ÉVALUATION IMDb
7,4/10
5,3 k
MA NOTE
Ajouter une intrigue dans votre langueA propaganda documentary about North Korea that reveals a few hidden facts because the director continues filming between the scripted scenes.A propaganda documentary about North Korea that reveals a few hidden facts because the director continues filming between the scripted scenes.A propaganda documentary about North Korea that reveals a few hidden facts because the director continues filming between the scripted scenes.
- Prix
- 12 victoires et 10 nominations au total
Avis en vedette
10Red-125
This European documentary about North Korea has a Czech title--V paprscích slunce--translated into English as Under the Sun (2015). (Google Translate says The Rays of the Sun, which I think works better.) It was written and directed by Vitaly Mansky, who is Ukrainian.
The film was made in the Democratic People's Republic of Korea (DPRK), which we call North Korea. Somehow, director Mansky got permission--or was asked--to film a "documentary" about a typical family in Pyongyang. The star is a young girl, Lee Zin-Mi.
What the filmmakers tell us in text on the screen is that the "documentary" they were making was totally artificial. Their North Korean handlers rehearsed every scene, and had no qualms about total fabrication of plot. (As just one example, Lee Zin-Mi's father is not an engineer. However, for the "documentary," he is an engineer who consults with workers at a clothing factory to help them increase their production.)
What the North Koreans didn't know--or didn't understand--was that director Mansky kept the camera rolling continually. We hear and see the North Koreans telling people what to say and do, and then we watch the scene when the people say it and do it. Sometimes we watch the scene twice, because the North Korean handlers don't like the way it turned out the first time. So, this really is a documentary, but it's a documentary about making a false documentary.
What stands out in every scene is that the whole city revolves around endless praise for the late Kim Jong-il, who was the supreme leader of the North Korea from 1994 to 2011. Now, along with praise of Kim Jong-Il, we hear continuous praise of Kim Jong-un, his son.
Kim Jong-un holds the titles of Chairman of the Workers' Party of Korea, Chairman of the Central Military Commission, Chairman of the National Defense Commission, Supreme Commander of the Korean People's Army, and presidium member of the Politburo of the Workers' Party of Korea. Kim was promoted to the rank of Marshal of North Korea in the Korean People's Army on 18 July 2012, consolidating his position as the Supreme Commander of the Armed Forces. (All this from Wikipedia.)
Poor Lee Zin-Mi has the same fate as all of her friends--a life where she participates in ceaseless devotion to Kim Jong-Il and Kim Jong-un. It's hard to tell whether she obtained any special rewards for starring in the documentary. Nothing is real, so nothing on screen can be trusted.
Actually, that's not true. Twice Zin-Mi breaks into tears. No one comforts her--they basically suggest that she stop crying so they can continue filming. The documentary may be false, but the tears are real.
We saw this movie at the excellent Little Theatre in Rochester, NY. On the small screen you'll miss some of the amazing pageantry that surrounds praise of Kim Jong-un. However, it will work well enough.
The film was made in the Democratic People's Republic of Korea (DPRK), which we call North Korea. Somehow, director Mansky got permission--or was asked--to film a "documentary" about a typical family in Pyongyang. The star is a young girl, Lee Zin-Mi.
What the filmmakers tell us in text on the screen is that the "documentary" they were making was totally artificial. Their North Korean handlers rehearsed every scene, and had no qualms about total fabrication of plot. (As just one example, Lee Zin-Mi's father is not an engineer. However, for the "documentary," he is an engineer who consults with workers at a clothing factory to help them increase their production.)
What the North Koreans didn't know--or didn't understand--was that director Mansky kept the camera rolling continually. We hear and see the North Koreans telling people what to say and do, and then we watch the scene when the people say it and do it. Sometimes we watch the scene twice, because the North Korean handlers don't like the way it turned out the first time. So, this really is a documentary, but it's a documentary about making a false documentary.
What stands out in every scene is that the whole city revolves around endless praise for the late Kim Jong-il, who was the supreme leader of the North Korea from 1994 to 2011. Now, along with praise of Kim Jong-Il, we hear continuous praise of Kim Jong-un, his son.
Kim Jong-un holds the titles of Chairman of the Workers' Party of Korea, Chairman of the Central Military Commission, Chairman of the National Defense Commission, Supreme Commander of the Korean People's Army, and presidium member of the Politburo of the Workers' Party of Korea. Kim was promoted to the rank of Marshal of North Korea in the Korean People's Army on 18 July 2012, consolidating his position as the Supreme Commander of the Armed Forces. (All this from Wikipedia.)
Poor Lee Zin-Mi has the same fate as all of her friends--a life where she participates in ceaseless devotion to Kim Jong-Il and Kim Jong-un. It's hard to tell whether she obtained any special rewards for starring in the documentary. Nothing is real, so nothing on screen can be trusted.
Actually, that's not true. Twice Zin-Mi breaks into tears. No one comforts her--they basically suggest that she stop crying so they can continue filming. The documentary may be false, but the tears are real.
We saw this movie at the excellent Little Theatre in Rochester, NY. On the small screen you'll miss some of the amazing pageantry that surrounds praise of Kim Jong-un. However, it will work well enough.
This documentary is very important. It helps to show the manipulation that must go on daily in North Korea. The constant reminders to "be more joyful" or to act "with patriotism" demonstrate this. It is well worth watching, if for no other reason that to see how Orwellian the world can become if allowed.
But by the end of the film, I felt sympathy for everyone involved. The children, the parents, and even the handlers.
While the children and parents are being directed by the handlers, the handlers are following the directions of those above them, and so on. These handlers are simply people who want to do their jobs and avoid punishment, the same as everyone else. You can see it, especially in one scene towards the end, when they are tucking Zin-mi into bed. The North Korean director looks as tired as anyone else, and as downtrodden. Everyone has a role to play, it seems.
The film is conflicting because you have to wonder what could happen to these people for their failure to censor this film adequately. Or for their failure to act appropriately patriotic in some of the takes that the censors didn't want us to see. We have to hope that the honesty of this film didn't lead to anyone coming to harm.
But by the end of the film, I felt sympathy for everyone involved. The children, the parents, and even the handlers.
While the children and parents are being directed by the handlers, the handlers are following the directions of those above them, and so on. These handlers are simply people who want to do their jobs and avoid punishment, the same as everyone else. You can see it, especially in one scene towards the end, when they are tucking Zin-mi into bed. The North Korean director looks as tired as anyone else, and as downtrodden. Everyone has a role to play, it seems.
The film is conflicting because you have to wonder what could happen to these people for their failure to censor this film adequately. Or for their failure to act appropriately patriotic in some of the takes that the censors didn't want us to see. We have to hope that the honesty of this film didn't lead to anyone coming to harm.
Mansky deserves every possible praise for this piece. To make this movie despite DPRK's restrictions necessitated a lot of courage. If they were caught smuggling the footage out of North Korea, the harshest sentence wouldn't have missed them.
This film is a testament to the horrible conditions the North Korean people must live in and portrays a perfect behind the scenes look to the inner workings of the North Korean propaganda machine. The people in the DPRK's government coming up with this idea mustn't have really been the sharpest tools in the shed, inviting a foreign respected director to shoot stupid propaganda piece I could've shot.
I'm proud that the Czech Republic had its hand in financing the film and thus helping to open the eyes of the world to the mental abuse of every single North Korean citizen taking place every single day. Bravo to the three crew members and their courage!
This film is a testament to the horrible conditions the North Korean people must live in and portrays a perfect behind the scenes look to the inner workings of the North Korean propaganda machine. The people in the DPRK's government coming up with this idea mustn't have really been the sharpest tools in the shed, inviting a foreign respected director to shoot stupid propaganda piece I could've shot.
I'm proud that the Czech Republic had its hand in financing the film and thus helping to open the eyes of the world to the mental abuse of every single North Korean citizen taking place every single day. Bravo to the three crew members and their courage!
First, to the people decrying this film as mere propaganda, I say you are either: 1. North Korean agents trying to put a happy face on a horrible situation, or, 2. are just plain dumb. if you honestly think the DPRK is a paradise, I triple dog dare any of you to pack up your Che Guevara t-shirts and move there.
If you actually pay attention to the film, you will see many, although sadly, not all, of the people look sad, frightened, beaten down, or all 3.
Places like North Korea are true hells on earth and how ANYONE can defend a regime such as this is beyond my ken.
If you actually pay attention to the film, you will see many, although sadly, not all, of the people look sad, frightened, beaten down, or all 3.
Places like North Korea are true hells on earth and how ANYONE can defend a regime such as this is beyond my ken.
Under the Sun was well-received at Austin's SXSW Film Festival. It is a surreal film which was filmed by a Russian director who was given extraordinary access to film a family in Pyongyang, North Korea. Of course the entire film was scripted by the government and the director and his crew were monitored by government minders. The product is a picture of the family eating dinner, the young girl in class, the parents at work and everybody following the script. The young girl gets to join the children's union, a group that bears a striking resemblance to Hitler Youth. It is like a scene out of George Orwell that would fit well in Leni Riefenstahl propaganda film. Oddly, perhaps by accident or carelessness, the North Korean minders sometimes allowed the film crew to film some scenes where they are given instructions on what they want done in the next scene. The overall picture is eerie and it is difficult to tell whether the people just obey out of habit or out of fear. Are they complete automatons in most bizarre regime in the world? Do they even understand that there is alternative reality or have they been completely brainwashed to believe that they live in some sort of workers' paradise? While a little repetitive at times, Under the Sun is fascinating and rare chance to see inside the most isolated and repressive country on Earth. Recommended if you can deal with this sort of material.
Le saviez-vous
- Générique farfeluThe script of this film was assigned to us by the North Korean SOE. They also kindly provided us with an around the clock escort service, chose our filming locations and looked over all the footage we shot to make sure that we did not make any mistakes in showing the life of a perfectly ordinary family in the best country in the world, with a daughter preparing to join the Children's Union - her first step on the way to becoming a part of the system dreamed by the Great Kim Il-Sung.
- ConnexionsFeatured in Eshenepozner: Vitaly Mansky (2020)
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
- How long is Under the Sun?Propulsé par Alexa
Détails
Box-office
- Budget
- 390 000 € (estimation)
- Brut – États-Unis et Canada
- 105 036 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 15 454 $ US
- 10 juill. 2016
- Brut – à l'échelle mondiale
- 305 993 $ US
- Durée1 heure 46 minutes
- Couleur
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant
Lacune principale
By what name was V luchakh solntsa (2015) officially released in India in English?
Répondre