L'histoire d'une femme qui apprend à transcender son mariage oppressif et à découvrir un nouveau monde de possibilités - mais à un coût personnel élevé.L'histoire d'une femme qui apprend à transcender son mariage oppressif et à découvrir un nouveau monde de possibilités - mais à un coût personnel élevé.L'histoire d'une femme qui apprend à transcender son mariage oppressif et à découvrir un nouveau monde de possibilités - mais à un coût personnel élevé.
- Prix
- 1 victoire et 7 nominations au total
Avis en vedette
... have a tough time establishing a base to grow as they are mistaken for heretics in 17th century England by Monty Python's Spanish Inquisition disguised as puritanical nutters - undeliver'd!
Very good film but sometimes it navigates away from the focus a bit too much unintentionally. Still loved it!
A labor of love for its writer and director Thomas Clay, who spent the better part of 10 years developing this 1600's set English period folk piece; his first film since 2008's Soi Cowboy, Fanny Lye Deliver'd is an almost indescribable melting pot of drama, thriller and religiously tinged horror and while it doesn't all work, this unique piece of independent film-making is still worth your time.
Introducing us to a post war era of rural England, where witch hunts, churches and religious zealots run rampant throughout the mud-filled lands of the English countryside, Deliver'd introduces us to odd couple John and Fanny, who alongside their young boy Arthur live out a quiet existence on their farmland (custom built for this film), with their faith dominating their lives, a faith tested by the arrival of Freddie Fox's Thomas and Tanya Reynolds Rebecca, a couple who couldn't be further from the Lye's in nature and desires.
When watching clips or trailers of Clay's film one would be right in expecting something of The Witch like horror but Deliver'd is a much different beast to that genre classic and while both films share similar settings, religious/faith themed undertones and characters grappling with their teachings going head to head with their feelings, Deliver'd is a more dramatic themed feminist-centric yarn that allows its breakout performer Maxine Peake one of the roles of her increasingly impressive career.
Fanny may be the titular character of the film but it takes a while for Peake's fully formed performance to take centre stage here in what's a masterful build-up from her and Clay with Fanny undergoing significant evolution from the first time we see her tending to her chores through to her last triumphant frame and after notable turns in well-regarded if little seen offerings like Funny Cow and Peterloo, Peake is an undeniable triumph here as complicated wife, mother and independent spirit.
There's a lot going on around Fanny and Clay's film is loaded with ideas and explorations, some of which don't feel fully formed come the films more drastically pivoted final stretch but it's an unpredictable affair and one that might not make for easy viewing but remains constantly engaging throughout as we remain on edge, unsure of what lays ahead for our collection of troubled souls in equally troubled times.
Final Say -
A film that defies simple explanation or analysis, Fanny Lye Deliver'd is a confronting film and one that struggles at times to juggle its various components but its strong trope of actors and wholly original vibe makes for mostly fascinating and unpredictable viewing.
3 1/2 muddy fields out of 5
Introducing us to a post war era of rural England, where witch hunts, churches and religious zealots run rampant throughout the mud-filled lands of the English countryside, Deliver'd introduces us to odd couple John and Fanny, who alongside their young boy Arthur live out a quiet existence on their farmland (custom built for this film), with their faith dominating their lives, a faith tested by the arrival of Freddie Fox's Thomas and Tanya Reynolds Rebecca, a couple who couldn't be further from the Lye's in nature and desires.
When watching clips or trailers of Clay's film one would be right in expecting something of The Witch like horror but Deliver'd is a much different beast to that genre classic and while both films share similar settings, religious/faith themed undertones and characters grappling with their teachings going head to head with their feelings, Deliver'd is a more dramatic themed feminist-centric yarn that allows its breakout performer Maxine Peake one of the roles of her increasingly impressive career.
Fanny may be the titular character of the film but it takes a while for Peake's fully formed performance to take centre stage here in what's a masterful build-up from her and Clay with Fanny undergoing significant evolution from the first time we see her tending to her chores through to her last triumphant frame and after notable turns in well-regarded if little seen offerings like Funny Cow and Peterloo, Peake is an undeniable triumph here as complicated wife, mother and independent spirit.
There's a lot going on around Fanny and Clay's film is loaded with ideas and explorations, some of which don't feel fully formed come the films more drastically pivoted final stretch but it's an unpredictable affair and one that might not make for easy viewing but remains constantly engaging throughout as we remain on edge, unsure of what lays ahead for our collection of troubled souls in equally troubled times.
Final Say -
A film that defies simple explanation or analysis, Fanny Lye Deliver'd is a confronting film and one that struggles at times to juggle its various components but its strong trope of actors and wholly original vibe makes for mostly fascinating and unpredictable viewing.
3 1/2 muddy fields out of 5
If you live in a family that is quite strict, strangers coming from outside may feel like a welcome (pun intended) distraction. On the other hand, the father (wonderfully played here) may have the best interest in mind and heart, but his harsh and way too restricted views are not helping his wife or "kid".
The outlaws from outside really bring imbalance. Depending on your moral views, your sympathy may sway from one scene to the other. It is ok to feel, you are being given a tough choice. Morally speaking this isn't too easy - but that is what the movie gives you. Something to think about - something to chew on. And questions about what is good and what is bad, that go beyond religion and obvious answers.
Not sure why my previous comment got deleted, but while I had not saved it yet, I will park this somewhere just in case, someone feels the need to be mean - which would bring us to the characters: who is eventually the mean one? Who do you side with? Have you decided yet?
The outlaws from outside really bring imbalance. Depending on your moral views, your sympathy may sway from one scene to the other. It is ok to feel, you are being given a tough choice. Morally speaking this isn't too easy - but that is what the movie gives you. Something to think about - something to chew on. And questions about what is good and what is bad, that go beyond religion and obvious answers.
Not sure why my previous comment got deleted, but while I had not saved it yet, I will park this somewhere just in case, someone feels the need to be mean - which would bring us to the characters: who is eventually the mean one? Who do you side with? Have you decided yet?
I was ready to turn this movie off. It's a period piece. Cromwell's in charge, the King was executed and a brutal war recently ended. I was bored. I would have rated it a 5, but the solid acting brought it up to 6.
About two thirds of the way through, there is a plot twist or two which were quite unexpected and gave the movie a bonus star. Try to stay until the credits run, as there is an epilogue which makes me now question if the movie was based on a real person.
About two thirds of the way through, there is a plot twist or two which were quite unexpected and gave the movie a bonus star. Try to stay until the credits run, as there is an epilogue which makes me now question if the movie was based on a real person.
Le saviez-vous
- AnecdotesThe local accent in Shropshire and eastern Powys of the time was not recognisably "Welsh" or "West Midlands" in the way that might be expected today.
- GaffesAmong the linguistic anachronisms in the script are the following: Pee - to urinate: Although an old expression, the Oxford English Dictionary states that the term didn't come about until the eighteenth century, the century after this film is set. Shrooms - mushrooms with psychedelic properties: The first recorded use of this term in print was in Australia in 1977 Mixed emotions - a mid-twentieth century term describing ambivalence. Bleed out - to die due to blood loss: A twentieth century term with its origins in the United States (it is suggested that it was originally military jargon). Lose the attitude - An instruction meaning don't be rude: A late twentieth century term with its origins in the US.
- Autres versionsAlso exists in an Extended Cut, around 19 minutes longer than the Theatrical Cut, and currently only available through the film's 4K Ultra HD disc release in the UK. This version is the director's preferred version of the film.
- Bandes originalesMarch to Joy
Written by Thomas Clay
Based on "Symphony No. 9" written by Ludwig van Beethoven
Heard as end theme
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- The Delivered
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – à l'échelle mondiale
- 40 753 $ US
- Durée
- 1h 52m(112 min)
- Couleur
- Rapport de forme
- 2.39 : 1
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