Trop Près du Meurtrier

People should have to state their age group when posting comments here. I'm in the 50+ group and loved the slow burning tension of this movie. Most teenagers will post things like ''Boooooooring'' and I understand. No gunfights, no blood and gore, no supernatural mumbo jumbo, no superheroes. Just a glimpse inside the minds of ordinary people living extraordinary events.

Really more of a psychological suspense than a killer-thriller.

Excellent cast, some additional intensity would've been good here and there, but I respect the director's vision of this story.

So many bad movies out there... this is not one of them.

I wanted to like "The Clovehitch Killer" more than I did. Many ingredients are there for an interesting movie. I think the direction is the key flaw here. It doesn't take its premise as far as it should have, to really make you feel something. It seems to approach some fairly uncomfortable viewing, but never make good on it.

Dylan McDermott, the centre of the movie, is really its best part. His performance is chilling and confounding. The character of his son and his snooty gal pal don't really do enough. The investigate the titular killer, but you don't see enough of how they really think and feel. Nor is there enough of a look in from the mother character, who, doubtless, would have a lot of pain.

Family, in most cases, is a web of secrets and lies. This movie could have been about more than a killer who's also a family man. It could have been painfully relatable. It just isn't.

At times extremely effective, deeply disturbing & uncomfortable to watch, The Clovehitch Killer is a relatively satisfying & well made film that's worth a watch - but it's also a classic example of a movie that doesn't know when to end - dragging out the resolution until you're willing the credits to start rolling; every scene feels like it's setting up the conclusion until it's followed by yet another & you're left impatiently waiting for the crescendo, which is tedious, frustrating & disappointing. However, the performances sell the entire film & there's palpable tension between characters in emotionally charged scenes so the conflict is incredibly well done & regardless of its faults, it's still a good film - despite being unnecessarily long & drawn out.

I enjoyed this film, but I wouldn't recommend it for someone looking for an edge-of-your-seat thriller. I found the acting to be very good, especially Beaty and Plummer.

Years after a notorious serial killer of teenage girls stops, loving son (Charlie Plummer) finds evidence to suggest his father (Dylan McDermott) may have been responsible. Slowly, with the help of new girlfriend (Madisen Beaty) whose mother was killed by the the eponymous villain, the evidence begins to mount up.

Slow-burn thriller that nicely highlights the macabre contradictions between a perfect loving family in gun toting, American bible belt country with a psychopath killer within. McDermott is terrific as the killer who still feels the right to hold his head high because of his god fearing / family loving ways, despite tying up and strangling young girls. This belief by father and ultimately his son leads nicely to a slightly off kilter, but nonetheless persuasive and enjoyable climax which has tended to be criticised by critics as being too action oriented, but which I thought fitted quite nicely.