Ming yat zin gei

My rating logic: "10" for CGI, "4" for the script. (10+4)/2= "7"

I've been on to this before it hit Netflix. After seeing it, I felt frustrated by the script. They could've fleshed out the story if they cut the VO in the beginning and add 20 mins of ground laying and threat intro. I saw the 2 deleted scenes from One Cool Film YouTube channel before watching the film. I preferred those 2 scenes over the VO. It makes more narrative sense. Now it feels like I'm only watching only Act 2 & 3 of the film. Because of that, the emotional scenes and sense of urgency all fell flat. There were times I felt like I should feel be sad, worried, or a feel a certain way, but I just can't because I don't know these characters. Mind you, Act 1 is just a VO. The only one whom the audience knows more about was Louis Koo's Tyler, but that he couldn't shine because the time was ticking. In short, they handle the characters and stakes like how they did in Morbius: the story fell flat because the creators cheaped out on Act 1. Then, everything came after that missed.

I heard this version was cut down to pass China government's film board and to preserve the fast pace action-flick momentum. So, I really do hope One Cool Film will release a director's cut because the 2 deleted scenes (slow-paced and ground laying) was excellent. I want to see these slow-pace scenes in the movie!

The deleted scenes (sorry, can't post the links)

1) Soldiers badged into a fenced community, went up a steel ladder. In a dry and dusty apt, a dehydrated youth was building a model-size Xmas tree from metal scraps. The youth (turn out wearing a leg brace on one leg) ran out with large empty containers after hearing water announcement. The mass gathered. Rationed water was given through coordinated rainfall. The meteor hit. Giants vines grew, wreaking the the buildings and fenced community.

2) The professor blankly stared out the window of the helicopter seeing the buildings and skynets. "Mankind is really absurd. Since the Industrial Revolution, mankind used 200 years to get the Earth sick. Then, mankind wanted to use 10 or more years to cure it. In the end, nothing was solved. We only ended up making dozens of fishbowls to trap ourselves inside." The professor leaned closer to the window. "I think Pandora is God's gift to us. A chance for mankind."

Scene closes up in the female commander. "The only thing I believe is that I believe in nothing. My responsibility is to ensure that no matter what the circumstances are, there's always plan B." The music starts rolling.

The professor turned to the female commander, looking concern. "What's plan B?" The female commander looked back at him. Scene cut to helicopters flying into B-16 area, probably heading to the base.

Good things:

CGI was excellent! Couldn't believe something like this was done by a Hong Kong production company. It's a great CGI portfolio. I want to see them participating in making Gundam or similar franchises. Hey, Hollywood maybe you can hire them to do your CGIs.

Warriors of Future, the long-awaited dream project from producer and actor Louis Koo, is a Hong Kong sci-fi action film that delivers on its initial attempt at CGI spectacle. It is a groundbreaking entry for Hong Kong cinema, catapulting into the realm of the big-budget CGI blockbuster filmmaking.

In the year 2055 on an environmentally-damaged and war-torn Earth, a meteorite strikes a futuristic Hong Kong, now known as B-16 district. A giant alien plant, named Pandora, has rapidly grown out from the rubble, causing devastation but also purifying the air. Scientists have devised a missile to alter the genetic makeup of Pandora to stop its growth and keep purifying the air. Tyler and Johnson of the B16 Air Force are sent to carry out the mission.

As a film, Warriors of Future is a triumphant opportunity both seized and missed all wrapped in a $450 million dollar bow.

The CG action scenes, while not up to Hollywood standards, are impressive for a first attempt. First-time director Ng Yuen Fai, who previously worked as a special effects artist, uses a quick cut style that's thrilling in a blink-and-you'll-miss-it type way. Although it is not photorealistic, everything visually falls into place and it has a consistent anime look of its own.

Unfortunately, Warriors of Future suffers from a severe lack of originality and thin plotting and characterizations in a script that's written around the action set pieces. The majority of the script's flaws could have been easily fixed by cutting out a shot or delaying certain information to create suspense, just Screenwriting 101 level stuff. All of which wouldn't have cost Mr. Koo an extra cent.

The overall results are Yin and Yang. Audiences will scratch their heads going, "The CG is decent. If you got that right, why couldn't you script this story better? Isn't writing the easier thing out of the two?"

Everything had traces from something we've seen before. I counted up to twenty sci-fi films that Warriors of Future was pulling ideas from, including Avatar, Iron Man, District 9, GI Joe: The Rise of Cobra and even the Batman Arkham games. It'd make one killer drinking game.

In the acting department, Sean Lau and Phillip Keung come out as the MVPs, breathing sweet life into the otherwise empty CG environments and helping Louis Koo carry the film in front of the camera. The buddy dynamic between the trio works well.

Nick Cheung gives a stilted, steely-eyed "smell the fart" performance that's straight out of a Saturday morning cartoon. Carina Lau and Tse Kwan Ho are both underused, the former having to deliver exposition and the other in a taciturn role.

That all said and done, Warriors of Future was a good time. Admittedly, I am biased being from Hong Kong.

Louis Koo's dream of stimulating the Hong Kong film industry is a noble and, some might say, romantic notion. Koo has invested so much of his own money into this small island in China to build up its entertainment industry, sometimes making risky business decisions. For example, Koo deliberately chose to do all the visual effects in one company in Hong Kong. Normally, they are done by multiple companies across the globe for efficiency.

That sentiment has touched people. Ever since it was reported that the film had a disappointing box office in Mainland China, Hong Kong audiences have actively gone out to support the film. It was packed for a weekday screening in my theater.

Warriors of Future ended up being more than a one-off theatrical experience, but an actual showreel of future CGI-driven Hong Kong films to come. Computer effects aside, seeing Hong Kong actors in mech suits battling robots was an eye-opening spectacle in itself. Finally, when the credits rolled, everybody intuitively stayed in their seats and waited for the mid-credits scene like a Marvel movie. It all felt very communal.

So from these sentiments alone, Hong Kong audiences will get more out of Warrior of Future. Honestly, I too am moved by Louis Koo's vision and even as I'm cracking jokes here, I don't feel like punching down on this film. It has my respect for its ambitions and it'll probably be remembered as the pioneer film. However, the film will struggle to impress an international audience as English-speaking audiences won't be as forgiving with its script and matter-of-factly written subtitles. The grammarian in me still eagerly wants to add a "the" to the title.

If there is going to be a sequel to Warriors of Future, more effort needs to be devoted into the writing and storytelling. Local audiences won't be so forgiving the second time around.

With my palms together into a prayer pose and sending positive vibes, I eagerly await the sequel.

Overall production is great, the story makes relative sense, the characters have some depth to them, the CGI is outstanding. I personally love the overall aesthetic of the movie. Cool suits, freaky aliens, everything an FPS gamer could ever dream of. The biggest problem for me is the pacing is just too fast. I can't appreciate the beautiful scenes long enough, the action sequences are great but it's also ruined by the constant changes of the camera angle which then becomes unwatchable. I was so hyped for this movie, but sadly it's a disappointment that could've been easily fixed with a better director.

A for effort? Unfortunately effort doesn't do much in this day and age. The all-star veteran cast plays a set of extremely stereotypical characters that are easily forgotten. The dialogues are bland, the action scenes are unmemorable, and there seems to be very few logic behind the settings. The inclusion of the little girl is so painfully stereotypical of such Cantonese films that you feel like you are transported back to the 80s. If this movie is supposed to be Louis Koo's love letter to sci-fi films, its a commendable job as it offers so little in terms of modern sci-fi. And if this movie is supposed to represent Hong Kong's movie industry in the new age, that would be pretty tragic.

This is a very good try to make a sci-fi by Hong Kong people and Hong Kong company.

I strongly not recommend everyone to watch the IMAX version as this is a fake IMAX movie.

I dont think the movie is taken by imax camera.

The armor looks very good.

Everything they made is really great. Like the cars, the robot, ect

The cg on the beginning of the film is bad.

But the road scenes is great, I can't believe it is made by cg.

Loose plot no memory point Seems put too many time on some unnecessary plot, such as the love line. It really unnecessary, it just like want to to know that two actor is or new actor

Lau Ka Ling's acting skill is bad.