Yellow Rose

Before I watched this movie I had no idea who Eva Noblezada was. I was so impressed with her performance, both her acting and her truly marvelous singing voice, I had to look her up. Even though she plays a 17-yr-old high school student living with her mom, she in fact was about 22 during filming. Earlier in her career she starred in the Broadway musical "Miss Saigon" and was nominated for the 2017 Tony Award for best actress in a musical. Her performance at the 2017 Tonys is easy to find on U-tube, it is worth looking up.

So here she is Rose Garcia, her mom works at the Bastrop Inn and they live there, both undocumented. Rose plays guitar and writes songs for herself but she has a lot of budding talent. When her mom gets taken away she has to seek places to stay and one big help is a local Austin country music star. He puts her up for a while and helps her find her voice and be brave enough to sing in front of people.

This is a good movie and Eva Noblezada is very good. There has to be a singing arc and because she is such an accomplished singer she must sing initially with much restraint. Only as the movie is ending do we witness her full vocal abilities.

I like Eva Noblezada, I hope we see her in future movies. To me there is a parallel with Jessie Buckley, the Irish actress who is so good in "Wild Rose", also an aspiring country singer in that movie.

My wife and I watched it on DVD from our public library.

This movie was a refreshing change from the last movie I watched, which was Save Yourselves. The biggest problem with that movie was the lack of likeable characters. At least with this movie, you felt a connection to the main character and her plight. Sure, there were some moments that make feel she's just being unreasonable, like when she storms off from Dale Watson. But otherwise, she's just acting like a teen would put in such a situation. Another part I liked about this movie is that even though it feature a teen lead character, and the guy who she befriends from the music store (who actually isn't in it that much), the movie doesn't come across as a Disney channel teen movie. It's a mature film. It stays away from anything dark or disturbing, but it doesn't pull punches when it shows the ICE agents doing their raids to grab undocumented immigrants. And we get to see Rose go through the writing process and finding inspiration from her surroundings and even with help from Dale Watson. Not to say, this movie is about 'how to write and record a song'. But it does show how she takes her real life situation and is inspired to turn it into lyrics. Now, the ending is cliched, and typical of many of these kinds of films, hence dropping a point. And it's somewhat open-ended, because it's basically the new beginning of Rose's journey. Maybe if there's a sequel, it will play out like A Star Is Born? Haha, I don't think there will be a sequel. So, I was glad to be able to see this on the big screen. I imagine a lot of people will only get to experience this on their TV sets. I think if you can see it on the screen, do it. It's shot very well, and the sound is terrific.

Greetings again from the darkness. Immigration and the plight of undocumented workers is as relevant now as it has ever been. Writer-director Diane Paragas and co-writers Andy Bienen, Annie J Howell, and Celena Cipriaso have expanded Ms. Paragas' 2017 short film of the same name into her first feature length project. Although it covers some familiar topics, the film has a distinct look and feel to it ... the vision of an interesting new filmmaker as she provides a glimpse at the struggles and challenges facing undocumented folks, both young and older.

Eva Noblezaba stars as Rose Garcia, a 17 year old undocumented Filipino living in the outskirts of Austin in the hotel where her widowed mother (also undocumented) cleans rooms. This is Ms. Noblezaba's first film, and she's best known for playing Kim in the stage production of "Miss Saigon". Here, she's the teenage daughter of a very protective mother, and she spends her time trying to fit in at school, while also jotting down Country Music song lyrics in her Townes Van Zandt notebook, and strumming the battered guitar her late father gave her. Rose professes no interest in singing her songs for others, but that and everything else changes in one eventful night.

Elliott (Liam Booth), a friend in her class and an admirer of hers, invites her for night out in Austin at the Broken Spoke, "the last of the true Texas Dance Halls", where Austin Country Music icon Dale Watson is performing. An underage Rose over drinks, but also catches the performing "bug", and loves everything about the honkytonk atmosphere. The youngsters return to the motel just as ICE (Immigration and Custom Enforcement) is finishing up a raid, and are taking Rose's mother (Princess Punzalan) into custody. Rose's mother instructs her to seek shelter with her Aunt Gail.

Gail (Tony winner Leah Salonga) lives in an upscale Austin neighborhood - quite the contrast to the life Rose and her mother have been living. Gail is sympathetic to Rose's plight, but Gail's husband doesn't want to get mixed up with harboring an illegal. So Rose recognizes that she's unwanted and seeks refuge with Jolene (Libby Villari), the owner of Broken Spoke (Ms. Villari gives an excellent performance, though it should be noted that the infamous James White is the real life owner of the iconic dance hall). Jolene offers Rose a bed in a back room of the club, something a great many Austinites would pay handsomely for (maybe it should be an AirBnB!).

Dale Watson turns into a reluctant mentor for Rose, and the two write songs and perform together. Mr. Watson is a natural playing the on screen version of himself. There is a lot going on here, as this teenager from the Philippines proves she is strong-willed in both pursuing assistance for her mother, and in following her Country Music dream ... all while maneuvering through the obstacles of being undocumented. There is inherent racism in the film's title (Rose's nickname at school), but director Paragas never allows politics to override Rose's personal story.

"Yellow Rose" is such a touching and beautiful piece that narrates the story of identity, family, and following your dreams against all odds. Helmed by Diane Paragas, the film goes through the journey of Eva Noblezada as Rose, a talented, young Filipina immigrant living for the purpose of being able to shortly become a country music star. It's a movie that is both a testament to resilience and belonging's cumbersomeness; it's set against all of the vibrant music scenes in Texas. Noblezada is soulful, supported by powerful work from Lea Salonga as her protective aunt and by country musician Dale Watson. Threaded with sincere storytelling, "Yellow Rose" makes the musical score evocative, alive after the credits roll, casting a new light on the American dream and on the power of music to bridge cultures.

This is an important film about immigration, music, and the variety of ways we all try to become the people we want to be. While the acting can come off as a bit stiff with writing that is a little too superficial and full of tropes, the music of Eva Noblezada and Dale Watson, along with a critical story about the struggles of being undocumented and chasing your own dreams, make this very much worth a view!