Follow the Dead

I must say, I found this flick about the undead to be quite the groovy experience, man. It wasn't like those other zombie movies that shove it all in your face, you dig? No, this flick was more about the everyday lives of five cats - a brother, an ex-wife, a sister, and two cousins. They were just kicking back, you know, living their lives. But the atmosphere was thick with foreboding, thanks to those news clips and social media updates. That's what really gave me the heebie-jeebies, man.

But let me tell you, the dialogue between these friends was just cool, daddy-o. It was like listening to my own group of cats, just shooting the breeze and hanging loose. And the way the camera moved along with their conversation was just righteous, man. It kept the pace up, even when things got funny.

The general banter between the friends was downright entertaining, I tell you what. It was like I was there, man. The way they played off each other and joked around was so genuine. It was like watching a real group of friends, just being themselves.

And even though it was a movie about zombies, it never felt too over the top, you know? It was just the right amount of undead action mixed in with the real-life drama of these five friends. The blend was just perfect, man.

Overall, I thought it was one groovy flick, man. I'm definitely going to be on the lookout for more from this director. Maybe they can keep the magic going and continue to deliver films that are both entertaining and thought-provoking.

Plot

As viral videos seem to evidence the fall of Dublin at the hands of the undead, four Millennials in rural Ireland can't discern fake news from real. Has a dependent lifestyle left them too naive to weather their fate?

Cast

A competent bunch I'm unfamiliar with, but Tadhg Devery absolutely knocks it out ofthe park.

Verdict

Surprisingly not the first Irish zombie movies I've seen after the likes of Dead Meat (2004) Boy Eats Girl (2005) and The Curing (2017) but perhaps the best of the bunch.

It sees a group of misfits unprepared for what's ahead, and for the most part it works and is a genuinely funny film. Alas where it doesn't slumps the movie into sheer unadulterated mediocrity and that just broke my heart as when it's good it's really quite good.

Rants

Am I suffering zombie fatigue? Zombies are my favorite sub-genre of the my favorite genre and I can't even begin to tell you how many I've watched over the last few decades. But is that damaging future ones? Has it created an expectation? Has it caused me to have higher standards? I hate to say it, but there's a distinct possibility it has. I've become a zombie snob.

Breakdown

Very endearing Genuinely funny in places Tadhg Devery Falls very flat in places.

I think it's safe to say that since 2004, if you were to give the plot summary of a film as 'a bunch of losers try to comically survive a zombie apocalypse' then you'd automatically think of 'Shaun of the Dead.' It was a classic and well deserving of its iconic status. Of course if something is successful then others will try to copy. Over the years we've got plenty more 'comedy horror zombie' movies featuring lovable losers. Some were good, some were bad, but most were pretty forgettable.

Here we have Ireland's entry into the genre. Yes, it's another 'SotD' rip-off, so I won't bore you with a detailed plot synopsis, as there's not much you haven't seen before. I knew what I was getting into when I sat down, so I can hardly complain about its lack of originality.

And, as it began, I was pleasantly surprised. For a start, the characters were nice. And they were funny and therefore likable. Yes, there are more than a few Irish stereotypes thrown in there to keep reminding the international viewers that this is definitely set in the Emerald Isle, but, overall, all characters do a good job. My hopes were high.

So, I waited for the zombies to show. And I waited. The film began to drag about a quarter of the way through its runtime, but I continued to wait. The beginning was so strong and well-written I wanted to give it every possible chance.

Eventually, it ended. And, my overall summary would be that this is a zombie movie without any zombies. Okay, I'm exaggerating. There were some, but - seriously - in a film about the undead, chucking them in there for a handful of scenes barely counts in my opinion.

What you have for the main part is relationship drama. Just like the zombies never really show, the jokes slowly dwindle in favour of relationship issues. There's not much gore and I swear they stole a prominent mask from another horror film (I think 'Nightbreed' but I could be wrong). Anyway, what could have been a memorable entry ended up being pretty run-of-the-mill and an example of what could have been.

I, like many, am a connoisseur of indies, so there are films out there that...make you want to scream. But every now and again you come across a film that showcases a new director, writer, or actor in their best light. "Follow the Dead" is one of those films. And while basic premise has become a perennial horror trope - zombies are taking over - now film makers are exploring other ways to show the undead apocalypse. In this case, it's a bunch of twenty-somethings in Ireland who cannot discern the truth of their situation because of their distrust of the media, after having been bombarded with "fake news" for most of their adult lives. That initial skepticism gradually gives way to their new reality, and focuses on the relationships of the characters. From the opening senes, it's apparent that "Follow the Dead" was crafted with the eye of a talented film maker and writer, Adam Cahill. The writing delivers a different take on the genre, with solid acting that organically follows the tale in a believable way. There is a gentle slacker vibe from the man-children, and the women in the story seem to have their acts together far more than the boys, which is a real-life truism. Some may feel that the action gets a little slow when it gets too talky toward the third act. There are some twists that don't conform to the genre either, which may be a good or bad thing, depending on the viewer and their expectations. Overall, this is a fine effort from a new film maker who has a bright road ahead. I enjoyed this one more than I thought I would, and give this film 3.5/5 stars.

What did you do here? Why change genres four times in the duration of the film?

When it started as a comedy, fine - low budget, genuinely funny moments, but then it took a left turn it couldn't come back from. It's fine if you want to have the standard boy/girl reuniting, but why so serious? Then it became a family melodrama, then attempt at a thriller?

No climax, no character reference outside of the main four, so trying to tie in the story just doesn't work.

Also - the description has nearly nothing to do with the movie. This is very much not about Millennials and fake news from real. That's not even subplot. It's more like, a passing comment.

Before reading the description I thought to myself it's like one person started the movie, went into a coma, then his sad family tried to finish it for him - turns out, you did take two people's entirely different concepts and mash them together. It's rather unfortunate really, I was enjoying it for a bit there.

I don't know if this is your first go or not, but give it another. Just, maybe not as much of a team effort when it comes to the script, plot, genre, etc. If you try to please everyone, you end up pleasing no one.