Trust

I recently saw the Ridley Scott version of this story (you know, the one that does not have Kevin Spacey in it any more) and I just had to post and say, this just totally blows that out of the water.

That was a mediocre movie, not even beautiful, which is the least I'd expect from Ridley, but this is just fantastic, on every level.

The sheer charisma of this film-making is an utter joy to behold and evident across the direction, the performances, thumps out of the soundtrack, every part of this production is innovative, dazzling, fizzing.

My only slight, slight criticism is that the 4th wall breaking stuff from Brendan Fraser is too inconsistent and should have either been ditched or made much more of, more often. I guess they thought it was gonna be a big 'feature' when they were writing it and filming it, but then in the cutting room found they just had so much gold, they just didn't know what to do with it all!

Jump on the ride here, its fab and you wont regret it.

I saw the movie, so I had some hesitations before giving this serie a chance. But I was pleasantly surprised. Of course they spiced it up a little, so you get a mix of something inspired on true events and a juicy family soap. If the level of production doesn't crumble (like American crime story) the following episodes, I'm in for a nice season.

So, I want to start by saying this series was fricken awesome! This was my first time hearing of this kidnapping, and it felt like I was in the 70's. Great cast as well, this is hands down a good show to binge with a friend or close loved one.

I approached "Trust" with some trepidation. I let it set on the Sky Box for months, having recorded it in the summer of 2018 but not actually coming round to watching it until Easter 2019. Most of the trepidation came because I'd seen some lukewarm reviews and I had seen "All The Money In The World" that year, so was already familiar with the story. I'm glad I gave it a chance though, as with a bit of distance from the film, I found the series pretty enjoyable.

The grandson of the world's Richest Man, John-Paul Getty (Donald Sutherland) is kidnapped in Italy, but his kidnappers have not accounted for the ruthlessness of the old man, who refuses to pay the ransom. Whilst young John III's mother Gail (Hilary Swank) and Getty's "fixer" Fletcher (Brendan Fraser) attempt to determine what's happened, and even whether the kidnapping is genuine, the Italians that have him are becoming increasingly frustrated and desperate.

I think I preferred "Trust" to "All The Money In the World" as the 10 episode scope allowed for a much more detailed look at the case. A deeper investigation of the family dynamics ahead of the kidnapping and a closer look at the mechanics of the crime family that held their valuable hostage are a couple of the deeper cuts. I did worry ahead of watching the series that it would be pretty dry, but it's infused with a sense of pace, and is very well mixed with the editing and cutting in of music of the time. Performances are, across the board, excellent and much credit should go to Harris Dickinson, who is the only actor in every episode, playing John-Paul Getty III, the victim of the kidnapping. Despite his early bohemian wastrel ways, you never lose feelings for him and feel some of the peril he goes through.

It does take one huge risk, allowing Brendan Fraser's character to directly address the audience during two of the episodes. What might be jarring switch actually works quite well, as it allows to show to unload a lot of the context, and the wider resolution on you, without becoming to tiresome or protracted.

Maybe it's just that my expectations were particularly low, but I really enjoyed "Trust" - an unexpected treat.

8 reviews thus far, that surprises me. It also doesn't surprise me at all. It is not fast paced, semi-funny, cheap Netflix content, therefore not appreciated.

The synopsis is very interesting, the story-line intriguing. The acting rock solid, no-one exempted. Characters al have proper backstories and are interesting from the get go. The pilot had all the ingredients of a great show.