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7,4/10
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MA NOTE
Mary Ann, une femme d'âge moyen, retourne à San Francisco et retrouve les amis excentriques qu'elle a laissés derrière elle.Mary Ann, une femme d'âge moyen, retourne à San Francisco et retrouve les amis excentriques qu'elle a laissés derrière elle.Mary Ann, une femme d'âge moyen, retourne à San Francisco et retrouve les amis excentriques qu'elle a laissés derrière elle.
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- 2 victoires et 4 nominations au total
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Having read all the books several times I was looking forward to this series on Netflix.
I'm so glad Olympia Dukakis, Laura Linney, Paul Gross and Barbara Garrick came back. Shame one of the original 'Michael' actors didn't return.
The story was ok but hardly resembled the story in the last 3 books that would be appropriate for the passing of time for the characters. Anna's flashback story was a good addition however but the ending was quite underwhelming.
I feel that it missed an opportunity to tell the real story of the characters as there was a wealth of story available from 'Michael Tolliver Lives' 'Mary Ann in Autumn' and 'The Days of Anna Madrigal' to make a brilliant season.
Shame they got the timing wrong! Michael and Mary Ann should be in their 60s now! It would have sat better if it was set in the late 90s yearly 00s.
Also a shame they didn't keep the original theme music. It would have helped to retain some of the magic of the original. Netflix seem to have aimed the series at a new audience but forgetting the existing fans of the books and first 3 series.
A good watch that filled a rainy day.
We wait now for the next book by Maupin about Mona as he announced on Radio 2 last week.
Also a shame they didn't keep the original theme music. It would have helped to retain some of the magic of the original. Netflix seem to have aimed the series at a new audience but forgetting the existing fans of the books and first 3 series.
A good watch that filled a rainy day.
We wait now for the next book by Maupin about Mona as he announced on Radio 2 last week.
I live in San Francisco, I read all the books, and loved the original P.B.S. series. I'm definitely in the target audience. There are parts of the series that they get right and enjoy. From a nostalgic point of view, it's fun and delightful seeing the original actors: Olympia Dukakis and Laura Linney playing Mrs Madrigal and MaryAnne Singleton. Murray Bartlett and Ellen Page are welcome additions and fit right in to the cast as Michael Tolliver and Shauna. Armistead Maupin's story has always had a whimsical "alternative, somewhat idealized reality " that you have to somewhat suspend reality to be on board for both the books and the television series. The new writers have maintained this tone which has it's pros and cons. The pros are: it's cute and whimsical. Gay men also enjoy it for being able to see men actually doing more than kissing. The P. C. sex scenes of all genders are plentiful throughout the episodes. The overall story lines seem slow and very drawn out over the 10 episodes. I'm an attempt to please everyone, particularly a younger maybe more progressive crowd, there's the young kids storyline with the trans and gender fluid kids. A 2 hour movie would have moved the story along in a more smooth and succinct way, instead of "way to many " conversations about people and past events. (The worst stereotypes of the daytime soaps when fans complain about the snails pace of stories). If you're stuck home with the flu or it's bad weather outside, it's not a bad way to pass the time. If you want an entertaining well written, cohesive plot drive show with characters you're invested in, try something like "Schitts Creek ". I was really disappointed with this one!
I'm two episodes in, I'm quite enjoying it, but the flaws are glaringly obvious. I'll start with the biggest one and that is the supposed gap in decades that has occurred. I would have much preferred that it was set in the 90s or early 2000s, with the first series being set in the 70s this just doesn't add up for me. I'm finding it hard to move past it and very distracting.
The second flaw is the constant nods and winks to the younger generation and references to Instagram etc. There was an annoying pause in the flower shop when a customer paid for his purchase using his phone. This approach, which I think is intentional, is incredibly obnoxious.
Aside from these criticisms, I'm still a fan of the original material, and I am hopeful it settles down. Laura Linney rocks
The second flaw is the constant nods and winks to the younger generation and references to Instagram etc. There was an annoying pause in the flower shop when a customer paid for his purchase using his phone. This approach, which I think is intentional, is incredibly obnoxious.
Aside from these criticisms, I'm still a fan of the original material, and I am hopeful it settles down. Laura Linney rocks
I was very excited about this new series on Netflix, where love is standing central. Love told in many ways... new love, family love, love for friends. There are quite a lot of characters passing by in a short time, but in some way you get easily connected to their stories and all lead actors try to bring as many depth to their characters as possible. It doesn't want to be pretentious, which I was afraid of. Tales of the City does deliver some great stories. This should be clearly a series which needs more story and episodes to give some characters more space to tell their story. But, it's all heart warming and just the sort of series what we need these days. If your heart isn't made of stone, I'm sure you will melt in a heartbeat.
I really wanted to like this series and went into it with a very generous, open mind because it's the sort of series I tend to enjoy. Unfortunately the weak writing, wooden acting, constant cliches and cloyingly over-sentimentalized tropes made it really difficult to love.
I did stick with it in hopes that it would 'get better' but unfortunately it never did. A real shame because the idea had potential but it felt more like a bad after school special than a ground-breaking diversity story. It actually feels dated (in a bad way) and it's from 2019.
I gave it 7 stars because there are so few LGBT-friendly series out there I just didn't have the heart to give it less, but if I was being more honest it really doesn't deserve much more than a 5 or 6. While it does have some charming moments, it's too cutesy and devoid of grit to be truly ground-breaking.
I did stick with it in hopes that it would 'get better' but unfortunately it never did. A real shame because the idea had potential but it felt more like a bad after school special than a ground-breaking diversity story. It actually feels dated (in a bad way) and it's from 2019.
I gave it 7 stars because there are so few LGBT-friendly series out there I just didn't have the heart to give it less, but if I was being more honest it really doesn't deserve much more than a 5 or 6. While it does have some charming moments, it's too cutesy and devoid of grit to be truly ground-breaking.
Le saviez-vous
- AnecdotesLaura Linney's first involvement with the works of friend Armistead Maupin occurred 25 years earlier in the writer's first filmed series Les chroniques de San Francisco (1993).
- GaffesIn the final episode, Michael reminisces about when he first moved to 28 Barbary Lane after he saw an ad in a newspaper. In actual fact, he moved in with his friend Mona Ramsey, who was already living in the building, and he chose to remain in the apartment after she left.
- ConnexionsFeatured in Identités trans: Au-delà de l'image (2020)
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What was the official certification given to Tales of the City (2019) in Japan?
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