ÉVALUATION IMDb
5,2/10
20 k
MA NOTE
L'histoire d'un gestionnaire de talents travaillant à Los Angeles dans les années 1990, représentant avec diligence un groupe de clients excentriques en marge du show business.L'histoire d'un gestionnaire de talents travaillant à Los Angeles dans les années 1990, représentant avec diligence un groupe de clients excentriques en marge du show business.L'histoire d'un gestionnaire de talents travaillant à Los Angeles dans les années 1990, représentant avec diligence un groupe de clients excentriques en marge du show business.
- Director
- Writers
- Stars
- Prix
- 1 victoire et 2 nominations au total
Luis Guzmán
- Oscar
- (as Luis Guzman)
Avis en vedette
I've never been more outraged in my life. I actually liked his movies and kept giving him chance after chance after chance. His time has run out. I literally stormed out of the room, grabbed a smoke and thought "I'm better than this!". We are all better than this. Three words - Jack and Jill....and then it went all down hill from there. My intelligence is beyond insulted. Netflix has disturbed me to no end - why let this turd face continue? Shaking my fists at the heavens screaming "Why!?". Literally - WHY! IS THERE NO GOD? The answer....NO. At least, not while Sandler and his disgusting croonies make another pile of raging rubbish. NO GOD.
... Adam Sandler has turned from one of the funniest guys on screen to the exact opposite. Sandy Wexler is Sandler's latest Netflix effort and it's even worse than his previous two Netflix productions. Wexler is supposed to be an inside look into Hollywood of the early 1990s. Why? I didn't get it. Is it funny? Not at all. Wexler somehow wants to draw us into this time period and fails miserably.
Worst, Sandler acts with some idiotic Jerry Lewis like nasal voice which clearly is only annoying. (and Jerry Lewis was great in doing the nasal voice BTW). I can no recommend this film. I wish Sandler would go back and make some smart and actually funny comedy. But it sure doesn't look like it.
Worst, Sandler acts with some idiotic Jerry Lewis like nasal voice which clearly is only annoying. (and Jerry Lewis was great in doing the nasal voice BTW). I can no recommend this film. I wish Sandler would go back and make some smart and actually funny comedy. But it sure doesn't look like it.
Easily the best movie Sandler's made in... well, a long time.
Sandy Wexler is an utterly abrasive loser, and if there's a problem with the movie at all you spend the first half hour wondering if you can actually stand to hear that nails-on-chalkboard voice for the duration. The movie really IS too long and might have had some time trimmed from the setup, but once you get past that? Well...
Jennifer Hudson is fantastic. She's funny, and charming, and classy, and the songs she sings in this Hollywood fable are very, very good. There are some funny bits, and some clever twist casting and cameos.
It's a bit uneven, but fun and totally worthwhile.
Sandy Wexler is an utterly abrasive loser, and if there's a problem with the movie at all you spend the first half hour wondering if you can actually stand to hear that nails-on-chalkboard voice for the duration. The movie really IS too long and might have had some time trimmed from the setup, but once you get past that? Well...
Jennifer Hudson is fantastic. She's funny, and charming, and classy, and the songs she sings in this Hollywood fable are very, very good. There are some funny bits, and some clever twist casting and cameos.
It's a bit uneven, but fun and totally worthwhile.
Sandy Wexler stars Adam Sandler as a talent manager working in Los Angeles in the 1990s. He is representing a group of eccentric clients on the fringes of show business. His devotion is put to the test when he falls in love with his newest client, Courtney Clarke, a tremendously talented singer who he discovers at an amusement park. Over the course of a decade, the two of them play out a star- crossed love story.
I honestly think Sandy Wexler had potential. Adam Sandler was...actually pretty good. The all around acting was actually pretty great! One of the things that originally turned me off of this movie originally was Sandler's voice. I mean, it worked in one movie, dude! The voice wasn't too annoying..you can actually get used it after a while. Though, being a movie critic, I did notice this movie was edited terribly. There's this one scene where Sandy is talking to Courtney. He picks up his drink, and in the next shot it disappears. It is also blatantly obvious Sandler did some voice overs on his already completed scenes. There's parts where you can see his lips moving, but words are coming out faster.
There are actually a few funny parts! It's not painful in the way Jack and Jill was. Wow! I'm shivering just thinking of it!
Like many of Sandler's movies, there are way too many celebrity appearances. Some of these include Quincy Jones, Paul Blart..I mean...Kevin James, David Spade, Conan, Jimmy Kimmel, Chris Rock, Quincy Jones, Vanilla Ice, Terry Crews, Rikishi, Weird Al, and Garth himself, Dana Carvey. The movie is full of cameos like these. Though, they all come together in the end. At times, Kevin James' character feels way too forced. Compared to Wexler's other clients, he wins the most on-air time. Sure, the first few scenes with him were funny, but by 2 scenes of James', you think 'How many times are they going to pull the same dumb joke?'
The movie did benefit from being on Netflix, and not an actual movie. Sandler's past few movies bombed, and this would've, too.
The movie is set in the 90's, but it didn't need to be. The 90's aspect is so forgettable, when there could've been so much more to it! Though, there is a scene where Courtney falls in love with a coffee chain owner (Starbucks), and Sandy says it will never work. With the inclusion of Weird Al and QUincy Jones, this movie would be better set in the 80's, not 90's. It did have nice use of older footage. For example, Courtney goes to the 1995 Grammy Awards. We see shots from other artists from the original show.
Sandy Wexler accomplished its job: a forgettable comedy. Sure, it's enjoyable, but at over 2 hours long, you almost want it to end halfway through. The movie really does pick up by the end.
Is Sandler back to being funny? Well, this was a great start. If Sandler does another Sandy he'll be back. This was an enjoyable movie, which I'd recommend.
I honestly think Sandy Wexler had potential. Adam Sandler was...actually pretty good. The all around acting was actually pretty great! One of the things that originally turned me off of this movie originally was Sandler's voice. I mean, it worked in one movie, dude! The voice wasn't too annoying..you can actually get used it after a while. Though, being a movie critic, I did notice this movie was edited terribly. There's this one scene where Sandy is talking to Courtney. He picks up his drink, and in the next shot it disappears. It is also blatantly obvious Sandler did some voice overs on his already completed scenes. There's parts where you can see his lips moving, but words are coming out faster.
There are actually a few funny parts! It's not painful in the way Jack and Jill was. Wow! I'm shivering just thinking of it!
Like many of Sandler's movies, there are way too many celebrity appearances. Some of these include Quincy Jones, Paul Blart..I mean...Kevin James, David Spade, Conan, Jimmy Kimmel, Chris Rock, Quincy Jones, Vanilla Ice, Terry Crews, Rikishi, Weird Al, and Garth himself, Dana Carvey. The movie is full of cameos like these. Though, they all come together in the end. At times, Kevin James' character feels way too forced. Compared to Wexler's other clients, he wins the most on-air time. Sure, the first few scenes with him were funny, but by 2 scenes of James', you think 'How many times are they going to pull the same dumb joke?'
The movie did benefit from being on Netflix, and not an actual movie. Sandler's past few movies bombed, and this would've, too.
The movie is set in the 90's, but it didn't need to be. The 90's aspect is so forgettable, when there could've been so much more to it! Though, there is a scene where Courtney falls in love with a coffee chain owner (Starbucks), and Sandy says it will never work. With the inclusion of Weird Al and QUincy Jones, this movie would be better set in the 80's, not 90's. It did have nice use of older footage. For example, Courtney goes to the 1995 Grammy Awards. We see shots from other artists from the original show.
Sandy Wexler accomplished its job: a forgettable comedy. Sure, it's enjoyable, but at over 2 hours long, you almost want it to end halfway through. The movie really does pick up by the end.
Is Sandler back to being funny? Well, this was a great start. If Sandler does another Sandy he'll be back. This was an enjoyable movie, which I'd recommend.
In a film I tend to look for a combination of factors, one of which being originality and good acting. This took me by surprise as, although it started out as almost seeming like a funny Adam Sandler type of move with silly elements, I started to enjoy it when Adam's character started to develop and take a more sentimentle and more in depth aspect. I enjoyed this movie, even though it wasn't one of Adam's best performances, but enjoyable nevertheless and entertaining with a little twist!
Le saviez-vous
- AnecdotesBased on Adam Sandler's real-life talent manager, Sandy Wernick.
- GaffesIn the opening sequence set in September 1994, there is a large poster for the Smashing Pumpkins' "Mellon Collie and the Infinite Sadness" album. That album was not released until October 24, 1995 and recording hadn't even begun until March 1995.
- Citations
Courtney Clarke: Damn... That's a big ass!
- Générique farfeluAfter the first part of the end credits, we get one more wedding testimonial from Mike Judge (playing himself). While the second part of the end credits roll, we hear a prank call that Sandy receives. It's Judge doing the voices of Beavis and Butt-Head (1993). After a few minutes, we see Adam Sandler and Judge recording the conversation.
- ConnexionsFeatured in Conan: Adam Sandler/Dana White (2017)
- Bandes originalesThings Are Looking Up
Written by Ira Gershwin and George Gershwin
Performed by Ella Fitzgerald
Courtesy of The Verve Music Group
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Sandy Wexler - Anh Chàng Siêu Ngố
- Lieux de tournage
- Los Angeles, Californie, États-Unis(location)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée2 heures 10 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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