Ajouter une intrigue dans votre langueThe Four Horsemen reunite and team up with a new generation of young illusionists to expose a diamond heiress's global money laundering scheme for criminals.The Four Horsemen reunite and team up with a new generation of young illusionists to expose a diamond heiress's global money laundering scheme for criminals.The Four Horsemen reunite and team up with a new generation of young illusionists to expose a diamond heiress's global money laundering scheme for criminals.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 1 nomination au total
- $50,000 Bucks Audience Member
- (as Angela Stander)
Sommaire
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Practically, a new set of magicians uses the image of the former Now You See Me leads, and try to recapture their "Robin Hood"-esque quest. Then it trickles down to a ridiculous plot about a rich billionaire heiress who has a secret she wants to destroy. With the help of the old gang, the new kids on the block will use the film's brand of"Camera Illusion" because being a Magician in this film is not gonna happen - to turn the world around and help make things right.
I hated it the minute my friends said this is the one we need to watch. I just know nothing in this is gonna work at all. It never made sense for me. WHY is she faulted for the cascading incidents that resulted to her mother's death when she was a child? Or all these grandstanding and moralizing. Or how is something popular yet no one really knows him eye to eye or the worst thing - which is "camera illusion" magic. The film really wants you to let go of every little suspension of disbelief you could give. Even the biggest plot twist of the film is just plain ridiculous stupidity. AND IT'S NOT even witty at that.
The fact that towards the end, the best thing I could feel about this film is that it is unrelentingly stupid. It acts smart and it thinks as if it comments on something relevant, but it knows it is stupid and nonsensical. It is proudly bottom of the barrel and a million or so, would still come because sometimes it is fun to be brain dead. Dead dead, we are mortal after all.
That 2.5 film is because it never let me feel like something made sense. It pushes itself to puzzle me and make me feel like that money I spent was not worth it. It was the greatest horror Hollywood made this year and I am still having my nightmares!
While the second movie was already inferior to the first, at least it expanded the world and took the story in a new direction. With nine years to develop a sequel, you'd expect something fresh, ambitious, and worthy of the franchise. Instead, the filmmakers went for the laziest option possible: a blatant rehash of the first two films-especially the second-recycling the same story beats, structure, and even the same type of plot twist, just with different characters.
The movie is full of overused tropes executed in the most uninteresting way. The dialogue is poor, character interactions even poorer, and the new characters add nothing except clutter, stealing screen time from the main cast-who end up feeling like guests in their own franchise. Even the visuals feel tired and uninspired, which is especially disappointing given the potential of such a unique premise and the always-wonderful cast. With these characters and this setup, the film could have delivered inventive storytelling and striking set pieces-but it doesn't.
A fourth movie is teased, and if it ever happens, I sincerely hope they hire a writer and director interested in making the sequel this franchise actually deserves.
What's most frustrating is how detached everything feels. The film pushes surrealism to the point of disbelief, robbing it of the charm and intrigue that once defined the franchise. The surprise character reveal at the end feels cheap and unnecessary, a nostalgic gimmick that might have worked two decades ago but now only exposes budgetary shortcuts.
The plot twist, while mildly interesting, collapses under its own lack of logic - it's hard to invest when the story keeps bending reality for convenience. In the end, Now You See Me 3 is forgettable entertainment: flashy but empty, ambitious but weightless, and a disappointing end to a once-promising saga.
I did enjoy the cast reunion - Isla Fisher back in action was a pleasant surprise but beyond that, everything was just... plain. If you're going to make fans wait nearly a decade, at least give us something worth the wait, not a rerun in a new hat.
The only illusion here is thinking this sequel was worth the wait.
Le saviez-vous
- AnecdotesWhen Veronika enters her secret caveau we can see a painting held there: that's Caravaggio's "Nativity", stolen in Palermo, Italy in 1969, and never retrieved.
- GaffesAt 1:30 during the sand trap escape, all the water empties from the sand trap through the broken glass wall, and all the sand in the trap is no longer there.
- Citations
Charlie: How did you... find us?
J. Daniel Atlas: I don't know, took me about... 30 seconds And if it was this easy for me to find you, how hard would it be for the police?
June: Whoa, hold on, the police?
J. Daniel Atlas: Yeah, the police.
Bosco: Why would the police be looking for us?
J. Daniel Atlas: Uh, I don't know, what about that little heist you just pulled? Or... the fact that you're squatting in this place, so that your electricity comes from the circuit box in the corner, I don't know, could be anything, am I right, Bozo?
Bosco: [chuckles] Bosco. Bosco Leroy.
J. Daniel Atlas: [chuckles] Oh yes that's right, Bosco Leroy. What, did you type "fictional magician name" into ChatGPT?
Bosco: No, that's actually my real name, Atlas. What'd your mom have sex with a map?
- ConnexionsFeatured in WatchMojo: Top 10 Must Watch Movies and Shows of November 2025 (2025)
- Bandes originalesCrusades
Written by Max Bassin, Dominic DiGesu, Emily Green (as Gus Green), Foster Hudson and Cameron Winter
Performed by Geese
Courtesy of Partisan Records/PIAS
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Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langue
- Aussi connu sous le nom de
- Now You See Me: Now You Don't
- Lieux de tournage
- Belgique(Exterior)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 90 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 61 719 268 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 21 013 793 $ US
- 16 nov. 2025
- Brut – à l'échelle mondiale
- 216 541 395 $ US
- Durée
- 1h 53m(113 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1






