ÉVALUATION IMDb
6,9/10
1,8 k
MA NOTE
Ajouter une intrigue dans votre langueCompeting radio personalities in Chicago find common ground when they have to work together.Competing radio personalities in Chicago find common ground when they have to work together.Competing radio personalities in Chicago find common ground when they have to work together.
- Prix
- 1 victoire et 3 nominations au total
David James Lewis
- Scott Ryder
- (as David Lewis)
Emily Maddison
- Swimsuit Model
- (as Emily Bruhn)
Avis en vedette
This one was really good, and the scene crawling through the doggie door was priceless, Loved It and Yes I recommend it. James Welch Henderson, Arkansas 1/25/2021
Was not entirely sure of the premise at first, have seen it done well before but have also seen it done not very well at all. Still saw 'Love on the Air' for Hallmark completest sake and because of liking a number of their 2015 films. Have seen Alison Sweeney and Jonathan Scarfe in other films, with more familiarity with Sweeney, and while both of them have variable filmographies they themselves are always watchable (especially Sweeney, a Hallmark regular and consistent).
'Love on the Air' on the whole was quite good, if not great, and one of the better Hallmark films to have this (or something similar) premise. Did think that it started off on the rough side, but it is a case of me recommending staying with it because it does get a lot better. Something that has been said quite a lot by me in regard to Hallmark and Lifetime films overtime. Both Sweeney and Scarfe are represented very well in 'Love on the Air', once their material becomes a good deal better.
Am going to mention the not so good things first. As said, it doesn't start off great. The film does go too over the top on the know it all traits present in both leads, and it came over as rather snobbish and mean spirited at first. Also felt that the banter initially was on the excessive side, and initially too hostility heavy which again felt mean spirited and forced.
The story doesn't offer any real surprises and ends a little too neatly.
Both Sweeney and Scarfe are very engaging in the lead roles, with no signs of hamminess or phoning in. They engage with their characters quite passionately while giving the right amount of energy and nuance. Their chemistry is also one of the better ones of 2015's Hallmark films, with there being some real spark, wit and charm. They are very natural together and it feels genuine while not being hasty. The supporting cast are all solid, and mostly the characters have a good deal of personality and appealing ones.
Production values are easy on the eyes, particularly the scenery, and had no issue with the placement or use of the music (which has always varied wildly with Hallmark and continues to be). The story is light hearted and heart-warming on the whole, with a good deal of heart. It may lack surprises, but the energy is always there and it doesn't get too contrived later. The script on the most part is witty and very funny in the right places, while having heartfelt moments without schmaltz getting overdone. It doesn't come over as stilted.
Summing up, quite good if not great that is worth sticking with if initially unsure. 7/10.
'Love on the Air' on the whole was quite good, if not great, and one of the better Hallmark films to have this (or something similar) premise. Did think that it started off on the rough side, but it is a case of me recommending staying with it because it does get a lot better. Something that has been said quite a lot by me in regard to Hallmark and Lifetime films overtime. Both Sweeney and Scarfe are represented very well in 'Love on the Air', once their material becomes a good deal better.
Am going to mention the not so good things first. As said, it doesn't start off great. The film does go too over the top on the know it all traits present in both leads, and it came over as rather snobbish and mean spirited at first. Also felt that the banter initially was on the excessive side, and initially too hostility heavy which again felt mean spirited and forced.
The story doesn't offer any real surprises and ends a little too neatly.
Both Sweeney and Scarfe are very engaging in the lead roles, with no signs of hamminess or phoning in. They engage with their characters quite passionately while giving the right amount of energy and nuance. Their chemistry is also one of the better ones of 2015's Hallmark films, with there being some real spark, wit and charm. They are very natural together and it feels genuine while not being hasty. The supporting cast are all solid, and mostly the characters have a good deal of personality and appealing ones.
Production values are easy on the eyes, particularly the scenery, and had no issue with the placement or use of the music (which has always varied wildly with Hallmark and continues to be). The story is light hearted and heart-warming on the whole, with a good deal of heart. It may lack surprises, but the energy is always there and it doesn't get too contrived later. The script on the most part is witty and very funny in the right places, while having heartfelt moments without schmaltz getting overdone. It doesn't come over as stilted.
Summing up, quite good if not great that is worth sticking with if initially unsure. 7/10.
This movie is all about the banter back and forth between Alison Sweeney and Jonathan Scarfe. In this movie, the adversarial banter goes on longer than in a lot of movies of this type.
Both characters have very tough exteriors which are difficult to like. And it's a little more than just being tough on the outside. Both are stubborn advocates for their own gender and both exhibit some of those gender mid twentieth century stereotypes. There's a nice touch there in that each also one has at least one major characteristic opposite to those stereotypes.
Nick's softer side starts showing up before Sonia's, but they both have one. Nick also starts to show that inside he respects the opposite sex more than his reputation allows.
The story follows a predictable pattern with some well used plot devices like the misunderstood overheard conversation. But the strength of this movie isn't the story. It's in the relationships and the chemistry between the two leads.
Both characters have very tough exteriors which are difficult to like. And it's a little more than just being tough on the outside. Both are stubborn advocates for their own gender and both exhibit some of those gender mid twentieth century stereotypes. There's a nice touch there in that each also one has at least one major characteristic opposite to those stereotypes.
Nick's softer side starts showing up before Sonia's, but they both have one. Nick also starts to show that inside he respects the opposite sex more than his reputation allows.
The story follows a predictable pattern with some well used plot devices like the misunderstood overheard conversation. But the strength of this movie isn't the story. It's in the relationships and the chemistry between the two leads.
I have watched a lot of Hallmark movies and this is one of the top. The banter is off the chart and made it really enjoyable for both of us watching. You still knew what was going to happen but super witty and great one liners.
I give this an 8 out of 10, on my "hallmark movie scale". That is, sure, it's no Gone With the Wind. But relative to other HMM movies, this was really enjoyable. Even my husband, who is usually beside me napping/browsing the web, piped up that it was a whole lot better than my usual Sunday afternoon light fare.....
Anyhow, Alison Sweeney has got a real HMM thing going on, and is usually pretty charming and likable -as she is in this one. The lead guy is equally likable, and unlike most HMM movies, does not come across as gay (which, as an aside, is a major problem with this channel's movies - it's hard to get into the chemistry of a budding romance when the lead males are all so painfully, painfully gay. I don't know why HMM does this -- maybe they've tested their audiences and found out that they are drawn to this? But i digress....). The characters here have real chemistry, and great that, unlike so many HMM movies the lead woman actually has a real, successful career - and not just as a ubiquitous "event planner" or "marketing woman" or "wedding coordinator". And nice that she didn't quit said job at the end of the movie, as so many of these leads are inclined to do. Anyhow, just a cute fun movie, well acted, well-written, and pretty much lacking the painful awkward script moments that these movies usually have.
Anyhow, Alison Sweeney has got a real HMM thing going on, and is usually pretty charming and likable -as she is in this one. The lead guy is equally likable, and unlike most HMM movies, does not come across as gay (which, as an aside, is a major problem with this channel's movies - it's hard to get into the chemistry of a budding romance when the lead males are all so painfully, painfully gay. I don't know why HMM does this -- maybe they've tested their audiences and found out that they are drawn to this? But i digress....). The characters here have real chemistry, and great that, unlike so many HMM movies the lead woman actually has a real, successful career - and not just as a ubiquitous "event planner" or "marketing woman" or "wedding coordinator". And nice that she didn't quit said job at the end of the movie, as so many of these leads are inclined to do. Anyhow, just a cute fun movie, well acted, well-written, and pretty much lacking the painful awkward script moments that these movies usually have.
Le saviez-vous
- GaffesEarly in the movie, when Sonia is filling in at the Chicago station, her fiance calls the main switchboard of the station and the receptionist/operator patches him directly through to the on-air call-in line . . . and, unknowingly, she puts him on the air. Chances are something like that would never happen . . . particularly on a major market station. Sorry but, to this career broadcaster, that's a "red flag."
- Citations
Nick Linden: Now that I see you two together, I don't really see you two together.
- ConnexionsFeatures BBC Sunday-Night Theatre: The Silent Village (1951)
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