Sam, intelligent mais sans but précis, trouve un soir une femme mystérieuse nageant dans la piscine de son appartement. Le lendemain matin, elle disparaît. Sam traverse Los Angeles pour la r... Tout lireSam, intelligent mais sans but précis, trouve un soir une femme mystérieuse nageant dans la piscine de son appartement. Le lendemain matin, elle disparaît. Sam traverse Los Angeles pour la retrouver et découvre une conspiration étrange.Sam, intelligent mais sans but précis, trouve un soir une femme mystérieuse nageant dans la piscine de son appartement. Le lendemain matin, elle disparaît. Sam traverse Los Angeles pour la retrouver et découvre une conspiration étrange.
- Director
- Writer
- Stars
- Prix
- 3 victoires et 9 nominations au total
Wendy Vanden Heuvel
- Topless Bird Woman
- (as Wendy Vaden Hueval)
Deborah Geffner
- Mom
- (voice)
Jeannine Cota
- Botox Reporter
- (as Jennine Cota)
Kayla DiVenere
- Sevence Kid #3
- (as Kayla Di Venere)
Avis en vedette
My wife and I watched this at home on DVD from our public library. The DVD box doesn't give away much, "A delirious fever dream about one man's search for the truth behind mysterious crimes, murders, and disappearances in his East L.A. neighborhood."
The movie is a homage to 1950s film noir, and even the music was composed to evoke that feeling. Andrew Garfield is Sam, about to get evicted from his apartment for lack of payment, and about to have his car repossessed. But he doesn't seem to be in any rush to get work. He is only interested in finding out why a pretty neighbor disappeared suddenly.
Silver Lake is a community outside L.A., just east of Hollywood. There is also a reservoir there, which plays a role in the mystery. Frankly when it was over neither my wife nor I could explain a story in what we saw, but the style is so captivating that we kept watching.
I enjoyed it, my wife less so. It is not the type of movie everyone will enjoy.
The movie is a homage to 1950s film noir, and even the music was composed to evoke that feeling. Andrew Garfield is Sam, about to get evicted from his apartment for lack of payment, and about to have his car repossessed. But he doesn't seem to be in any rush to get work. He is only interested in finding out why a pretty neighbor disappeared suddenly.
Silver Lake is a community outside L.A., just east of Hollywood. There is also a reservoir there, which plays a role in the mystery. Frankly when it was over neither my wife nor I could explain a story in what we saw, but the style is so captivating that we kept watching.
I enjoyed it, my wife less so. It is not the type of movie everyone will enjoy.
Kinda makes me sad that this film could've been phenomenal if it was more considerate to the casual viewer. Bittersweet because it's great that filmmakers are able to make movies with little to no creative interference, but sometimes it's for the best. I'll start with what I like: this film has style for days. The lighting, production design, stilted characters were all mesmerizing. What I didn't: it felt meandering, bloated, and ultimately pointless. I know there's the "that's the point" argument to counter my "it was pointless" point, but when does "that's the point" become a cop out? I do think this film will garner an audience, but if it were just a bit more orthodox, it would've found that audience instantly.
Having heard very little about this film and but remembering its trailers, perhaps accidentally watched this film lesser on not so purpose.
Now this film has the feel of a neo noir type independent and lesser Hollywood atmosphere, and for those reasons it works. The atmosphere is very subtle and mysterious and there are a few things along the way which keeps are interest.
Unlike many films today, Under the silver lake is not so predictable which makes it a joy to watch. The runtime is quite length and at times may seem as if the film is about to end, then suddenly some other discovery occurs.
Enjoyable film simply for the adventure we see the character of Andrew Garfield goes through. Although the ending was somewhat of a letdown.
Now this film has the feel of a neo noir type independent and lesser Hollywood atmosphere, and for those reasons it works. The atmosphere is very subtle and mysterious and there are a few things along the way which keeps are interest.
Unlike many films today, Under the silver lake is not so predictable which makes it a joy to watch. The runtime is quite length and at times may seem as if the film is about to end, then suddenly some other discovery occurs.
Enjoyable film simply for the adventure we see the character of Andrew Garfield goes through. Although the ending was somewhat of a letdown.
This movie has too much and not enough.
Too much length, too many plot threads, too many characters, too many wanna-be-argute references, too many unresolved nodes. Sadly, not enough meaning.
As other reviewers noted, it tries hard to be Mulholland Drive and Donnie Darko, but it falls short of expectations, especially in the uncompelling ending.
My son (who liked it) tried to convince me to see some deeper metaphorical level, i.e. One which would be delivering some harsh criticism of Hollywood's alleged many sins. Sorry, I don't buy it: if such was the intent, then arguably the implementation defeated the purpose, ending up guilty of these very same sins.
It's not all bad: the acting is OK, as well as the photography and the cinematography. Spotting the many references is fun at first, to quickly lose interest.
To me, the real problem is the erratic, self-indulgent direction, seemingly unable to convey a meaningful consistency to the movie, a compelling raison d'être that would and should have made this movie memorable rather than a disappointing sequence of fragments. Lots of dots, unconvincingly connected. All in all, a lost opportunity.
Sorry, even though I wanted to like this movie (or possibly _because_ of that) I just cannot recommend it.
Too much length, too many plot threads, too many characters, too many wanna-be-argute references, too many unresolved nodes. Sadly, not enough meaning.
As other reviewers noted, it tries hard to be Mulholland Drive and Donnie Darko, but it falls short of expectations, especially in the uncompelling ending.
My son (who liked it) tried to convince me to see some deeper metaphorical level, i.e. One which would be delivering some harsh criticism of Hollywood's alleged many sins. Sorry, I don't buy it: if such was the intent, then arguably the implementation defeated the purpose, ending up guilty of these very same sins.
It's not all bad: the acting is OK, as well as the photography and the cinematography. Spotting the many references is fun at first, to quickly lose interest.
To me, the real problem is the erratic, self-indulgent direction, seemingly unable to convey a meaningful consistency to the movie, a compelling raison d'être that would and should have made this movie memorable rather than a disappointing sequence of fragments. Lots of dots, unconvincingly connected. All in all, a lost opportunity.
Sorry, even though I wanted to like this movie (or possibly _because_ of that) I just cannot recommend it.
I was kind of surprised by this movie experience. I just came back from sneak preview and the movie still lingers in my mind. I love Andrew Garfield, his performance was believable and I think he's one one of the best rising stars of Hollywood. I also loved his work in "Breathe", great movie, make sure you check it out.
The storyline is a bit weird, and it's pretty much centered around Andrews character, so the movie felt a bit small to me, but Andrew performance makes up for it big time. I also loved the nudity in this movie. I would describe this movie as playful, curious, funny and authentic. This is not the usual Hollywood crap, it's quite different, I had no idea where the story was going, which is a good thing because it kept me hooked and that doesn't happen to me very often anymore. I truly had a great time. It's not for everyone I think but if you like semi thriller/detective/humor/absurdity kind of movies, we'll get yourself a bucket of popcorn and have fun!
(English is not my native language)
The storyline is a bit weird, and it's pretty much centered around Andrews character, so the movie felt a bit small to me, but Andrew performance makes up for it big time. I also loved the nudity in this movie. I would describe this movie as playful, curious, funny and authentic. This is not the usual Hollywood crap, it's quite different, I had no idea where the story was going, which is a good thing because it kept me hooked and that doesn't happen to me very often anymore. I truly had a great time. It's not for everyone I think but if you like semi thriller/detective/humor/absurdity kind of movies, we'll get yourself a bucket of popcorn and have fun!
(English is not my native language)
Le saviez-vous
- AnecdotesThe scenes with Sarah (Riley Keough) in the swimming pool are almost exact recreations of scenes from Marilyn Monroe's last film, Something's Got to Give (1962), which was never completed due to her sudden unexpected death. The footage from that film can be found online.
- GaffesWhen he leaves the bar to go to the crypt downstairs, he forgets the free record, but in the next scene at the table downstairs, he has the record.
- Générique farfeluThe final credits contain a card in code, with the key "b=a" in the bottom right corner. Once decoded, the card reads: "A David Robert Mitchell film: Under the Silver Lake."
- ConnexionsFeatured in Half in the Bag: Under the Silver Lake (2019)
- Bandes originalesNever My Love
Performed by The Association
Written by Donald J. Addriel and Richard Addrisi (as Richard P. Addriel)
Courtesy of Warner Brothers Inc
By arrangement with Warner Music Group Film & TV Liceneing
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Under the Silver Lake
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 8 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 46 083 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 35 270 $ US
- 21 avr. 2019
- Brut – à l'échelle mondiale
- 2 053 469 $ US
- Durée2 heures 19 minutes
- Couleur
- Rapport de forme
- 2.39:1
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