Parwareshghah

In writer-director Shahrbanoo Sadat's second feature, a young man who daydreams of action-packed Bollywood heroics finds himself in a considerably more dangerous position in real life: that of an orphan scraping by in Kabul at the end of the 1980s, with the Soviets maintaining control as the Mujahideen fight to take their land back.

Part two of a planned five-part series that began with 2016's Wolf and Sheep - which, like this movie, premiered in Cannes' Directors' Fortnight - The Orphanage (Parwareshgah) is a small yet touching chronicle where innocent teenage boys fall prey to socio-political forces way beyond their control.

Mixing historical docudrama and make-believe, the story is not exactly a tightly knit narrative, with an observant tone that has its nonprofessional cast oscillating between scenes of harsh reality and pure film fantasy. It should play more festivals after Cannes and nab a few art house pickups abroad, especially in Europe.

Qodratollah Qadiri, who also toplined Wolf and Sheep and is poised to become Sadat's very own Antoine Doinel if the two keep working together, stars as Quodrat, a friendly streetwise teenager who makes a modest living reselling tickets to his favorite Bollywood flicks, which he himself sits and watches with wide-eyed appreciation.

When he's rounded up by the cops and sent to a public orphanage, Quodrat's life shifts from a carefree hand-to-mouth existence to a stricter hierarchy ruled by bullies and overseen by a kindhearted administrator (Sediqa Rasuli). He soon befriends a group of boys who become his roommates, including the chess master, Masihullah (Masihullah Feraji), his nephew Fayaz (Ahmad Fayaz Omani) - the uncle and nephew are both teens - and the war-obsessed Hasib (Hasibullah Rasooli).

Together, the four live through several Little Rascals-style adventures, forgetting where they are for the time being and enjoying themselves like any boys left to their own devices. Sadat mixes those scenes with Bollywood-inspired flights-of-fancy where Quodrat and his buddies lip-sync to gushy ballads or showcase the fighting skills of action superstars like Anil Kapoor. (In the press notes, the director explains how Bollywood movies were hugely popular in Kabul during the 1980s.)

But those illusions hide a grimmer truth, with one boy going mad and locked up in a wretched psych ward, and another accidentally killed by leftover ammunition stolen from a Russian tank. As much as Quodrat can imagine movies in his mind, what he sees in the real world is far scarier: a place where orphans like him seem to be expendable.

Sadat cuts a little too systematically between the reality and fantasy scenes throughout the narrative, which heads to some predictable places despite the unique setting. The most memorable thing about The Orphanage is actually not all the movie make-believe, which feels like a device used before, but rather the way it shows how life under Soviet rule could in fact be beneficial for boys in Quodrat's situation.

This is most evident in a long sequence where the orphans take a trip to a summer camp in the Soviet Union, working on their Russian (which they are already learning back in Afghanistan) and partaking in various activities, as if they were regular kids and not orphans at all. Probably the most moving shot in the entire film is one where we see Masihullah's reaction after playing computer chess for the first time and beating the machine - it's a rare victory in an otherwise depleted life.

Like Wolf and Sheep, Sadat shot the movie in Tadjikistan, mixing natural splendors with the starker institutional interiors. A grainy look makes the film feel like it was actually made in the 80s, adding to its historical authenticity. When, at the end, the orphanage risks tumbling along with the Soviet regime, you're left with the harrowing feeling that for Quodrat and his friends, it's out of the frying pan and into the fire..

The Orphanage is a stellar film conveying the need for true heartfelt cinematic experiences. Beautiful cinematography creates a transcendent movie experience, with a script based on the unpublished diaries of Anwar Hashim, who plays a supporting role in the film. Acclaimed director Shahrbanoo Sadat uses personal experiences to convey an uplifting message.

Wolf and Sheep, the prequel to The Orphanage, premiered in 2016. Like its predecessor, The Orphanage is based on real life experiences in Afghanistan. The movie chronicles the main character, Qodrat (Qodratollah Qadiri), who spends his days trying to survive by illegally selling overpriced movie tickets and key rings. He is then brought to a Russian-operated orphanage along with other teenage boys, where he is given the opportunity to get an education alongside his peers. The Orphanage details his experiences in the orphanage and how the quarrels between roommates of the dorms are dealt with by the director Anwar (Anwar Hashimi). All throughout a war torn country in 1989, Qodrat remains hopeful, through fantasy sequences shared with the audience.

The cinematography is what truly stands out in this film. Directory of photography, Virginie Surdej captures the beauty of the country while adding to the heartbreaking story. My favorite part of this movie is the performances by the young people, including Qodratollah Qadiri, who gives rare insight into real life in Afghanistan, as they are all natives of the country.

The message of this film is about the importance of hope, despite all circumstances. The protagonist, Qodrat, remains hopeful and looks for positive routes of escapism throughout his struggles of growing up without a family, and his struggles at the orphanage. You should be aware that the film contains strong language and minor adult content. There are also two graphic descriptions of war and violence. There is also some references to sex and pornographic images (very far away from the screen, but still visible) that are unsuitable for younger kids.

I give The Orphanage 4 out of 5 stars and recommend it for ages 15 to 18, plus adults. Reviewed by Erin M., KIDS FIRST!

Wonderful, a six-handed production (countries) that social criticism we love, bathing in history, a sad time the takeover of Afghanistan by the Soviets, called the War in Afghanistan (1979-1989), and the outcome, the film, could not to be different, the tragedy, the sadness, the defeat, and the interrupted ending, of the unspoken drama...

War in Afghanistan, lonely children and their hiding places - an orphanage and Hollywood movies where you can get away from the cruelty around. Illustration by Christina CookThe Orphanage is the second film directed by Shahrbanoo Sadat. It was screened in the Directors' Fortnight section at the Cannes Film Festival. Last year's nominees for the European Film Awards including such films as And Then We Danced (directed by Levan Akin) and Oleg (directed by Juris Kursietis) were also featured in the above-mentioned Section at the 72nd Festival.

Shahrbanoo Sadat's works intend to create a chain which has to consist of 5 separate films. Undoubtedly, the films that have already been made appear to be interconnected. Despite this fact, they are not inseparable. Each film can be viewed as an independent and multifaceted work of art.

Qodrat, a young man who has lost his parents, is the protagonist of the film. He does not look like a tramp or an abandoned child trembling with fear. Qodrat is an entrepreneurial teenager who sells cheap key chains and, what is much more important, resells tickets for popular Bollywood movies at a triple price.

Watching Qodrat getting by, we also see war-ravaged Afghanistan where people sincerely love Indian movies.

When the Bollywood film is on, everyone is reverently watching yet another fight and even adult men dance to the beat of the vibrant music.

All of us associate Bollywood with different movies, be it a famous Seeta and Geeta comedy-drama film, or a modern musical drama film Gully boy. Yet, it is always bright, colorful and with a happy end.

All the turning points in The Orphanage are accompanied by the Bollywood movie excerpts, whose romantic nature not only helps to convey hopes and dreams of the heroes but also disguises their pain and frustration.

Being caught scalping the tickets, Qodrat is taken to an orphanage. There he meets the same children as he is. Children who were left alone; the ones who just want to live as the heroes of their favorite films being able to easily overcome obstacles, being strong and unpredictable.

However, the reality is different. The orphanage, as well as prison, has its own rules. There are different people who do not have much in common; people brought up cherishing different values.

Still, the boy manages to find real friends who he spends endless sunny days with. They have a roof above their heads and hot food. The residents of the orphanage do not think much about the outer world which exists outside their shelter. They live here and now - make friends, dream, learn and misbehave. Director Anwar, both strict and just, maintain harmony and order in the orphanage.

Even if you are just raising children, you cannot isolate yourself from the authorities and the war. You have to fit in, as the ones in power set the rules and responsibilities; they may support as well as punish. It is a heavy burden that lies on Anwar's shoulders.

When the children are being taken care of by the Soviet Union, they learn Russian and even have a chance to visit Moscow. When the Mujahideen come to power, the rules in the orphanage change accordingly - new ideology, new textbooks, the new context of existence.

The Orphanage is a film about lonely children whose world is destroyed by the war. Someone dies on the battlefield, someone stays in order to survive or just surrender a bit later.

Even if you are a child, war can turn you into an adult in a split second.

"The Orphanage" may techincally be a 'Danish' film but it's set in Kabul during the Russian invasion and it is as much a homage to Bollywood as anything and is a much better one than Danny Boyle's "Slumdog Millionaire". It's hero is Qodrat, (Quodratollah Qadiri, wonderful and basically playing himself), a teenage boy living on the streets who is arrested for selling cinema tickets illegally and put in the orphange of the title; it turns out to be the making of him.

Shahrbanoo Sadat's second feature could easily have been full of neo-realist angst but Sadat imbues it with so much affection that the angst completely disappears even if the Bollywood tendency to kitsch is never far away while it's young cast, (non-professionals all), are excellent. This is a political film where the politics take a back seat and a coming-of-age movie devoid of sentimentality. Its sweetness is intoxicating and even when tragedy strikes Sadat never over-emphasizes but simply accepts that this is the way things are. A really lovely film.