Love After Love
- 2017
- 1h 31m
ÉVALUATION IMDb
5,5/10
1,2 k
MA NOTE
Ajouter une intrigue dans votre langueFollowing the death of their father, two sons deal with the trials of their own lives while watching their mother explore new beginnings of her own.Following the death of their father, two sons deal with the trials of their own lives while watching their mother explore new beginnings of her own.Following the death of their father, two sons deal with the trials of their own lives while watching their mother explore new beginnings of her own.
- Director
- Writers
- Stars
- Prix
- 2 victoires et 2 nominations au total
Paul L. Brown
- Suzanne's Colleague #1
- (as Paul Brown)
Avis en vedette
The movie purports to be about grief. What we see is all the dysfunction expressed as projected rage, alcoholism, and all the function as "getting on with it." What we don't see is how the "grief" has transformed these people. We never get to see them transform. For all we know we may not be seeing just grief but personalities that have always been that way. It ain't pretty for the son's who dissolve into childishness, and it's hopeful for the widow who hews to maturity.
It certainly does not paint a nice picture of liberal elitists.
As many reviewers have noted , this movie jumps from one time sequence to another and leaves it up to the viewer to basically figure it out. I'm not a big fan of this style of first time director Russell Harbaugh, and with the film's many flawed and unlikable characters, I'm surprised I'm not giving this a 1 or a 2 rating as well.
However, I did find some strong acting here led by the seemingly ageless Andie MacDowell, and some dramatic tension among this dysfunctional family which I found interesting enough to stay with the movie, although part of me wanted to indeed bail.
Overall, a mixed bag for me here, but I can see how many will be turned off by some of the unlikable characters and their crappy actions.
However, I did find some strong acting here led by the seemingly ageless Andie MacDowell, and some dramatic tension among this dysfunctional family which I found interesting enough to stay with the movie, although part of me wanted to indeed bail.
Overall, a mixed bag for me here, but I can see how many will be turned off by some of the unlikable characters and their crappy actions.
Two minor quibbles: Why do people in these kinds of character study films always have glamorous jobs? And the sheer number of sex scenes detracts from the film. Most people Andie MacDowell's age don't look anything like Andie MacDowell. Otherwise, well done.
Slightly esoteric and lovely essay on how family members process grief and move on from it -- or not. I've read some of the personal reviews and I wonder how viewers had such a hard time understanding what was going on and puting it all together. This movie is NOT James Joyce or William Faulkner stream of consciousness. The time changes follow the narrative and inform the viewer about how a character got where they are or shows where they may be headed. This film examines how grief affects different members of this family and how it can exacerbate their own flaws and failed relationships. Andie MacDowell really shines here. I thought it was a lovely film and a great debut by the director.
I saw that Metacritic gave it a much higher score and I really like Chris O'Dowd, but I found this film pretentious and embarrassingly disconnected from reality. Drippingly self-indulgent. My wife and I gave it up after 20 minutes. I would not want to know these characters.
Le saviez-vous
- Anecdotes"I'm not one to take my clothes off in a movie," MacDowell recently told The Hollywood Reporter, revealing that she shot her first nude scene for 2017's Love After Love at age 59. "Not that I'm a prude or anything, but I think I grew up in a time where most actresses would get body doubles." "After all of that worrying about taking my clothes off, it didn't even affect me in the least, seeing myself naked. What affected me more was to see how sad I looked. The only reason I could do that is because I know that sadness. That to me made me feel more vulnerable than being naked. It had no effect on me, being naked, which is fascinating." She admitted to I News in another interview that "I wish I had walked around naked in movies earlier. I probably should have taken [it all] off in my twenties. I grew up in a conservative family and, in my generation, most actresses hired body doubles for those scenes. But I had an awakening as to what the human body is, and I didn't want my kids (she has two daughters in their 20s who are actresses) in their acting, to feel any shame about their bodies. I want them to feel safe [doing nude scenes] because I had so much shame projected on to me about nudity as a child. It took me raising my children to finally feel more comfortable about my body."
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Détails
Box-office
- Brut – États-Unis et Canada
- 121 098 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 11 290 $ US
- 1 avr. 2018
- Brut – à l'échelle mondiale
- 128 602 $ US
- Durée
- 1h 31m(91 min)
- Couleur
- Rapport de forme
- 2.35 : 1
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