Love, Gilda

Based too much on her own autobiography and diaries, without any major insights from the (very few) people who were interviewed. Gilda Radner was indeed a very talented comedian and a very interesting personality and I feel the documentary just touches the surface of that by recycling what we already know about her.

I was too young to watch Gilda live on SNL. But she's an iconic comedic performer, and this moving and funny documentary does a great job of showing you why. It captures the humor and the strength in her spirit and doesn't shy away from the messiness and pain in her life. Funny but sad and ultimately inspiring.

GRADE: B-

THIS FILM IS RECOMMENDED.

IN BRIEF: A flawed but loving portrait of a iconic comedienne.

JIM'S REVIEW: Love, Gilda is just that: a cinematic love letter to a wonderful comedienne who died too soon. To those of us who fondly remember her comic performances on Saturday Night Live with characters such as nerdy Lisa Loopner, sweet Emily Litella, opinionated Roseanne Rosannadanna, and Miss Barbara Wawa, the film becomes a sweet remembrance of things past. To the younger set, this documentary will serve as an introduction to a great talent.

A Second City alumni before making it big on Saturday Night Live, Gilda's story essentially follows the artist vs. personal demons route. Moviegoers learn about her childhood and battle with eating disorders, numerous romantic relations, depression, and her final battle with ovarian cancer.

Former SNL performers Maya Rudolph, Amy Poehler and Melissa McCarthy appear in the movie and poignantly read excerpts from Ms. Radner's journals and her autobiography, It's Always Something, making the film quite moving. Comments by her friends show her effect on those around her.

Director Lisa D'Apolito assembles interviews with friends, family, and colleagues, plus the comedian's own words to piece together her life. Yet, some areas remain unclear and need more focus. The use of grainy out-of-focus archival footage doesn't help matters either. Her marriage to Gene Wilder is glossed over a bit as are her early marriage and health issues. One also would have like to see longer snippets of her comedy routines and her unique blend of physical pratfalls to counteract some of the tragic goings-on. After all, they are the reasons for her fame and success.

Still, that vivacious personality and winning smile shines through. Love, Gilda may be a slightly flawed biography, but it does reflect a star that shone her light upon the world and gave us hope and laughter even when she had none.

A film for remembered Gilda Radner and for those for are discovering her comedic genius.

Lisa Dapolito's touching Documentary on SNL pioneer Gilda Radner. In many ways a typical Bio-Doc (talking heads interspersed with clips), what makes it special is that Radner left behind a treasure trove of tape recordings and personal writings that reveal her inner thoughts (the tapes were largely done for her autobiography, It's Always Something, which was released posthumously). Radner is extremely honest in those documents and provides intimate details of her entire life*.

The collection of interviews here is representative enough including her brother Michael. Most of the others have an SNL connection including cast members Laraine Newman and Chevy Chase (who, speaks mostly about himself) and writers such as Anne Beatts, Rosie Shuster and Alan Zweibel. They all provide some nice details and insights. Less successful are the cameos by present day SNL alumni such as Maya Rudolph and Bill Hader who mostly just fawn over her memory. What carries the Doc is Gilda herself - both in the film and TV clips, as well as her testimony via her trove of documents.

LOVE, GILDA can't help but be bittersweet. The tragedy of such a meteoric talent passing away at 42 can't be gotten around, no matter how sprightly the archival footage may be (her entire recorded career lasted but a decade). Radner's battle with disease inspired many (with clinics across the country still named in her honor), so her legacy remains.

* One noticeable exception in the documentary is that very few details are shared about her boyfriends and ex-husband (musician G.E. Smith) before marrying Gene Wilder. Martin Short shares some of his recollections during their relationship during their tenures with Second City Toronto. Presumably, Dapolito chose not to disclose much in that area out of deference to Radner and Wilder, but, it is a glaring omission in an otherwise honest portrayal.