Madaari

Madaari, a Social-Thriller film by Nishikant Kamath, is one more attempt by a filmmaker to take head-on with the corrupt systems existing in our country. It is very much inevitable to draw parrallels with Neeraj Pandey's 2008 film 'A Wednesday'. A Wednesday was an engaging thriller with an unimaginable and unpredictable dramatic twist, which was set on the premise of terrorism. The underlying concept of Madaari is also the same, i.e. when a common man decides to raise his voice against the powerful, it does make a difference. I would admit that Madaari might lack the action-packed thrilling sequences as that of Wednesday, but Madaari has its own strengths and it also very successfully conveys the message. Although as a viewer, I did feel disillusioned. Not because the film is not good, but because, the subject of the film is so relevant. We are aware of these shortcomings of our society, system, government, hardly doing anything to change the system, still unable to bring any changes. But at least an effort to convey a pertinent point through such films generate hopes of changes in the outlook towards world and also making world a better place to live.

It's a gem of a movie, largely carried on by Irrfan Khan and an expressive chunk of kid (Vishesh Bansal) & grit of Jimmy Shergill (he is wasted though). The depiction of Father-Son relation is directed beautifully ...u can actually fall for them 

In here Irrfan doesn't try to be the one man army fighting against the system unlike almost all vigilante justice movie, instead he lets the situation, grief and purpose drive the movie with his exceptional acting (among the best v have seen) especially the post- accident hospital sequence is gut wrenching. The dialogues carry punch and tears apart our psyche.

Nishikant Kamath's best direction after Mumbai Meri Jaan, though the movie falls short at some instances but they are well overlapped by Irrfan Khan's brilliance 

If you loved A Wednesday u will admire Madaari

P.S: it is a shame that such movie will hardly gather 10% of what BRAINLESS movies earn this days... no doubt we are living in denial !!!

Bollywood is a big industry and it is growing reaching Hollywood. People like Irrfan Khan in Bollywood are the real actors. Bollywood is reaching to Hollywood because of the actors like Him.

There are some actors who are well known by all over the world, I don't want to show their names, everybody know them, those actors who are just curious about their image, curious about typical "Gunda" and many type of movies, but the real Heroes are these people like Irrfan, who just focus on real public issues.

Director Nishikant Kamat is day by day progressing, and I congrats him for making this movie. The Music was less its OK, I am talking about slow Music that instantly touches the heart.

Please Watch these kind of movies, and don't forget to tell people about this movie. and Irrfan Hats off to you sir.

Masterpiece - Natural Acting, Plot Is Very Sentimental & Realastic. Story Is Above Expectation. Irrfan's Great Art Must Watch Every Body , Bollywood Should Make This Type Of Thought Provoking Movie.

When he gets angry, you get angry. When he laughs, you laugh. When he cries, you cry. Irrfan Khan is one of the few actors of modern day cinema who carry unique ability to glue their audience with the celluloid moment in which they create their own reality. An Actor, who has achieved a sort of iconic status lately, has reappeared in his latest Bollywood venture "Madaari" directed by Nishikant Kamat who has previously directed films like "Mumbai Meri Jaan" and "Force". With powerful content, nonlinear storytelling with flashbacks and emotionally charged performance by Irrfan Khan, "Madaari" connects its viewers on their subconscious level and alleviates them to such an emotional state where it becomes difficult for them to differentiate between real and reel pain. A society in which corruption has become daily routine and importance of a human life is always the last thing in the mind of ruling elite, justice seems like a Utopian idea. Under such circumstances a powerless commoner who is also grieving for death of his only son in man-made disaster, can either go for ending his own life or he can take completely different route by seeking answers from individuals who are indirectly accountable for the death of his son. By kidnapping only son of India's Home Minister, equivalent to Interior Minister of Pakistan, he creates such havoc in the heart of powerful ruling elite which eventually make them bow to his demands. Curiosity, anxiety and events leading to penultimate stage of the film are so profound which twitch viewers' sense of seemingly "All OK" perception and create such an impact drama on silver screen which pokes us hard. Nishikant Kamat has skillfully used the talent of Irrfan Khan like an error-free technician who wants nothing but excellence on every frame in which Irrfan Khan appears. In today's world of Indian cinema where only content-less films crossing 100 Crores are important, "Madaari" is an anomaly which blatantly challenges pseudo-realm of typical Bollywood masala flicks. From the first frame to last 'Madaari' is an Irrfan Khan's film but Jimmy Shergill as Investigating Officer Nachiket Verma impresses with his serious but meticulous performance. On the whole "Madaari" is a kind of film which gives you goose bumps and silent moments when you come out of cinema hall and words from Faiz Ahmed Faiz's famous poem "Bol Kay Lub Azaad Hain Tery" are said during final credits of the film in husky voice of Irrfan Khan. --I wrote this review in 2016--