Les super-vilains Harley Quinn, Bloodsport, Peacemaker et une belle collection d'escrocs à la prison de Belle Reve rejoignent la super secrète et super louche Task Force X, sur l'île lointai... Tout lireLes super-vilains Harley Quinn, Bloodsport, Peacemaker et une belle collection d'escrocs à la prison de Belle Reve rejoignent la super secrète et super louche Task Force X, sur l'île lointaine et bourrée d'ennemis de Corto Maltese.Les super-vilains Harley Quinn, Bloodsport, Peacemaker et une belle collection d'escrocs à la prison de Belle Reve rejoignent la super secrète et super louche Task Force X, sur l'île lointaine et bourrée d'ennemis de Corto Maltese.
- Prix
- 4 victoires et 43 nominations au total
- Flo Crawley
- (as Tinashe Kajese-Bolden)
Sommaire
Avis en vedette
The most outstanding thing about this latest squad is the way they blend and mix in everything into the recipe. It's like you're watching a bunch of genres; comedy, dark comedy, fantasy, action, thriller, drama, superhero, spoof and commentaries; political, social contexts, world revolving issues all together and yet, it tastes très bon! Often enough, movies that try to do everything together fail big time but not this one. This is a cinematic achievement.
James Gunn, who also directed Guardians of the Galaxy, knew that the Marvel/DC films have rehashed their materials multiple times; basic origin, romance, giving up, final battle. Hence, Gunn develops a non-formulaic approach that seems suicidal at first but triumphantly creates something unique and unpredictable. From the get-go, Gunn's vision is unconventional but polished, enough to make the audience feels they have never seen anything like it before.
Talking about unpredictability, it indeed is what it is. You never know what will come next, who will die or survive. There are a few times that Gunn uses the head fake technique to deceive viewers from its sequential but engaging storytelling. Like Deadpool, something unexpected happens at the moment when you least expect it.
The juxtaposition of both the 2016's and 2021's is evidently visible. While 2016 has its moments, almost everyone could agree it was disappointingly bland af. The 2021 entry has a strong direction and far better pacing, let alone twists that are fully captivating. The only couple of things that 2016 did it better were the trailers and the soundtrack.
The Rated-R is straight up hardcore to the face. It's superbly gory, darkly comical and unabashedly funny, all without pulling its punches. This is how DC films should be, not as dour as Zack Snyder's but not as light as Marvel's either.
When it comes to flaws, albeit its powerful opening scene, I feel that they waste many of the potential characters here insofar some of them never even got the chance to show their abilities, skills, talents or superpowers.
I am also not impressed by the intensity of the movie's brightness particularly on the background in some scorching white scenes. It defaces the texture of the film and should dazzle some viewers, left distorting of what could have been an iconic scene like the slo-mo segment.
All in all, 2021's The Suicide Squad makes for a suicidal task with flamboyantly sheer colourful characters that collectively sign up for one thing amidst this pandemic chaos; blasting out loud the volume of fun and violence, subsequently climbing to the top as the best DCEU Film ever made.
The comedy is actually funny and not cheesy or cringy, the superheroes outside of Cena don't all look roided to be powerful, and there's actually good acting.
Marvel is for kids, DC is for adults-hate it but if you're honest you'd agree.
*Pros* Well written characters / performances Comedy/Action (is not repetitive) Effects/CGI Story / plot / script
*Cons* Thinly written Villain Climax for the ending felt just a bit thin wish it would have required more "teamwork" and not one character being the reason they won (you'll see what I mean) Some Characters I felt died a bit too soon and would have liked a little more depth before they went.
WB needs to keep this up and we will continue to want more. If they understand the character they should know the direction needed to continue the character. Superman doesn't need to be dark and suicide squad should never be PG13. Not saying these are "impossible to do" but just saying if you REALLY understand the character you should know what works and what doesn't, and as far as I see it... this is the RIGHT direction for The Suicide Squad Peacemaker show is something to look forward to! And I will be more than happy to call this Film an "The REAL Academy Winning Suicide Squad" because it deserves the title more than the 2016 one... #releasetheayercut.
James Gunn Films as Ranked by IMDb Rating
Le saviez-vous
- AnecdotesAs for how director James Gunn got Sylvester Stallone to voice the role of Nanaue/King Shark, it didn't take a whole lot of convincing. Gunn said to him, "I wrote this role for you in The Suicide Squad. It won't take too much of your time." Stallone replied, "Oh yeah?" To which Gunn said, "Yeah. It's a big, kinda chubby, human-eating shark." To which Stallone said, "Anything for you, brother."
- GaffesAt 31:53 three members of crew are visible as the squad walk through the jungle.
- Citations
Young Cleo: Why rats, Papa?
Ratcatcher: Rats are the lowliest and most despised of all creatures, my love. But if they have purpose, so do we all.
- Générique farfeluSPOILER: There is a scene at the end of the closing credits: Waller's aides Economos and Harcourt visit Peacemaker in hospital. This leads into Peacemaker (2022).
- ConnexionsEdited into Peacemaker: Better Goff Dead (2022)
- Bandes originalesFolsom Prison Blues
Written by Johnny Cash (as John R. Cash)
Performed by Johnny Cash
Courtesy of Columbia Nashville
By arrangement with Sony Music Entertainment
Meilleurs choix
- How long is The Suicide Squad?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Suicide Squad
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 185 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 55 817 425 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 26 205 415 $ US
- 8 août 2021
- Brut – à l'échelle mondiale
- 168 717 425 $ US
- Durée
- 2h 12m(132 min)
- Couleur
- Mixage
- Rapport de forme
- 1.90 : 1