Un gamin doué du centre-ville, gaspillant ses talents dans le crime, se met au-dessus de sa tête jusqu'à ce qu'une rencontre fortuite avec un inconnu lui offre l'opportunité de changer sa vi... Tout lireUn gamin doué du centre-ville, gaspillant ses talents dans le crime, se met au-dessus de sa tête jusqu'à ce qu'une rencontre fortuite avec un inconnu lui offre l'opportunité de changer sa vie. Mais est-il trop tard?Un gamin doué du centre-ville, gaspillant ses talents dans le crime, se met au-dessus de sa tête jusqu'à ce qu'une rencontre fortuite avec un inconnu lui offre l'opportunité de changer sa vie. Mais est-il trop tard?
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Review:
I recommended Break (2020) to my brother and my parents for professionalism of it's creators. Recently, it's rare that a film is compelling after the cinema died. This story is held together by cinematic camera movements and a few enticing shots, similar to the Social Network.
Genre: It's got a blend of traditional British crime drama (think Harry Brown 2009) and an athlete's biopic. My buddy was obsessed about writing a bio-pic of an athlete and this film has got him beat.
Genre: It's got a blend of traditional British crime drama (think Harry Brown 2009) and an athlete's biopic. My buddy was obsessed about writing a bio-pic of an athlete and this film has got him beat.
I watched this because it had one of Rutger Hauer's last performances (the film is dedicated to Rutger, having been released posthumously). I expected his performance to be a small component, as it is in many of his later films where he does not play a main character - but his limited screen time is well used here, and he brings gravitas to the important scenes he is in.
The rest of the performances are pretty good, too. With low budget films you never know if they cast actors or just people they happened to have around - luckily it was the former, in this case.
Also, the production values are quite good, the soundtrack, the editing - everything is very well done, especially for a director's first film. It is well paced and the characters have just enough background for us to care about them as much as needed to make the story engaging. There isn't a lot of distracting "creative" film work here, the scenes are set to tell the story, and they do a pretty good job.
So there's a lot of good stuff here, despite this underdog redemption tale not being anything too tremendously new. It has a lot of the tropes of the films that have preceded it, but they are transported into the world of the pool hall.
There have been some very negative review of this film that have left me puzzled. I find the rating in IMDB is far too low for a film of good (if not great) quality. The only ones with comments seem to hone in on the "inaccuracies" of the sport. These complaints may highlight legitimate mistakes either in the performances or the editing, but they did not distract me in the least. Only someone so absorbed in the sport would notice, let alone care. I find it a little absurd, as this is a good character drama with some heart.
The rest of the performances are pretty good, too. With low budget films you never know if they cast actors or just people they happened to have around - luckily it was the former, in this case.
Also, the production values are quite good, the soundtrack, the editing - everything is very well done, especially for a director's first film. It is well paced and the characters have just enough background for us to care about them as much as needed to make the story engaging. There isn't a lot of distracting "creative" film work here, the scenes are set to tell the story, and they do a pretty good job.
So there's a lot of good stuff here, despite this underdog redemption tale not being anything too tremendously new. It has a lot of the tropes of the films that have preceded it, but they are transported into the world of the pool hall.
There have been some very negative review of this film that have left me puzzled. I find the rating in IMDB is far too low for a film of good (if not great) quality. The only ones with comments seem to hone in on the "inaccuracies" of the sport. These complaints may highlight legitimate mistakes either in the performances or the editing, but they did not distract me in the least. Only someone so absorbed in the sport would notice, let alone care. I find it a little absurd, as this is a good character drama with some heart.
Low grade British film about an impoverished kid from an impoverished neighborhood whose dying father makes a last ditch effort when he gets out of jail to get his son a chance at a Snooker tournament in Hong Kong that will turn his life around. The kid is a small time criminal, wasting his life on drugs and petty crime hanging with his friends...but amazingly has shown a gift for Snooker.
I wish they showed more of the game of Snooker and explained the rules a little, but I guess they figure that is what the internet is for.
The cast was appropriate and well acted, but there were a lot of trite stereotypes...like getting the girl and the bad guy getting taken out.
I would probably give this movie a pass...although I don't have an alternative snooker movie to recommend...there are several pool movies The Hustler (Paul Newman), Stickmen (New Zealand), The Color of Money (Paul Newman).
However, this is the Dutch actor, Rutger Hauer's last film...so if you would like to see him and don't just want to rewatch Bladerunner, Ladyhawke or The Heineken Kidnapping this is the film for you. ...And to Anne Rice fans: He really would have made a much better vampire than the actor who got the role.
I wish they showed more of the game of Snooker and explained the rules a little, but I guess they figure that is what the internet is for.
The cast was appropriate and well acted, but there were a lot of trite stereotypes...like getting the girl and the bad guy getting taken out.
I would probably give this movie a pass...although I don't have an alternative snooker movie to recommend...there are several pool movies The Hustler (Paul Newman), Stickmen (New Zealand), The Color of Money (Paul Newman).
However, this is the Dutch actor, Rutger Hauer's last film...so if you would like to see him and don't just want to rewatch Bladerunner, Ladyhawke or The Heineken Kidnapping this is the film for you. ...And to Anne Rice fans: He really would have made a much better vampire than the actor who got the role.
'Break' is relatively good, somewhat against the odds.
It is quite rough around the edges, though it features a story that is perfectly watchable and is portrayed competently by those behind the scenes. Onscreen, the actors are all fairly solid. Sam Gittins is decent in the lead role, as are Luke Mably and Adam Deacon. The standouts, though, are Rutger Hauer and, particularly, David Yip. There are some neat snooker cameos too, albeit wooden ones.
Visually pleasing to see that this has a run time of 1hr 47mins. Nice touch!
// Break is a 2020 British film written and directed by Michael Elkin.
It is quite rough around the edges, though it features a story that is perfectly watchable and is portrayed competently by those behind the scenes. Onscreen, the actors are all fairly solid. Sam Gittins is decent in the lead role, as are Luke Mably and Adam Deacon. The standouts, though, are Rutger Hauer and, particularly, David Yip. There are some neat snooker cameos too, albeit wooden ones.
Visually pleasing to see that this has a run time of 1hr 47mins. Nice touch!
// Break is a 2020 British film written and directed by Michael Elkin.
To be fair it's not bad, story flows - kinda mini 'Top Boy' does snooker.
Only neg - Think main character took same acting lessons as Danny Dyer but still is worth a see.
Ideal if you like a bit of snooker but tonight it's 'movie-night' - even if partner doesn't partake in a bit of velvet ball action both will still be film satisfied. 'A snooker film with knifes, weed, no Steve Davis characters and not much snooker'.
Le saviez-vous
- AnecdotesLast movie filmed by Rutger Hauer before his death on July 19, 2019.
- Bandes originalesRoom with a beautiful view
Written and performed by Scott Peden
Copyright Scott Peden/SM Records 2019
Licensed by Scott Peden/EyeHear Music London
Courtesy of SM Records
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- How long is Break?Propulsé par Alexa
Détails
- Durée1 heure 47 minutes
- Couleur
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