3 k
MA NOTE
Une femme veuve découvre que son mari a envoyé un homme innocent en prison pour couvrir ses propres crimes.Une femme veuve découvre que son mari a envoyé un homme innocent en prison pour couvrir ses propres crimes.Une femme veuve découvre que son mari a envoyé un homme innocent en prison pour couvrir ses propres crimes.
- Prix
- 2 victoires et 15 nominations au total
Avis en vedette
'En liberte!', The 2018 French comedy directed by Pierre Salvadori, opens with a scene that seems to be taken from an action movie with super-cops made in the 60s. The scene, in which a brave policeman neutralizes a large crowd of gangsters, a scene that is repeated with variations several times throughout the film, is actually the summary of the bed-time story told by the film's heroine, police lieutenant Yvonne Santi (Adele Haenel) to her son falls to have him fall asleep, recounting the heroism of her husband, also a police officer, who fell on the line of duty two years before. It so happens that Yvonne discovers the true face of her ex-husband: not a hero, but a corrupt policeman, who also destroyed the life of a young man named Antoine (Pio Marmai), whom he had innocently imprisoned. Antoine, wrongfully convicted, is on the verge of release. Policewoman Yvonne will try to make up for some of her husband's injustice. Is redemption possible?
'En liberte!', the French title of the film, can have several meanings in French. It literally means 'released', as Antoine finds himself, awaited by his wife Agnes (Audrey Tautou), free to resume his life from the point where it was interrupted by injustice. However, the second meaning would have been 'unleashed', also fit, because in prison Antoine had both accumulated anger for the years of his youth that he had been deprived of and had also learned violent methods to express his frustrations. Yvonne, who experiences her own frustrations and faces loneliness by refusing the advances of another fellow police officer, will try to fix what her missing husband had destroyed - Antoine's life. It is not an easy task, and the risk that the young man who went through the 'prison school' will be the one to draw the young police woman on the slope of mental imbalance and crime is permanently present.
The cast is blessed by the presence of Audrey Tautou in a supporting role, which she plays very well. What I found fascinating is the fact that the excellent actress Adele Haenel takes over exactly the type of heroine played by Tautou in some of the previous films - physical beauty doubled and amplified by an inner radiance and goodness, intelligence and emotional maturity that guides her in doing good to those around, sometimes in spite of themselves, risking and sacrificing a lot for others around. I had noticed first Adele Haenel in the film 'La fille inconue' by the Dardenne brothers, then I admired her in Portrait of a Lady on Fire. Her role in this film confirms to me that she is one of the most talented and full of personality actresses of her generation. The story, quite improbable in fact, manages to pass the screen due to her charm and the one of her partner Pio Marmai, and to the cinematic approach that is a combination of romantic movie and comedy with cops in the good French tradition of the gendarme from Saint Tropez movies, updated to today's realities of the cities on the French Riviera. 'En liberte!' it's a more than enjoyable movie and those looking for quality entertainment in the summer months can find it here.
'En liberte!', the French title of the film, can have several meanings in French. It literally means 'released', as Antoine finds himself, awaited by his wife Agnes (Audrey Tautou), free to resume his life from the point where it was interrupted by injustice. However, the second meaning would have been 'unleashed', also fit, because in prison Antoine had both accumulated anger for the years of his youth that he had been deprived of and had also learned violent methods to express his frustrations. Yvonne, who experiences her own frustrations and faces loneliness by refusing the advances of another fellow police officer, will try to fix what her missing husband had destroyed - Antoine's life. It is not an easy task, and the risk that the young man who went through the 'prison school' will be the one to draw the young police woman on the slope of mental imbalance and crime is permanently present.
The cast is blessed by the presence of Audrey Tautou in a supporting role, which she plays very well. What I found fascinating is the fact that the excellent actress Adele Haenel takes over exactly the type of heroine played by Tautou in some of the previous films - physical beauty doubled and amplified by an inner radiance and goodness, intelligence and emotional maturity that guides her in doing good to those around, sometimes in spite of themselves, risking and sacrificing a lot for others around. I had noticed first Adele Haenel in the film 'La fille inconue' by the Dardenne brothers, then I admired her in Portrait of a Lady on Fire. Her role in this film confirms to me that she is one of the most talented and full of personality actresses of her generation. The story, quite improbable in fact, manages to pass the screen due to her charm and the one of her partner Pio Marmai, and to the cinematic approach that is a combination of romantic movie and comedy with cops in the good French tradition of the gendarme from Saint Tropez movies, updated to today's realities of the cities on the French Riviera. 'En liberte!' it's a more than enjoyable movie and those looking for quality entertainment in the summer months can find it here.
I wasn't expecting to laugh as much as I did. Adèle Haenel should do comedy more often. I really enjoyed her spontaneity and one-liners.
To define it as a comedy can be unfair. In essence, it is a smart film about lies, truth, injustice , love and a beautiful cast telling, in proper manner, a bitter- sweet story, with few good slices of absurd, unrealism, eccentricity. But, obvious, a charming film. In essence, about a boy and his dad. Or, about the option of a man after eight years in prison for save the freedom of a cop.
This movie is a very mixed bag. There are a good number of quite funny bits, and thanks to Audrey Tautou in a supporting role, a couple of genuinely touching moments. But the actions and reactions of the two main characters make absolutely no psychological sense at all, ever. If that doesn't put you off, then by all means see this movie for the many funny gags.
The basic premise of the story and developments are on this IMDb page summary for this movie. It features good actors who play their roles very well. Although it is made by completely different filmmakers, in tone and quirkiness it often reminded me of "Amelie", and it even has Audrey Tautou playing one of the characters.
Not all of it worked for me but enough of it did that I overall enjoyed this movie, at home on DVD from my public library. I know a little French and reading English subtitles was not too much of a bother.
Good change of pace from American movies I mostly watch.
Not all of it worked for me but enough of it did that I overall enjoyed this movie, at home on DVD from my public library. I know a little French and reading English subtitles was not too much of a bother.
Good change of pace from American movies I mostly watch.
Le saviez-vous
- AnecdotesThe film allowed Pierre Salvadori to collaborate for the third time with Audrey Tautou (after Hors de prix (2006) and De vrais mensonges (2010).
- Citations
Lieutenant Yvonne Santi: In jail? He worked out and learned Corsican songs.
- Autres versionsSome television broadcasts feature an alternate, toned down version of one of the bedtime stories Yvonne tells her son about her father. In the theatrical version, exactly 1 hour into the film, Mariton takes money out of a briefcase, the film then cuts to a close-up of Santi and then back to a close-up of Mariton as he gets shot in the forehead and falls dead as the camera lingers on the blood splatter on the wall. In the alternate television cut, after Mariton takes the money out, the film instead cuts to Santi with his arm raised, shooting Mariton who dies off screen, and then quipping "Fa f'est fait" (a mispronunciation of "that's done" due to his missing tooth) as he brings his gun down.
- ConnexionsReferences Du rififi chez les hommes (1955)
- Bandes originalesI Wanna Be Sedated
Lyrics and Music by Joey Ramone, Johnny Ramone and Dee Dee Ramone
Performed by Ramones
(p) & (c) WB Music Corp (ASCAP) and Taco Tunes (ASCAP)
All rights administered by WB Music Corp.
(c) 1978 Sire Records, Inc.
With permission of Warner Chappell Music France and Warner Music France, a Warner Music Group Company
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Trouble with You
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 000 000 € (estimation)
- Brut – à l'échelle mondiale
- 7 138 763 $ US
- Durée1 heure 48 minutes
- Couleur
- Rapport de forme
- 2.35 : 1
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By what name was En liberté! (2018) officially released in India in English?
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