Quanta

I've never met a scientist as dull and lifeless as they are portrayed in movies. I get that Hollywood types don't encounter people with above average intelligence in their daily lives. If they'd venture beyond their self-induced ignorance chamber once in a while they'd be shocked to learn scientists are real, actual human beings with personalities and interests beyond their area of expertise.

The premise of this movie was interesting but the script made it deadly. I dozed off several times and had to rewind, only to see I missed absolutely nothing. The film could be cut down to a commercial without losing anything. Half the film is about how rich the scientists will become creating a radio to listen to aliens so far advanced we're all Hollywood types in comparison. It simply makes no sense.

As for the dialog: words cannot express what those words could not express.

Three stars for an interesting concept. Zero stars for the plodding direction, atrocious acting, dreary sets, dull background music, first year film student camera work, and tepid editing.

Three stars.

Shot really well. Good Australian film, deserves a wider release. Well written, interesting story and shot well, what more do you want?

The sci-fi story itself is compelling and refreshingly original. The writing is tight, natural, and engaging, drawing you in from the very beginning. Characters feel authentic and layered, and the pacing keeps the narrative moving without ever feeling rushed.

It's the kind of film that lingers with you-thought-provoking yet accessible, entertaining yet meaningful. Honestly, it deserves a much wider release and audience. With a strong script, striking visuals, and a clear creative vision, what more could you ask for in a film?

Might not be what hoped for but trust me, made my night.... I luv this..... It's inspiring, I mean, I had to recommend it..i got what I wanted from it.... ➕ I Luv d tune

One wouldn't necessarily hold that the acting wasn't adequate, or that the production was poor for a low-budget offering, and the premise, which immediately reminded me of Contact (1997), is also intriguing.

Unfortunately, however, the overall presentation just seemed lacking in any real drama. I wasn't in the least invested in the characters or even the outcome and some of the things which occur seem to have been put in to try and flesh out the story somewhat.

It could have been something pretty good, but, in the end, I was just left with a ho-hum feeling of disappointment and missed opportunity.

This one's a mashup of "Flowers for Algernon" (Daniel Keyes, 1958) and "Contact" (Carl Sagan, 1985). Although it's derivative, the combo is really something fresh and new. Nathan Dalton manages to create a compelling story by taking elements of those two old science fiction classics and weaving them into a film that keeps you glued to the screen. There's real character development, plenty of clues to help the audience follow the plot, and lots of techno speak that's actually consistent with known science. (Although the idea of "radiation" from "dark" matter is somewhat of an oxymoron.) There are a few other instances of creative license, but for the most part it's believable.

The part where it departs from reality is in the motivations and behaviors of the characters. They seem to make unnatural decisions at times and don't always act like real people. But it's not uncommon in film to bend character behavior to advance the plot, so you just suspend disbelief and enjoy the movie.

The sound track was great. It set the mood and really helped provide clues about the plot and the emotions of the characters. The cinematography was likewise supportive of the moods and plot and didn't overpower the action happening on the screen. The acting performances, from relatively unknown actors, was superb. All these elements in the final product (with an insanely tiny budget) point to an extremely competent director whom I'm sure we have not heard the last of.

Overall, a great film if you are looking for a character-driven drama/scifi with lots of thought-provoking dialogue and you don't care about tons of special effects and starship shootouts.

Triggers: brief headline text ~80wpm, one subtle and minor ethnic reference