Un complot englobant les mandats de quatre présidents des États-Unis pousse la première femme éditrice et rédactrice en chef du pays à rejoindre une lutte sans précédent entre la presse et l... Tout lireUn complot englobant les mandats de quatre présidents des États-Unis pousse la première femme éditrice et rédactrice en chef du pays à rejoindre une lutte sans précédent entre la presse et le gouvernement.Un complot englobant les mandats de quatre présidents des États-Unis pousse la première femme éditrice et rédactrice en chef du pays à rejoindre une lutte sans précédent entre la presse et le gouvernement.
- Nommé pour 2 oscars
- 21 victoires et 116 nominations au total
Avis en vedette
A number of people said the movie was too preachy and was worried about that before seeing the movie. I didn't find that at all after watching the movie. Yes, verses a documentary, this movie did have a theme and message, but I knew what this movie was about freedom of the press before going to see it. I grew up in that time period, so I knew the outcome also.
8/10
All of us want freedom of speech and freedom of press, and us as people expect the news media to give it to us and when documents are uncovered by people in the press which exposes cover up and lies from many previous presidents, you feel relieved and mad also. And with this picture it shows the process of how to investigate and publish hard hitting truth even if it means to challenge the powers that be.
That's what "The Washington Post" did as the owner a powerful woman in Kay Graham(a wonderful Meryl Streep)put it all on the line with the help of a powerful and well know editor in Ben Bradlee(the good Tom Hanks). As anything worth exposing and challenging is worth a fight for as it makes the powerful upset and angry.
Overall this picture is a must watch for political history buffs also as it shows how the ever on going war between media and government began and how it became a political dogfight for each and all involved. Proving that accountability is needed for all.
Even if the answer is yes, that's The Post, in a nutshell. It hits all the right beats. Serious historical drama (it covers a newspaper contemplating printing government lies about the Vietnam War), mega-famous director (Spielberg), and beloved, award-winning stars (Streep and Hanks). To top it all off, this movie is timely. A movie about newspaper courage at a time when our nation's free press is under attack, it's almost too perfect. Delicately arrange all these ingredients nicely on a fancy dish, and we should have a five-star meal. But we do not. Instead, the result is something that is just fine. It's a lower-middle class version of Spotlight.
That likely reads harsher than I intend it. Spotlight is incredible. Mentioning any movie in the same breath is an honor. The Post is a perfectly adequate, important movie, not a Best Picture winner. There's no shame in that.
There's very little blatantly wrong with the movie. Grading via a high school-style rubric would result in an A for following all the instructions and including all the required criteria. Yet, it does not quite reach the level of "WOW."
Figuring out why it doesn't "WOW" is tricky. Maybe shooting and editing a movie that quickly (reportedly completed in only a few months) is too tall a task even for a master like Spielberg.
Tom Hanks and Meryl Streep play the leading roles and do so fantastically. Streep is especially strong in capturing the hesitancy of a woman in charge who doesn't act like she's in charge. This is the other element that's important for 2018. Women can lead effectively and bravely. She slowly learns that she is fully capable of seizing control and making the tough decisions, just like any successful leader.
The supporting actors all likewise play their roles well, without exception. Everyone feels a bit underutilized, which I suppose they understood when they accepted the parts. The inclusion of so many famous faces could be viewed as a statement emphasizing the importance of the film.
While I mentioned that there is very little blatantly wrong with the movie, I did personally find certain parts troublesome. Specifically, I call attention to the beginning and ending. Without spoiling anything, they felt oddly out of place, or at the very least, they felt unnecessary.
Perhaps Spielberg included them to make clearer the message of the movie. He wanted to establish the stakes. I didn't think we needed that. Movie viewers are smart enough to understand what makes this movie important. Thankfully, the movie avoided becoming overly preachy, aside from a couple sigh-worthy instances.
If you're down for a textbook "important history lesson" movie, The Post is for you. Just don't expect to leave the theater in stunned silence, like you did after seeing Spotlight.
Le saviez-vous
- AnecdotesIn all of the scenes depicting President Nixon on the phone in the Oval Office, Nixon's actual voice is heard from White House tapes.
- GaffesThe film shows Washington Post trucks delivering newspapers when the Post's edition of the Pentagon Papers hits the street. The Washington Post did not own delivery trucks. The paper was distributed by independent drivers using their own unmarked trucks, usually white step vans.
- Citations
Meg Greenfield: Listen up, everybody. Listen up. Justice Black's opinion. Okay. "The founding fathers gave the free press the protection it must have to fulfill its essential role in our democracy. The press was to serve the governed, not the governors."
- Générique farfeluThe 20th Century Fox logo is shown, but we do not hear the usual fanfare. Instead, we just hear the sound effects of the action in Vietnam which leads into the first scene of the film.
- Bandes originalesGreen River
Written by John Fogerty
Performed by Creedence Clearwater Revival
Courtesy of Concord Music Group, Inc.
Meilleurs choix
- How long is The Post?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Post
- Lieux de tournage
- White Plains, New York, États-Unis(Bagdikian using public phones at Hamilton Ave & EJ Conroy Drive)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 50 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 81 903 458 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 526 011 $ US
- 24 déc. 2017
- Brut – à l'échelle mondiale
- 193 764 664 $ US
- Durée1 heure 56 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1