Casse-noisette et les quatre royaumes
Titre original : The Nutcracker and the Four Realms
ÉVALUATION IMDb
5,6/10
39 k
MA NOTE
Une jeune fille est transportée dans un monde magique de soldats en pain d'épice et d'une armée de souris.Une jeune fille est transportée dans un monde magique de soldats en pain d'épice et d'une armée de souris.Une jeune fille est transportée dans un monde magique de soldats en pain d'épice et d'une armée de souris.
- Prix
- 1 victoire et 8 nominations au total
Avis en vedette
I have to write this: if you are expecting a truthful rendition of the ballet, then do NOT go see this. It is so much more....I am a dancer, and i was really worried it would an other ballet version...it actually draws back from the Hoffmann tale, which is quite dark. We still get a dose of dancing with the beautiful Misty Copeland, and we do not need more.
In the Victorian England, the teenager Clara (Mackenzie Foy) is a young scientist that lives with her older sister Louise (Ellie Bamber), her younger brother Fritz (Tom Sweet) and her widower father Mr. Stahlbaum (Matthew Macfadyen). The family misses their mother and wife Marie Stahlbaum (Anna Madeley), who was also a scientist and has recently passed away. On the Christmas Eve, Mr. Stahlbaum delivers a gift left by Marie for each sibling and Clara receives an egg-shaped locked box without a key to open it. The family goes to the ball promoted by Clara's godfather Drosselmeyer (Morgan Freeman), who is also a man of science, to spend the night and she asks for the key to him. When Mr. Drosselmeyer delivers his gifts for each child he is hosting, Clara crosses the boundary of a world created by her mother, where Clara is a princess, and ruled by the regents of the realms Land of Snowflakes, Land of Flowers, and Land of Sweets that protect them from Mother Ginger (Helen Mirren), who is the tyrant of the Fourth Realm in the beginning of an adventure full of fantasy and betrayal.
"The Nutcracker and the Four Realms" is a beautiful family entertainment for children. The cinematography and CGI are amazing and will certainly satisfy the target audience. The cast has names such as Helen Mirren, Morgan Freeman and Keira Knightley, but the lead actress Mackenzie Foy is weak. Unfortunately, the story is silly for adults, and the film does not have any heart. Lasse Hallström is a magnificent director, but this movie is bureaucratic and shows no emotion. My vote is six.
Title (Brazil): "O Quebra-Nozes e os Quatro Reinos" ("The Nutcracker and the Four Realms")
"The Nutcracker and the Four Realms" is a beautiful family entertainment for children. The cinematography and CGI are amazing and will certainly satisfy the target audience. The cast has names such as Helen Mirren, Morgan Freeman and Keira Knightley, but the lead actress Mackenzie Foy is weak. Unfortunately, the story is silly for adults, and the film does not have any heart. Lasse Hallström is a magnificent director, but this movie is bureaucratic and shows no emotion. My vote is six.
Title (Brazil): "O Quebra-Nozes e os Quatro Reinos" ("The Nutcracker and the Four Realms")
The Nutcracker and the Four Realms is a wondrous, visual experience that is somewhat light on substance. Apt acting and sensational ballet dancing excel and make this something more memorable than the premise might suggest. Any Disney fans will want to check this out.
The story follows young Clara (Mackenzie Foy) as she recovers from her mother's death. However, a spark of hope lightens Clara after seeing her late mother's parting gift of a box with a hidden key. This key belongs to a parallel world, unlike anything, to which Clara must travel to obtain the key. With the help of budding soldier Phillip (Jayden Fowora-Knight), Clara learns of all obstacles that await, especially in the form of the menacing Mother Ginger (Helen Mirren), leader of the Fourth Realm. Most importantly is a looming war that could preside over the three Realms that are at peace - Land of Snowflakes, Land of Flowers and Land of Sweets and are threatened by the Fourth Realm. In the three Realms resides Sugar Plum (Kiera Knightley) who is on same page as Clara and braves her up for the Fourth Realm as the fate of the Realms and her mother's dying wish relies on it.
Mackenzie Foy, as Clara, well presents her character's central struggle to find her inner place amidst all the tragedy, while also being hopeful and cheerful. The end result of this character development is a joy to watch and most definitely the movie's best subplot, amongst all the other slumberous ones. Kiera Knightley, as Sugar Plum Fairy, regales with well-written comedic relief, but the timing of her intervention seems quite random and very over-the-top at times. Regardless, children, most of all, will find enjoyment with all the youthful energy. Jayden Fowora-Knight, as Philip, is my favorite character, despite this being only the second film he has appeared in. His charm and braveness add a relentless vigor to the character that never gets old. Helen Mirren, as Mother Ginger, likewise shines, despite her character suffering from a lack of screen time and character development. With what she is given, she shines with the menacing undertones that could mean good under the entire demeanor. Also, Misty Copeland's cameo is full of entertainment with her ballet proficiency bringing a certain something to the stage without feeling like a forced addition. Instead, it feels more like a celebration of the Nutcracker's roots and remains my favorite scene.
Lasse Hallstrom and Joe Johnston expertly direct the visual flair with clear attention to every nook and cranny of the special effects and sound design. Despite this, the movie has flaws coming from the lack of a compelling story line, aside from Clara's inner struggles. Everything feels introduced way too quickly and without clear meaning. This leaves the movie feeling rather inconsequential and just an excuse to put the Nutcracker on the live screen. Still, the movie delivers an amazing awe to each scene's production.
The message of the movie is to never lose yourself in sorrow and always connect with your family and friends during times of grief. I give this film 3.5 out of 5 stars and recommend it for ages 6 to 18.
Reviewed by Arjun N., KIDS FIRST! Film Critic. For more reviews by youth, visit kidsfirst dot org.
Mackenzie Foy, as Clara, well presents her character's central struggle to find her inner place amidst all the tragedy, while also being hopeful and cheerful. The end result of this character development is a joy to watch and most definitely the movie's best subplot, amongst all the other slumberous ones. Kiera Knightley, as Sugar Plum Fairy, regales with well-written comedic relief, but the timing of her intervention seems quite random and very over-the-top at times. Regardless, children, most of all, will find enjoyment with all the youthful energy. Jayden Fowora-Knight, as Philip, is my favorite character, despite this being only the second film he has appeared in. His charm and braveness add a relentless vigor to the character that never gets old. Helen Mirren, as Mother Ginger, likewise shines, despite her character suffering from a lack of screen time and character development. With what she is given, she shines with the menacing undertones that could mean good under the entire demeanor. Also, Misty Copeland's cameo is full of entertainment with her ballet proficiency bringing a certain something to the stage without feeling like a forced addition. Instead, it feels more like a celebration of the Nutcracker's roots and remains my favorite scene.
Lasse Hallstrom and Joe Johnston expertly direct the visual flair with clear attention to every nook and cranny of the special effects and sound design. Despite this, the movie has flaws coming from the lack of a compelling story line, aside from Clara's inner struggles. Everything feels introduced way too quickly and without clear meaning. This leaves the movie feeling rather inconsequential and just an excuse to put the Nutcracker on the live screen. Still, the movie delivers an amazing awe to each scene's production.
The message of the movie is to never lose yourself in sorrow and always connect with your family and friends during times of grief. I give this film 3.5 out of 5 stars and recommend it for ages 6 to 18.
Reviewed by Arjun N., KIDS FIRST! Film Critic. For more reviews by youth, visit kidsfirst dot org.
A good movie in my opinion. I know not everyone will like it, and I know a lot of people hate it (is it just because it's live action?), but it has a beautiful atmosphere, the costumes are amazing, and I feel happy whenever I watch it. Not my favourite Disney movie, but it's not the worst.
I really enjoyed this film. A lot of the negative reviews seem to be awfully nitpicky for a family Disney movie. It's no masterpiece but I can't understand all the hate.
As we can all agree, it's visually stunning. The costumes are magnificent as well as hair and makeup. The sets are stunning and surprisingly, according to some of the interviews I've watched, most of it is not CGI. They created a beautifully detailed world and it pays off.
The story is not the same as the ballet, nor does it claim to be. I personally wouldn't want it to be the same. We get to experience the beloved elements of The Nutcracker in a new way. Though there's a lot of room for improvement, specifically in the script, I really enjoyed the new story. The dynamic between Clara and her late mother is great and is the real emotional draw of the film. Because it's a Disney film aimed at kids, the script is awfully cheesy at times, but not enough to be distracting.
Clara herself should be a strong selling point of the film. She's highly intelligent, specifically in engineering and physics. They make it a point to differentiate Clara from her sister, Louise, a proper (for that time period) young English woman. Not that there's anything wrong with being all prim and proper, in fact, Clara admittedly does spend a lot of the film in beautiful dresses and makeup. And yet, she's still the hero and she still kicks ass. This is important because it associates these feminine traits with power.
Hear me out on this. I feel like so many of the strong heroines we know and love are, in some ways, stripped of their femininity. They're typically made to be a strict "tomboy" who's "not like other girls." This by itself isn't the problem. The problem is that instead of embracing feminine traits, they diminish them. I know gender roles are bull, believe me, but I don't think women should be shamed for being what society deems feminine. You can be a bad b**** AND enjoy princess dresses. Women should not have to adopt "masculine" traits in order to succeed. Because of this, I think Clara is a fantastic role model for young girls who will almost undoubtedly take something from her.
So, although it's far from perfect, it's fun, beautiful, and full of heart. It's not claiming to be the next Shawshank Redemption so I don't see why it's being drilled so hard. It's a delightful little Disney movie, don't think so much about the specifics and just enjoy.
As we can all agree, it's visually stunning. The costumes are magnificent as well as hair and makeup. The sets are stunning and surprisingly, according to some of the interviews I've watched, most of it is not CGI. They created a beautifully detailed world and it pays off.
The story is not the same as the ballet, nor does it claim to be. I personally wouldn't want it to be the same. We get to experience the beloved elements of The Nutcracker in a new way. Though there's a lot of room for improvement, specifically in the script, I really enjoyed the new story. The dynamic between Clara and her late mother is great and is the real emotional draw of the film. Because it's a Disney film aimed at kids, the script is awfully cheesy at times, but not enough to be distracting.
Clara herself should be a strong selling point of the film. She's highly intelligent, specifically in engineering and physics. They make it a point to differentiate Clara from her sister, Louise, a proper (for that time period) young English woman. Not that there's anything wrong with being all prim and proper, in fact, Clara admittedly does spend a lot of the film in beautiful dresses and makeup. And yet, she's still the hero and she still kicks ass. This is important because it associates these feminine traits with power.
Hear me out on this. I feel like so many of the strong heroines we know and love are, in some ways, stripped of their femininity. They're typically made to be a strict "tomboy" who's "not like other girls." This by itself isn't the problem. The problem is that instead of embracing feminine traits, they diminish them. I know gender roles are bull, believe me, but I don't think women should be shamed for being what society deems feminine. You can be a bad b**** AND enjoy princess dresses. Women should not have to adopt "masculine" traits in order to succeed. Because of this, I think Clara is a fantastic role model for young girls who will almost undoubtedly take something from her.
So, although it's far from perfect, it's fun, beautiful, and full of heart. It's not claiming to be the next Shawshank Redemption so I don't see why it's being drilled so hard. It's a delightful little Disney movie, don't think so much about the specifics and just enjoy.
Le saviez-vous
- AnecdotesHelen Mirren had to take whip cracking lessons to prepare for her role as Mother Ginger. This presents the visual pun of a ginger snap.
- GaffesHawthorne queries what Christmas is, suggesting that the holiday doesn't exist within the four realms, yet within the four realms conifers are explicitly referred to as "Christmas trees" twice.
- Citations
Drosselmeyer: [from teaser trailer] It's Christmas Eve. A time of mystery, expectations, who knows what might happen?
- Générique farfeluThere are no opening credits and the title doesn't appear until the end credits.
- ConnexionsFeatured in Hollywood Express: Episode #14.34 (2016)
- Bandes originalesThe Nutcracker Suite
Composed by Pyotr Ilyich Tchaikovsky
Produced by James Newton Howard
Conducted by Gustavo Dudamel
Featured Piano Soloist - [Láng Lang]
Lang Lang appears courtesy of Universal Music Limited (Hong Kong)
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Nutcracker and the Four Realms
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 120 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 54 858 851 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 20 352 491 $ US
- 4 nov. 2018
- Brut – à l'échelle mondiale
- 173 961 069 $ US
- Durée1 heure 39 minutes
- Couleur
- Mixage
- Rapport de forme
- 1.85 : 1
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