ÉVALUATION IMDb
5,9/10
12 k
MA NOTE
L'histoire de cinq prisonniers politiques cubains emprisonnés par les États-Unis depuis la fin des années 1990 pour espionnage et meurtre.L'histoire de cinq prisonniers politiques cubains emprisonnés par les États-Unis depuis la fin des années 1990 pour espionnage et meurtre.L'histoire de cinq prisonniers politiques cubains emprisonnés par les États-Unis depuis la fin des années 1990 pour espionnage et meurtre.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 3 nominations au total
Nolan Guerra
- Cruz León
- (as Nolan Guerra Fernandez)
Osdeymi Pastrana
- Irma Gonzalez
- (as Osdeymi Pastrana Miranda)
Leandro Cáceres
- Ponzón
- (as Leandro Caceres)
Ernesto Faxas
- Rene's FBI Contact
- (as Ernesto Ruiz Faxas)
Roque Moreno
- Colonel Ribeiro
- (as Juan Carlos Roque Moreno)
Avis en vedette
After reading a lot of reviews I didn't expect this film would offer much. It was a bit confusing and disjointed but I enjoyed exploring the context of the film and really enjoyed the story of Rene and his family.
Because much of my joy in reliving history is through cinema, I eagerly went to Netflix to experience writer/director Olivier Assayas's Wasp Network (with writer Fernando Morais as well). Having never thought about the spies in the 90's who infiltrated the anti-Castro movement in Florida, I now have a vivid picture of them and their heroic, self-sacrificing for communist Cuba.
This sometimes-incoherent docudrama (just too many spies dancing in the espionage world with nary a pause to figure if they're working for the rebels, the Cuban government, or the FBI). Olga Salaneuva (Penelope Cruz), wife of ace pilot for the Cuban government, Rene Gonzalez (Edgar Ramirez), who secretly infiltrates the rebels without her knowing, provides a dramatic glue as she interacts also with other recruits for the government through her husband.
Gerardo Hernandez (Gael Garcia Bernal) is responsible for supervising the spies in Florida into the Wasp Network. Already you can see my challenge making coherent an unwieldy assembly of heroes and scalawags-I have yet to adequately assess the worth of the film.
I'm going to do that now while I have much else of the plot left undone: The excellent cast and the stellar DP's (Yorick Le Saux and Denis Lenoir) have reminded us what a romantic and troubled island Cuba has been since Fidel Castro began his long rule. With cooperation from Cuba, the colorful decadence and charming decay of that festive nation are on display. Old American cars and shabby multicolored buildings create the perfect metaphor for the revolution with its romantic aspirations and real-time rationing of food and gas, enough to make emigration to the US a realistic goal.
Assayas has too much to cover, but what he does, when you factor out the excessive time given to domestic challenges and even a wedding, is fascinating to see how much these spies have given up for Cuba. The history is well known-The spies are caught and mostly turn on each other to accept the FBI's plea deals.
Communists still rule Cuba, and it suffers from the sanctions the Us has firmly held since Castro. In spite of that relatively poor profile, people are willing to sacrifice for Cuban ideals by joining the Wasp Network-and it stings. The movie, however, is historically and visually balm for the history-loving cinephile.
This sometimes-incoherent docudrama (just too many spies dancing in the espionage world with nary a pause to figure if they're working for the rebels, the Cuban government, or the FBI). Olga Salaneuva (Penelope Cruz), wife of ace pilot for the Cuban government, Rene Gonzalez (Edgar Ramirez), who secretly infiltrates the rebels without her knowing, provides a dramatic glue as she interacts also with other recruits for the government through her husband.
Gerardo Hernandez (Gael Garcia Bernal) is responsible for supervising the spies in Florida into the Wasp Network. Already you can see my challenge making coherent an unwieldy assembly of heroes and scalawags-I have yet to adequately assess the worth of the film.
I'm going to do that now while I have much else of the plot left undone: The excellent cast and the stellar DP's (Yorick Le Saux and Denis Lenoir) have reminded us what a romantic and troubled island Cuba has been since Fidel Castro began his long rule. With cooperation from Cuba, the colorful decadence and charming decay of that festive nation are on display. Old American cars and shabby multicolored buildings create the perfect metaphor for the revolution with its romantic aspirations and real-time rationing of food and gas, enough to make emigration to the US a realistic goal.
Assayas has too much to cover, but what he does, when you factor out the excessive time given to domestic challenges and even a wedding, is fascinating to see how much these spies have given up for Cuba. The history is well known-The spies are caught and mostly turn on each other to accept the FBI's plea deals.
Communists still rule Cuba, and it suffers from the sanctions the Us has firmly held since Castro. In spite of that relatively poor profile, people are willing to sacrifice for Cuban ideals by joining the Wasp Network-and it stings. The movie, however, is historically and visually balm for the history-loving cinephile.
Way better than it's current rating of 5.8 would indicate imo. With a great cast ( how can you go wrong with Penny Cruz, Ana de Armis and Wagner Moura ?!) and interesting storyline it's a cross between Narcos and Syriana with better landscape.
Really watchable even though it hops around a bit in timelines and highlights the duplicity of both the Castro and US governments.
Really watchable even though it hops around a bit in timelines and highlights the duplicity of both the Castro and US governments.
Great film. Oddly paced, as many of Olivier Assayas' movies are, but it works. If you are even vaguely familiar with the politics involved, it's not hard to follow. Cast is phenomenal. Beautifully shot. Straightforward storytelling. If you are unfamiliar with assayas' style and are expecting a "blockbuster" action movie, you may be disappointed, as I assume most of the negative reviews were a result of. That's understandable, but I very much enjoyed this movie, and am otherwise not a huge fan of the director.
Many people here gave this movie a bad review because they don´t agre with it´s political views. I think that´s dumb.
The movie is bad because it´s BORING and it doesn´t care about what it´s telling. Not because it might be historically innacurate or not being anti-castro enough!
BTW, Lots of hollywood movies despict historical events wrong or tergiversed but nobody seems to care this much, usually because they like that version more. They only care about the "agenda" in a movie when it´s different from their own, not when there is one.
BTW, Lots of hollywood movies despict historical events wrong or tergiversed but nobody seems to care this much, usually because they like that version more. They only care about the "agenda" in a movie when it´s different from their own, not when there is one.
Le saviez-vous
- AnecdotesPedro Pascal was originally cast but dropped out for undisclosed reasons and was replaced by Leonardo Sbaraglia.
- GaffesAs Jose Basulto lines up the aircraft for the leaflet drop, a compact full-color moving-map GPS navigator can be seen at the top of the instrument panel. This type of flight instrument was not available in the early 1990s.
- Citations
Jose Basulto: You know what, I used to be a violent man. Trained by the US as a terrorist. My hero was John Wayne. But not anymore. Now I'm a kind of ... Jedi. Like Luke Skywalker. The Force is with us. Understand?
- ConnexionsFeatured in CTV News at 11:30 Toronto: Episode dated 9 September 2019 (2019)
- Bandes originalesInstrumental Lament I
Performed by Haig Sarikouyoumdjian and Nedyalko Nedyalkov
Meilleurs choix
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Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Wasp Network
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 1 569 970 $ US
- Durée2 heures 7 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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