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IMDbPro

Perfect Strangers

Titre original : Perfetti sconosciuti
  • 2016
  • 1h 36m
ÉVALUATION IMDb
7,7/10
75 k
MA NOTE
POPULARITÉ
4 796
1 588
Giuseppe Battiston, Marco Giallini, Edoardo Leo, Valerio Mastandrea, Kasia Smutniak, Anna Foglietta, and Alba Rohrwacher in Perfect Strangers (2016)
Regarder Trailer italiano [OV]
Liretrailer1 min 01 s
1 vidéo
36 photos
Dark ComedyComedyDramaThriller

Sept amis de longue date se réuissent pour manger ensemble. Lorsqu'ils décident de partager le contenu de chaque texto, email et appel téléphonique qu'ils reçoivent, de nombreux secrets comm... Tout lireSept amis de longue date se réuissent pour manger ensemble. Lorsqu'ils décident de partager le contenu de chaque texto, email et appel téléphonique qu'ils reçoivent, de nombreux secrets commencent à se dévoiler, l'équilibre frisonne.Sept amis de longue date se réuissent pour manger ensemble. Lorsqu'ils décident de partager le contenu de chaque texto, email et appel téléphonique qu'ils reçoivent, de nombreux secrets commencent à se dévoiler, l'équilibre frisonne.

  • Director
    • Paolo Genovese
  • Writers
    • Filippo Bologna
    • Paolo Costella
    • Paolo Genovese
  • Stars
    • Giuseppe Battiston
    • Anna Foglietta
    • Marco Giallini
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,7/10
    75 k
    MA NOTE
    POPULARITÉ
    4 796
    1 588
    • Director
      • Paolo Genovese
    • Writers
      • Filippo Bologna
      • Paolo Costella
      • Paolo Genovese
    • Stars
      • Giuseppe Battiston
      • Anna Foglietta
      • Marco Giallini
    • 73Commentaires d'utilisateurs
    • 76Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 13 victoires et 16 nominations au total

    Vidéos1

    Trailer italiano [OV]
    Trailer 1:01
    Trailer italiano [OV]

    Photos36

    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
    Voir l’affiche
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    + 31
    Voir l’affiche

    Rôles principaux11

    Modifier
    Giuseppe Battiston
    Giuseppe Battiston
    • Peppe
    Anna Foglietta
    Anna Foglietta
    • Carlotta
    Marco Giallini
    Marco Giallini
    • Rocco
    Edoardo Leo
    Edoardo Leo
    • Cosimo
    Valerio Mastandrea
    Valerio Mastandrea
    • Lele
    Alba Rohrwacher
    Alba Rohrwacher
    • Bianca
    Kasia Smutniak
    Kasia Smutniak
    • Eva
    Benedetta Porcaroli
    Benedetta Porcaroli
    • Sofia
    Elisabetta De Palo
    • Nonna
    Tommaso Tatafiore
    • Bruno
    Noemi Pagotto
    • Rosa
    • Director
      • Paolo Genovese
    • Writers
      • Filippo Bologna
      • Paolo Costella
      • Paolo Genovese
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs73

    7,775K
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    10

    Avis en vedette

    7tributarystu

    The Undergrowths of Married Life

    I've never liked truth or dare, so as soon as one of the characters suggested a truth/dare like game for a peaceful get together with friends, I knew at a personal level that the worst would come about. 'Single room' movies, ever so dependent on a strong script, can easily become overbearing, if wit does not overcome the wry mundaneness of life and the timing of events is not both harmonious and believable. When a theater play is the source material, you know at least that there's a pedigree to the writing before you embark on the journey, so this blind test was something different to, let's say, Carnage (an engrossing adaptation itself). But different good.

    A group of life-long friends gather at a dinner party, as the prologue already hints at cracks in the relationships between the couples coming together. The device meant to drive them towards unraveling is a 'game' wherein everyone lays their mobile phones on the table and all messages and calls are answered/viewed in public - funny enough, someone still has a Nokia! Well, the tension is palpable from the get-go and as two of the friends make a 'trade' in the hopes of mitigating fallout from an expected text, this actually proves to be the least of their problems.

    As mentioned above, the first questions to answer pertain to timing and believability. The execution of the escalation scenario is convincing, in that it builds well towards a final release. However, your sense of disbelief is tested at certain points, as too much seems to be happening at once. It's inevitable and the film deals with it in a very clever way, but the premise remains questionable - that everyone gets up to so much mischief in an exciting way.

    The set-up is used to deliver some relevant arguments about the nature of relationships, the meaning of trust and the way that technology works as a filter. All lives are presumed to be defined by some sort of multiplicity, of things that happen which we don't share with those around us because they are hard to explain, hurtful or simply duplicitous. In a way, it has never been so easy to deceive, while actually being just an unwanted glance away from one's reveal. The movie argues that what we ultimately see is the veneer of authenticity, so intricately holding together a web of lies, even among the thickest of friends. What it does even better is point to the fact that while there are some rules of thumb to explain the behaviour of other people, really understanding which rules apply to whom is a question of context and of prejudices.

    What remains difficult to obscure is the artificiality of some of the situations - related to the need for entertaining drama. Worrying too much about surprising the audience with shock after shock is damaging not only in itself, but in tearing apart the integrity of the characters. Moreover, some meek symbolism, like the mystical eclipse of the full moon acting as a trigger for 'the unveiling', is equally unnecessary, if harmless.

    Yet, it's fairly easy to transcend these inadequacies thanks to the sound build up of the atmosphere, the well rounded characters, and the depth the movie achieves in its existential commentary. Not sure I would label this a comedy, but it sure is a dinner date gone haywire, with some beautiful Italian flair to go with the ever so doubtful bio wine.
    8Angelino_Rosso

    A very real current film without unnecessary bells & whistles

    The film depicts a normal dinner party. A group of middle-aged friends eat and drink together discussing how smartphones influence our everyday life. As they all agree they have nothing to hide they decide to play a game that will put their beliefs and friendships to test.

    The film is strong on individual performances, a facetious script and honest character building.

    Recommended!
    10gewoon_filip

    Roller-coaster of emotions

    What a fantastic piece of art. A movie containing an abundance of emotions, psychology and surprises.

    It has been a while I have been both touched by tears and laughter at the same time.

    An incredible scenario, fantastically written, composed and acted upon. Interpersonal relationships at its finest.

    The constant twists in the plot, along with great acting makes the movie to be fascinating from beginning to end.

    If you like Woody Allen movies, you should definitely watch this one. Simply amazing!
    8andrea-bertazzoli9

    A great positive sign for the Italian cinema

    An incredibly well-written modern chamber play that submit us a really interesting question: What would actually happen if a group of friends that affirm to know each other perfectly puts the smartphones altogether where everyone can hear the calls and read the messages? Yes A big mess

    The brilliant starting idea is developed in a wonderful crescendo that transforms rapidly the situation from a nice dinner with old friends into a bloody battleground that reveals the darker secrets.

    The movie is both funny and dramatic and so is the bitter-sweet final (wonderful inception tribute).

    Great cast, good directing and good cinematography.

    Vote: 8.5
    9CineRasta

    finally a comedy in the true sense of the word

    Delighted to see that Italian cinema occasionally is still capable of turning out good movies, great cast composed of very different actors with each other but at the same time linked by a wonderful alchemy. Also good script, a film like this to be level must have been accurately written, especially if the characters have to interact with each other in the same room for the duration of the event. In the past Paolo Genovese, often in addition to directing he also wrote the script as in this case (assisted by Filippo Bologna, Paolo Costella, Paola Mammini and Rolando Ravello), he had tried to create something where something really remain "in the pocket" to the viewer , without ever succeeding in my opinion. He laughs a lot and it also reflects, are tackled very difficult issues without falling into banality and remarkable interpretations are offered. The finish is one of the strong points of the film, launched the message is very clear and stimulates the viewer's mind to set himself up as judge, or to make "mea culpa".

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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      It has been remade over 20 times in many countries including Spain, Turkey, Mexico, South Korea, France, Hungary, Greece, India, China, and Russia. For this reason, it entered into the Guinness Book of World Records.
    • Gaffes
      Anyone who had something to hide could have easily switch the phone to flight mode, thereby blocking it from accepting messages or calls.
    • Citations

      Peppe: Eva, how do you know if you're in love?

      Eva: Why are you asking me?

      Peppe: You study these things.

      Bianca: I'll tell you. If you talk to her for 30 minutes a day, you're in love.

      Peppe: What if I talk for 60 minutes?

      Carlotta: Then you're madly in love.

      Lele: Then you stop talking, which means you're married!

    • Connexions
      Remade as Teleioi xenoi (2016)
    • Bandes originales
      I Will Survive
      Written by Freddie Perren (uncredited) and Dino Fekaris (uncredited)

      Performed by Gloria Gaynor

    Meilleurs choix

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    FAQ15

    • How long is Perfect Strangers?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 11 février 2016 (Italy)
    • Pays d’origine
      • Italy
    • Sites officiels
      • Official site (Italy)
      • Official site (Japan)
    • Langue
      • Italian
    • Aussi connu sous le nom de
      • Perfectos desconocidos
    • Lieux de tournage
      • Rome, Lazio, Italie
    • sociétés de production
      • Lotus Production
      • Medusa Film
      • Leone Film Group
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – à l'échelle mondiale
      • 32 207 491 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 36 minutes
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 2.39:1

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    Giuseppe Battiston, Marco Giallini, Edoardo Leo, Valerio Mastandrea, Kasia Smutniak, Anna Foglietta, and Alba Rohrwacher in Perfect Strangers (2016)
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