Juste la fin du monde

This is the latest film from Xavier Dolan who continues to surprise with his very human stories. This time he has gone for an 'A list' of French talent. The story is from the stage play of the same name and is about Louis (Gaspard Ulliel 'A Very Long Engagement') who is a successful writer; he has not been home for twelve years and has now only returned to announce that he is dying – but he does not know how to do it.

On arrival at his home he is met by his family, mother, older brother and much younger sister. His brother, Antoine, played by Vincent Cassel is a man who seems to have got more than his fair share of life's anger but has married a shy creature – Catherine – played by Marion Cotillard in a way that she owns the role, it is completely convincing. The whole day is played out in linear format as the characters stumble into each other always seeming to be on the edge of imploding.

This is not an easy to watch movie as the tension can be uncomfortable but that makes it a better film for it. This is real 'Arthouse' in that it takes a different path to many that have gone before and is becoming a welcomed trademark of Xavier Dolan.

If you liked any of his previous films then you are probably already sold on this, if you are new to him then switch off any expectations and let this film seep into your psyche, it will be worth the effort.

Somehow even worse than your run-of-the-mill terrible movies. "Waterworld" and "Catwoman" are basically benign. Xavier Dolan, with his big name cast, his pretensions of art-house cinematography, his maudlin dialogue, and his iMovie sound mixing, really insults the moviegoers. He thinks we'll eat up this kind of crap-- and, if Cannes is any indicator, we totally have.

I really think that the only real pleasure anyone can derive from watching this Lifetime-Movie-knockoff of a film is by turning around in your seat and watching everyone try to maintain the 'studious cinephile' straight face while watching a slow-motion tear fall from Vincent Cassel's eye. There's also a winning bit with the "Numa Numa" song played over images of children frolicking through a field at dusk. Nostalgia.

I've read some negatives review for this film and disagree completely with all of them. It's a brilliant film centered around dysfunctional family dynamics, with all the associated emotions and behavior. Yes, there is yelling. Yes, there is tension. Yes, there are close-ups and moments of silence. And they all converge into a very deep and touching story (which was the whole purpose!!!)

The cast was perfect. The music was perfect. The images were perfect.

Xavier Dolan is a genius. He was inspired by the play "Juste la fin du monde" but turned it into something completely different. It's not a Hollywood story, please keep that in mind. This is the kind of movie that challenges you (and that only adds to its value).

The story is familiar. because the portrait of dysfunctional family is not rare in the cinema of last decades. but the film has a fundamental virtue - it is a Xavier Dolan work. and that change everything. because not the conflicts, vulnerabilities, isolation, angry and fears, the return of the son are the basic aspects. but the precise and not comfortable image of loneliness. using admirable cinematography. the right actors. the close up. the forceof silence. the small gestures and shadows of memories. the admirable cold dialogues. and the last part as ideal building for a search who becomes out of target. a film who impress. not only for artistic value. but for remarkable science to present the things who are out of us being inside us. frustrations, intentions, the desire to be far by the other who could represent only the stranger. who is just an accident. so, a beautiful Xavier Dolan.

b.r.i.l.l.i.a.n.t! I saw this movie at TIFF on Sept. 17 and it was the first Dolan film I've seen. It deserves the award it received at Cannes! Despite all the shouting and intensity, this film conveys with subtlety, suggestive dialogue and glances, the range of emotions felt by different members of a family when there has been an unexplained loss of another family member. Even though the main character, Louis, is still alive and returns to the family, they react as if he has returned from an unexpected death. They range from guilt, rage, idealization, and denial.The close-up filming style also reveals each family member's pain in intimate detail. Dolan is brilliant in his interpretation of that family's deep pain and Louis's coming to terms with not only his own impending death but the "death" the family already has had to deal with when he went away the first time.