ÉVALUATION IMDb
7,1/10
58 k
MA NOTE
Lorsque Lee Israel perd le sens des tendances, elle transforme son art en supercherie. Adaptation du mémoire Can You Ever Forgive Me?, la véritable histoire de Lee Israel et de ses biographi... Tout lireLorsque Lee Israel perd le sens des tendances, elle transforme son art en supercherie. Adaptation du mémoire Can You Ever Forgive Me?, la véritable histoire de Lee Israel et de ses biographies best-seller de célébrités.Lorsque Lee Israel perd le sens des tendances, elle transforme son art en supercherie. Adaptation du mémoire Can You Ever Forgive Me?, la véritable histoire de Lee Israel et de ses biographies best-seller de célébrités.
- Director
- Writers
- Stars
- Nommé pour 3 oscars
- 54 victoires et 101 nominations au total
Rosal Colon
- Rachel
- (as Rosal Colón)
Avis en vedette
Greetings from Lithuania.
"Can You Ever Forgive Me?" (2018) is a wonderfully acted, written and directed movie. I loved performances by two leads: Melissa McCarthy & Richard E. Grant - they were both outstanding, well deserving Oscar nominations they got. This movie was also very well paced - at running time 1 h 42 min It never dragged and I was involved into this story of which I knew nothing from beginning till end.
Overall, "Can You Ever Forgive Me?" was sometimes funny, very involving, sad and yet a bit uplifting story very well told. This is a very good movie overall.
"Can You Ever Forgive Me?" (2018) is a wonderfully acted, written and directed movie. I loved performances by two leads: Melissa McCarthy & Richard E. Grant - they were both outstanding, well deserving Oscar nominations they got. This movie was also very well paced - at running time 1 h 42 min It never dragged and I was involved into this story of which I knew nothing from beginning till end.
Overall, "Can You Ever Forgive Me?" was sometimes funny, very involving, sad and yet a bit uplifting story very well told. This is a very good movie overall.
Melissa McCarthy is not known for her dramatic roles, but this film might change that. It's the gripping story of Lee Israel, a struggling Manhattan writer who in the early 1990s undertook the extraordinary step of falsifying letters from famous people to make ends meet.
McCarthy is an eye-opener here as the hard-drinking, acid-tongued Israel, a miserable middle-aged woman who sought friendship in precious few souls, one of them being a mysterious figure on the Upper West Side portrayed with fierce verve by Richard E. Grant, who winds up becoming something of an accomplice to her enterprise. She is desperate to pay her bills. His murky story becomes more known as the film progresses. The two of them are an odd couple, as they both have setbacks and misery to look back upon, but their pessimism and misanthrope are not equally shared.
This film will offer a glimpse of nostalgia for anyone who remembers New York in a now quaint era, when struggling writers still lived as adults in Manhattan, when life was endearingly bleak and bookstores were not yet massive chains. That sense of atmosphere I greatly admire. Recommended to anyone who enjoys a scathing story of literary scheming.
McCarthy is an eye-opener here as the hard-drinking, acid-tongued Israel, a miserable middle-aged woman who sought friendship in precious few souls, one of them being a mysterious figure on the Upper West Side portrayed with fierce verve by Richard E. Grant, who winds up becoming something of an accomplice to her enterprise. She is desperate to pay her bills. His murky story becomes more known as the film progresses. The two of them are an odd couple, as they both have setbacks and misery to look back upon, but their pessimism and misanthrope are not equally shared.
This film will offer a glimpse of nostalgia for anyone who remembers New York in a now quaint era, when struggling writers still lived as adults in Manhattan, when life was endearingly bleak and bookstores were not yet massive chains. That sense of atmosphere I greatly admire. Recommended to anyone who enjoys a scathing story of literary scheming.
After the abysmal Ghostbusters remake and the endlessly panned Happytime Murders, true fans of McCarthy will be glad to see her redemption in this dramatic turn. McCarthy really shines in her role as author Lee Israel and effortlessly portrays the loneliness and insecurity of her character. Her rapport with Grant (and even with the cat) is wonderful, and the writing is clever. This was a surprising and delightful highlight at Telluride this year.
Melissa McCarthy has created a character, in her career that could keep her in lucrative employment without taking any risks.
Kudos to her for playing this risky a role, and pulling it off with aplomb. Richard E Grant is whimsy to her determination, but she successfully breathes life into a complex character.
Great film
Kudos to her for playing this risky a role, and pulling it off with aplomb. Richard E Grant is whimsy to her determination, but she successfully breathes life into a complex character.
Great film
I didn't know what to expect with this film. I was very pleasantly surprised.
This movie is not a comedy and the performers did a great job of capturing people who are not always made for this world.
Melissa McCarthy gives a impressive performance as Lee Israel and Richard Grant is wonderful as her ne'er do well friend and accomplice.
I really like the atmosphere and the ability to capture the grit and seediness of New York in the early 90's.
Marielle Heller and McCarthy did a fantastic job of taking someone with all the likability of my mother in law and making her sympathetic.
Le saviez-vous
- AnecdotesA pile of Lee Israel books ("Beyond the Magic", an unauthorized biography of Estée Lauder) are shown on sale at a bookstore for 75% off. Lauder was publishing her own memoirs and initially tried to pay Israel *not* to write her book, but she refused and rushed her book to publication. The autobiography was released in October 1985 and Israel's biography one month later. The book buying public chose to buy the Lauder autobiography rather than the Israel biography. Lee Israel later said she regretted not taking the money when it was first offered.
- GaffesA couple of times we see the characters sitting in a bar, while a snowstorm is obviously occurring outside, but when they walk outside, there isn't any snow on the ground at all.
- Générique farfeluAs the closing credits start, they move to the left side of the screen and information about the protagonists appears on the right.
- Autres versionsAhead of the film's release in Australia, the distributor chose to pre-cut the film in order to obtain an M classification. These changes removed detail of hard drug misuse (cocaine snorting) through re-framing, and also removed the film's sole use of very strong language by re-dubbing the term with a milder phrase. The uncut international version was later approved for a DVD/Video release with an uncut MA15+ classification.
- Bandes originalesI Thought Of You Last Night
Written by Ralph Freed
Performed by Jeri Southern
Courtesy of Geffen Records
Under license from Universal Music Enterprises
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Can You Ever Forgive Me?
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 10 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 8 803 865 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 161 510 $ US
- 21 oct. 2018
- Brut – à l'échelle mondiale
- 12 442 161 $ US
- Durée1 heure 46 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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