Un jeune Afro-Américain rend visite aux parents de sa petite amie blanche pour le week-end, où ses inquiétudes quant à leur accueil atteint un point de non-retour.Un jeune Afro-Américain rend visite aux parents de sa petite amie blanche pour le week-end, où ses inquiétudes quant à leur accueil atteint un point de non-retour.Un jeune Afro-Américain rend visite aux parents de sa petite amie blanche pour le week-end, où ses inquiétudes quant à leur accueil atteint un point de non-retour.
- Réalisation
- Scénariste
- Vedettes
- A remporté 1 oscar
- 154 victoires et 214 nominations au total
Caren L. Larkey
- Emily Greene
- (as Caren Larkey)
Julie Ann Jones
- April Dray
- (as Julie Ann Doan)
Avis en vedette
I decided to see this film at the theater after hearing some of the hype (which was basically that it is an excellent horror film that is told from the perspective of a black man).
Well, I can see this would be truly the worst nightmare of a black man (and really the worst nightmare for us all). This is NOT a film that tries to make the viewer feel "sorry" for black people, nor is it at all preachy, but it is just a good old fashioned horror film with a fresh new setting. I'm an old white guy by the way.
The acting is wonderful, and directing is amazing. The film, while mostly horror, is actually completely hilarious in some parts, making it the funniest AND scariest movie I have seen in ages (no easy feat). It is a shame that the film will likely not be regarded in the company of Academy Award potential nominees, because the directing and acting is honestly Oscar worthy. Again, no small feat for a horror movie that is also funny.
In summary, this is a MUST SEE at the theater and one of the best films of the year. It is a fun ride that is very well done!
Well, I can see this would be truly the worst nightmare of a black man (and really the worst nightmare for us all). This is NOT a film that tries to make the viewer feel "sorry" for black people, nor is it at all preachy, but it is just a good old fashioned horror film with a fresh new setting. I'm an old white guy by the way.
The acting is wonderful, and directing is amazing. The film, while mostly horror, is actually completely hilarious in some parts, making it the funniest AND scariest movie I have seen in ages (no easy feat). It is a shame that the film will likely not be regarded in the company of Academy Award potential nominees, because the directing and acting is honestly Oscar worthy. Again, no small feat for a horror movie that is also funny.
In summary, this is a MUST SEE at the theater and one of the best films of the year. It is a fun ride that is very well done!
Jordan Peele's strong directorial debut got well deserved Oscar attention, as it's unique, intelligent, and often times subtle storytelling made for a well layered, suspenseful film experience.
It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.
Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.
This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.
Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.
It is hard to say one actor out of the supporting roles stuck out as they all performed so well, but Daniel Kaluuya in the lead role as Chris was superb. His usage of facial expression and body language played so well to his character, and in a movie with plenty of good qualities about it he shines.
Jordan Peele also uses a lot of subtle imagery that contributes well to the themes and tone of his story, which is notably impressive especially for a first time director and make for rewarding second, third and maybe even more repeat viewings.
This movie is not without faults however, as there is a handful of times where characters inexplicably act strange seemingly just for the audience, and like most horror movies coming out recently it has it's pointless, shrill music stabs to emphasize a silly jump scare.
Despite it's faults, I would still highly recommend this one to anyone looking for an intriguing story.
Let's clear the air about this film. It's not a horror film. It's not a comedy. What it is, is a suspenseful thriller of the highest level, worthy to be compared to Hitchcock caliber. The humor is there, along with a few horror scenes, but not enough to overshadow the main theme of the story. The film hits all cylinders with almost no misfires. As far as complaints that the film is racist, it is not. It would work just as well with an all-black or all-white cast. Those complaints are from people who are uncomfortable with black people or interracial relationships and are letting it distract them from the narrative of the film. I most certainly hope that it reaches the wider audience that it so richly deserves.
Jordan Peele's directorial debut is an exhilarating horror thriller that also manages to spark laughter and comment on social issues. The cinematography, tropes, and soundtrack echo horror, but the film finds abundant moments of comic relief like when a father reassures the main character he isn't racist by claiming, "I would have voted for Obama for a third term." Before the plot delves into a traditional horror frenzy, it mines the horrors of racism. The social commentary plays on audience expectations and results in both humor and suspense. Delivering both on the expectations of the genre and the comedic expectations of a Jordan Peele creation, GET OUT is simply amazing.
Fantastic! I would not call it "horror" but certainly "thriller" with some comedy thrown into it. This Jordan Peele fellow has managed to bring something new to this genre and I certainly hope he'll do more thrillers.
The cast is great and I especially enjoyed Betty Gabriels performance. Lots of faces I have never seen before and they all did a stellar job. And those faces I have seen before did a stellar job, too. =)
I do not know if the overall idea is new but the way it was presented and the way it was done feels very fresh.
Warmly recommended!
The cast is great and I especially enjoyed Betty Gabriels performance. Lots of faces I have never seen before and they all did a stellar job. And those faces I have seen before did a stellar job, too. =)
I do not know if the overall idea is new but the way it was presented and the way it was done feels very fresh.
Warmly recommended!
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Horror Films, Ranked by IMDb Rating
Blumhouse Productions has been a major force in the horror genre since 2007's Paranormal Activity became a worldwide sensation. See how IMDb users rank all of Blumhouse's horror movies since 2007.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesDaniel Kaluuya was given the lead role on the spot after nailing his audition. Writer, co-producer, and director Jordan Peele said Kaluuya did about five takes of a key scene, in which his character needs to cry, and each was so perfect that the single tear came down at the exact same time for each take.
- Gaffes(at around 1h 12 mins) When Rod searches for information on Andre Hayworth, the second result is a page titled "How to report a missing person." However, in the close-up, the excerpt from the page shows instructions on how to feed a dog.
- Citations
[last lines]
Rod Williams: I mean, I told you not to go in that house. I mean...
Chris Washington: How you find me?
Rod Williams: I'm TS-motherfuckin'-A. We handle shit. That's what we do. Consider this situation fuckin' handled.
- Bandes originalesRun Rabbit Run
Written by Ralph T. Butler and Noel Gay
Performed by Flanagan and Allen
Courtesy of Decca Music Group Limited
Under license from Universal Music Enterprises
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- How long is Get Out?Propulsé par Alexa
Détails
Box-office
- Budget
- 4 500 000 $ US (estimation)
- Brut – États-Unis et Canada
- 176 196 665 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 33 377 060 $ US
- 26 févr. 2017
- Brut – à l'échelle mondiale
- 259 861 530 $ US
- Durée
- 1h 44m(104 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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