La forme de l'eau

This film was extremely imaginative and gorgeously shot. At the heart of it, the film is about a girl who falls in love with a fish. But it adds so many gorgeous elements to it to make it feel like you are watching an epic. The acting is phenominal, especially Sally Hawkins and Richard Jenkins. Worth checking out!

"When he looks at me - the way he looks at me. He does not know what I lack or how I am incomplete. He sees me for what I am, as I am."

This film was strange, yet haunting. Disturbing, yet poetic. I loved the cinematography, the music, and the moral behind this film. Love is not judgemental, and this film leaves you with an ache in your chest.

One of the most impressive parts of The Shape of Water will probably go unstated by many, because it is easy to overlook. It is stunning how much chemistry a woman who never talks and a fish monster can have. The energy between them radiates, and I had to keep stopping myself to consciously think about what a feat that truly is. As a direct result to how great the writing, directing, and performances are, this relationship between a woman and a monster never feels strange. If done by lesser talent, this could have come across as very weird or wrong. But del Toro crafts this film in such a way that it never comes across in this manner. In fact, in feels only natural, and that is applause-worthy on his part. That is the single biggest thing that Del Toro needed to pull off flawlessly, and he rises to meet the challenge. As with every Guillermo del Toro movie, the production elements are all spectacular. Del Toro really has a great understanding of mise-en-scène, something I'm continuously taken aback by every time I watch a movie of his. His cinematography isn't usually something that lunges out at you and calls attention to itself; rather, it works to very subtly draw you into the film. I do very much like cinematography that stands out and pops, but there is also something to be said for more the subtle kind of shooting a film. Del Toro has a strong hold on his production design. From the set design to the costume design to the color palette, every del Toro movie has a clear direction that is unique to its own story, and this film is no exception...

It's a time when being different was discouraged, by how you looked, by how you hooked, by how you foraged, in a world of prejudice, the overwhelming emphasis, was to align, to toe the line, to be acknowledged. Elisa's mute, but she still has things to say, using Zelda as a surrogate airway, together they both clean, where there's things that go unseen, behind one doorway there's a place she likes to stay. In this place something's imprisoned and interned, Elisa shows it love, the tides begin to turn, a connection has been made, it's time to escape and evade, logistically that causes some concern.

Sally Hawkins is as spectacular as ever in an imaginative tale that reflects a world of the past, but not forgotten or disappeared (sadly).

Sally Hawkins puts in a lovely, sweet, almost sympathetic performance as the central character, it's her delicacy balanced against the harshness of the amphibious man that makes it so interesting.

It's not a film I'd sit through several times over, but I have seen it twice, and was as impressed with my second viewing as the first. It is a beautiful film, with the most glorious soundtrack, a feast for the eyes and ears alike.

I'm sure there was a social message here, it was perhaps over my head, what I saw was a good old fashioned love story, one with a difference, and a load of eggs.

It's sad, moving, funny, it's definitely very, very weird, but if you've seen any of his other movies, then you'll realise the inevitability of that.

It's a unique watch, and a rewarding one, 8/10.