Thriller haut de gamme, HANNA suit le parcours d'une jeune fille extraordinaire élevée dans la forêt, fuyant ainsi la poursuite incessante d'un agent de la CIA et essayant de découvrir la vé... Tout lireThriller haut de gamme, HANNA suit le parcours d'une jeune fille extraordinaire élevée dans la forêt, fuyant ainsi la poursuite incessante d'un agent de la CIA et essayant de découvrir la vérité sur elle-même.Thriller haut de gamme, HANNA suit le parcours d'une jeune fille extraordinaire élevée dans la forêt, fuyant ainsi la poursuite incessante d'un agent de la CIA et essayant de découvrir la vérité sur elle-même.
- Création originale
- Vedettes
- Nommé pour 1 prix Primetime Emmy
- 6 nominations au total
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Reviewers say 'Hanna' is lauded for its strong performances, particularly by Esme Creed-Miles, Mireille Enos, and Joel Kinnaman, and its engaging storytelling. The series is appreciated for its exploration of Hanna's coming-of-age journey and the mysterious Utrax organization. However, some critics find the plot inconsistent and the action scenes variable. There's a divide regarding the series' deviation from the 2011 movie, with mixed reviews on character development and pacing in later seasons.
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Though I hoped that this season would be better than the first, as per my review about 5 months ago, I was kinda let down.
Again, I ask the producers, to give to series aim & purpose and squeeze it into a powerful beam for it to really deliver and shine.
Less "useless" characters and more of Hanna in action.
- The story is not better than season 1.
- We've got sort of 5 episodes of fillers and 3 more serious and better ones.
- We do not see Hanna more in action (aside the last 3 serious episodes). She should be more on the spotlight, with shininess and more crazy good performances. She is like a human "Bionic" girl with awesome abilities and amazing aiming. The producers & writers really need to understand that and give her increased brilliant spots to shine (martial arts and guns alike).
- Sandy (Áine Rose Daly) was one of the highlight of the season. She's a talented and beautiful actress who has the potential to become a really bad yet powerful smart girl in the series.
- Nothing of real interest for Marissa, aside adding mother-like behaviors to her collection in the show; Although, her personal style of handling guns are one of the best I saw in women and men alike.
Again, I ask the producers, to give to series aim & purpose and squeeze it into a powerful beam for it to really deliver and shine.
Less "useless" characters and more of Hanna in action.
I see a lot of reviews comparing this tv show with the movie. Just don't. This is a totally different thing to watch and it's very good.
The acting is perfect, the cinematography is also very well done and there is a lot a thrills going by in one way or the other.
And Esme Creed-Miles (Hanna)? Where did they find this actress. She is so good. I Knew Joel Kinnaman allready from Altered carbon. But Esme did it here. Mireille Enos as Marissa also did very very well.
I'm at epdisode 5 now and i wanted to wait with my review till the end but i couldt resist cause of all the negative reviews. Mostly after seeing the first episode only and comparing it with the movie. Just don't and watch it like somthing new.
Just watch and enjoy. I think this is Prime's best show till now.
Greetings from the Netherlands and excuse me for my English.
The acting is perfect, the cinematography is also very well done and there is a lot a thrills going by in one way or the other.
And Esme Creed-Miles (Hanna)? Where did they find this actress. She is so good. I Knew Joel Kinnaman allready from Altered carbon. But Esme did it here. Mireille Enos as Marissa also did very very well.
I'm at epdisode 5 now and i wanted to wait with my review till the end but i couldt resist cause of all the negative reviews. Mostly after seeing the first episode only and comparing it with the movie. Just don't and watch it like somthing new.
Just watch and enjoy. I think this is Prime's best show till now.
Greetings from the Netherlands and excuse me for my English.
I just finished watching season 2 and I really liked it! I won't compare it with the first season because it has been a while since I've watched it but I would say that it felt almost at the same level, although the story took a different direction. But hey, it's a new season! And I really hope that Amazon keeps it up with more and longer seasons. It's a fairly good mix of drama, action, thriller and many unexpected turns. I found myself really caring about what happens to some characters, seriously annoyed about the decisions of others and often on the edge of my seat, so to speak. Compared to so many average and boring shows available today, this is refreshingly entertaining. Esme Creed-Miles did an excellent job, as well as all the supporting artists.
I've reviewed each season of "Hanna", which can be found against the final episode of each run - but I thought I'd put something here too, so sum up my overall thoughts.
I haven't seen the film version of "Hanna", so came to the Amazon Prime series with a relatively clean slate. (I did watch the remake of "The Killing" so it was nice to see Enos and Kinnaman together again). Though I was concerned about what I thought the premise was, being extended into a show, I found an enjoyable series, with excellent music choices and good performances.
Erik Heller (Joel Kinnaman) rescues a baby and her mother from a covert military facility in Eastern Europe. Pursued by soldiers, they crash their car and the mother is killed, however, Erik and the baby escape into the woods. 15 years later, Erik has brought Hanna (Esme Creed-Miles) up in the wilderness, infusing survivalist skills with her already unnaturally heightened senses. However, she's frustrated at the limits of her life and a chance encounter leads the agency, led by Marissa (Mireille Enos), to resume their hunt.
There was lots I found I liked about this series. Coming off the back of watching "Treadstone" I worried that again the plot would prove overcomplicated, dealing as it does with a couple of different time periods and a country hopping story, but none of this was the case. I understood everyone's drives all the way through and though there is a little cross and double cross, all the motivations were explained to us ahead of time. Performances are strong, with Kinnaman and Enos standing out, along, of course with Esme Creed-Miles as the titular character. She plays Hanna wonderfully, like a fish out of water at times, but always on the cusp of snapping back into survivalist mode and killing everyone in the room. I really liked the stuff involving the family, and the excursion to Kent but oddly, my favourite part about the show was the music, lots of Karen O, and Yeah Yeah Yeahs, but the newly created score music was nice too.
I enjoyed the first season of "Hanna" more than I thought I might, with its strong performances and coherent plotting. The second season expands the universe a little, but without sacrificing any of it's core strengths. It's took me a while to get around to season three of "Hanna", around a year in fact since this final season arrived on Amazon Prime. It's through no fault of the show though, as I've enjoyed the previous two runs. This too, was a worthy season and rounds out a series that was much better than I thought it might be.
It surprisingly rare to see a series as consistent as "Hanna" with a true beginning, middle and end.
I haven't seen the film version of "Hanna", so came to the Amazon Prime series with a relatively clean slate. (I did watch the remake of "The Killing" so it was nice to see Enos and Kinnaman together again). Though I was concerned about what I thought the premise was, being extended into a show, I found an enjoyable series, with excellent music choices and good performances.
Erik Heller (Joel Kinnaman) rescues a baby and her mother from a covert military facility in Eastern Europe. Pursued by soldiers, they crash their car and the mother is killed, however, Erik and the baby escape into the woods. 15 years later, Erik has brought Hanna (Esme Creed-Miles) up in the wilderness, infusing survivalist skills with her already unnaturally heightened senses. However, she's frustrated at the limits of her life and a chance encounter leads the agency, led by Marissa (Mireille Enos), to resume their hunt.
There was lots I found I liked about this series. Coming off the back of watching "Treadstone" I worried that again the plot would prove overcomplicated, dealing as it does with a couple of different time periods and a country hopping story, but none of this was the case. I understood everyone's drives all the way through and though there is a little cross and double cross, all the motivations were explained to us ahead of time. Performances are strong, with Kinnaman and Enos standing out, along, of course with Esme Creed-Miles as the titular character. She plays Hanna wonderfully, like a fish out of water at times, but always on the cusp of snapping back into survivalist mode and killing everyone in the room. I really liked the stuff involving the family, and the excursion to Kent but oddly, my favourite part about the show was the music, lots of Karen O, and Yeah Yeah Yeahs, but the newly created score music was nice too.
I enjoyed the first season of "Hanna" more than I thought I might, with its strong performances and coherent plotting. The second season expands the universe a little, but without sacrificing any of it's core strengths. It's took me a while to get around to season three of "Hanna", around a year in fact since this final season arrived on Amazon Prime. It's through no fault of the show though, as I've enjoyed the previous two runs. This too, was a worthy season and rounds out a series that was much better than I thought it might be.
It surprisingly rare to see a series as consistent as "Hanna" with a true beginning, middle and end.
This series was great from start to finish, although I found the last season a little lacking and not quite up to par with the first two. Fantastic action, great story. Well worth watching. You can easily find yourself hitting "next episode" a lot.
Overall, my rating break-down by season is:
Season 1: 9/10 -- definitely the best of the three, although also the most heartwrenching. Felt like a rocket ship, you are strapped in from the get-go action-wise and I am still haunted by the lullaby (which is a musical theme throughout the series but you find out its heartbreaking origins in this season). Joel Kinnaman is stellar as Hanna's father.
Season 2: 8/10 - the general premise in season 2 of the training facility is not original, but was still well done as was the development of the other girls being trained, and the impact of the methods on the government individuals also.
Season 3: 6.5/10 - this was the weakest of the three unfortunately. Some of the choices in story line (and also the marketing images...) were just odd (trying not to give anything away here) or otherwise seemed kind of off.
Still, one of the best series I've watched and well-worth the time. Action sequences were well-executed and very satisfying to watch. I do hope we see more of Esme Creed-Miles in the future.
Overall, my rating break-down by season is:
Season 1: 9/10 -- definitely the best of the three, although also the most heartwrenching. Felt like a rocket ship, you are strapped in from the get-go action-wise and I am still haunted by the lullaby (which is a musical theme throughout the series but you find out its heartbreaking origins in this season). Joel Kinnaman is stellar as Hanna's father.
Season 2: 8/10 - the general premise in season 2 of the training facility is not original, but was still well done as was the development of the other girls being trained, and the impact of the methods on the government individuals also.
Season 3: 6.5/10 - this was the weakest of the three unfortunately. Some of the choices in story line (and also the marketing images...) were just odd (trying not to give anything away here) or otherwise seemed kind of off.
Still, one of the best series I've watched and well-worth the time. Action sequences were well-executed and very satisfying to watch. I do hope we see more of Esme Creed-Miles in the future.
Le saviez-vous
- GaffesIn fact the number plates in Germany are Berlin plates which look very similar to some Rumanian plates. In Rumania the vehicles with German plates are CIA vehicles carrying Berlin plates because they're from Berlin station. The other Rumanian vehicles have Rumanian plates.
- ConnexionsFeatured in The IMDb Show: Take 5 With Mireille Enos (2019)
- Bandes originalesAnti-Lullaby
Performed by Karen O
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