Le cercle: Le pouvoir de tout changer

I don't get it, how did this movie end the way it did? What was that? The story was built up but never ended, it's like it's just half a movie.

The movie is a waste of time simply because it doesn't go anywhere. They create a scene, introduce characters, start the narrative and then, out of nowhere, it just ends.

Did the crew forget a bunch of pages from the script in the printer?

Another question is, how is it a thriller? Maybe back in 2017 the scene in itself was horrifying (no it was not). Anyways, here on Earth in 2023 companies as the Circle are mandane and the whole set up is not enough to thrill anyone.

I loved Karen Gillan here, heck, the whole cast was good, the idea and teased moral is timeless, but the plot is a total mess. It's a pity though because it felt like it led somewhere.

Director James Ponsoldt's The Circle depicts the story of a not-so-distant future, or perhaps an alternative present, in which one company dominates digital media, data gathering, and surveillance services. Based upon the four-year-old novel by author Dave Eggers, you'll notice some stark similarities between this motion picture narrative and the smash hit TV series Black Mirror. The biggest difference between the two is that The Circle is fast-faced and poorly written whereas Black Mirror is a slow-burning but well-written anthology series. In addition to the similarities between the aforementioned, there are certainly elements of The Truman Show in this movie as well. With a powerhouse cast, brilliant composer (Danny Elfman), and excellent editing, The Circle appears to have what a blockbuster needs; however, the hollow characters, poor character development, fractured subplots, and overall diegesis hold the film back from reaching the impact that it could have had. Having taken a digital media and privacy class in graduate school, and published a few articles, this is a film that I was looking forward to in order to analyze how the social commentary or commentary on the human condition regarding reasonable expectations of privacy and big data were integrated into the plot. Sadly, the screenplay was not strong or developed significantly enough to provide big data and privacy discussions.

Mae Holland (Emma Watson) hates her job at the water company, so she is incredibly excited when her friend Annie (Karen Gillan) lands Mae an interview at The Circle, the world's most powerful technology and social media company. Mae's fear of unfulfilled potential impresses the recruiters at The Circle and she lands the opportunity of a lifetime. After Mae puts herself into harm's way but rescued, thanks to The Circle's newest surveillance and data gathering system, she is encouraged by the company founder Eamon Bailey (Tom Hanks) to take a more active role in technology development by participating in an experiment that puts Mae's life on display for the world (in the vein of The Truman Show) to see. Once Mae turns on that camera, she has more "friends" than she ever imagined and becomes an instant online celebrity. Unfortunately, this decision will affect those closest to Mae and the negative ramifications will reach far beyond her inner circle and begin to impact humanity at large. Sometimes, people just don't want to be found or be "social."

For all The Circle has going for it, the weak screenplay keeps it from being the blockbuster that it so desperately wants to be. A great movie typically begins with solid writing, and that is what's missing here. After five minutes (or so it seems) of opening title logos, perhaps that is indirect evidence that there were just too many hands in the pot, each trying to take the movie's narrative in a different direction. Much like Frozen plays off like two different movies crudely sewn together, The Circle appears to be one movie for the first two acts, but takes an unexpected and unfulfilling turn in the third. A couple of conspicuous unanswered questions come after Mae meets TrueYou designer and founder Ty (John Boyega). He designed the platform that launched The Circle. At one point he asks Mae to meet him in a secret tunnel (where all the servers are stored) and tells her that "it's worse than I thought." Great opportunity to introduce intrigue, suspense, and more. The problem is that the audience is never told what Ty finds or what happens with what he found. You can remove that whole subplot and the movie remains the same. There are other subplots that are nicely introduced, but never carried out as well. Any or all of them can be removed and the film proceeds the same. Not good. If you can remove several subplots or unfulfilled turning points and the film's diegesis remain largely untouched, then you have poor writing. The third act in and of itself leaves audiences with a hurried ending that does little to provide closure to the narrative; however, it does support the film's circular logic and irony. Hardly satisfying.

In terms of the allegory here, The Circle is a Google-like company with Apple's technology. Eamon Bailey is a Steve Jobs type innovator with characteristics of Mark Zuckerberg and Google's Eric Schmidt. Thankfully, The Circle does not represent any one company, but rather combines all the most notable innovations and technological achievements of Google, Apple, Facebook, Instagram, and more into one globally dominating company. Antitrust issues are introduced early on, but again, that's never fully developed. The movie highlights many issues faced by private citizens, governments, and digital data driven companies today; therefore, it sets the foundation for a movie that could have been thought-provoking, but the writing hinders that ability. The irony in the movie is for every digital answer to streamlining services or bolstering conveniences, a little privacy is eroded each time. Pretty soon, if one shares enough information, the idea of privacy is extinct. Privacy was central to the plot, but it just wasn't handled in the most effective way. Concepts such as "off the grid," self-proclaimed "celebrity," and "calls to action" are displayed and discussed in the film, connecting this augmented reality to real-world issues each of us encounter or think about. One particularly interesting theme in the movie is deep friendship. Unfortunately, this was not fully fleshed as is the case with most of the movie; but still, it does get touched upon.

If you were hoping for another film like the brilliant Social Network, then you will undoubtedly be disappointed. Films such as The Circle should be memorable, but unfortunately this one is very much forgettable. Coincidentally, the movie itself is as hollow as the plot and characters.

Written by R.L. Terry

Edited by J.M. Wead

I watched this film without reading a single review; my 14 year old son and I watched the trailer, thought it looked cool and watched it. Now I'm reading many poor reviews and wondering why?

This film won't set your world on fire or win an Oscar for best actress etc, but the message is compelling.

Taking a spin on how much data we give away to companies like Google, Amazon or Apple, The Circle focuses on privacy and our right to it, or lack of rights to it, in modern society.

The interesting take from this is that my children and I have differing views on the value of sharing on social media; after watching the film the 14 year old was a lot more aware of the issues around making our lives so public.

This film doesn't deserve an Oscar, but it does deserve better reviews than it has received. Sure, you can pick holes in some of the plot, but its message is strong. It was fantastic to watch Tom Hanks in a role not based on a true story, with a hint of menace to his character. Bill Paxton's final ever role before his sad passing is touching, and Emma Watson was interesting in her portrayal of Mae Holland.

If you're looking for something different to watch, ignore the reviews and give this a go.

I was a big fan of Dave Eggers' A Hologram for the King. It was a fantastic read for enjoyment and to analyze. The film adaptation also did not disappoint. When The Circle was announced as a film I immediately checked out the book. To my disappointment, the film wasn't as interesting an got to bogged down to its technological ventures and wasn't exactly the best read. However, I held out hope that the film would be able to impress, especially with the star studded cast at the helm.

Emma Watson plays Mae Holland an ambitious young customer service rep who joins The Circle, a cutting edge technology based company that seems to be growing at fast pace and changing the future. The thing is, the technological leap of the company leads to massive privacy concerns and the company seems to be capable of more than what initially meets the eye. First off, I will say that the scathing reviews I've seen for the film are somewhat unwarranted, however the film is far from perfect and could have been much better.

The plot may seem like its minimal or nonexistent but this wasn't really my concern. I was more concerned with things being introduced into the film that have no real importance later in the film. John Boyega's character is a glorified cameo that seems to just be there as a big name. In the book the character is mysterious has a much larger effect on Mae's life. The ending of the film leaves much more to be desired; there needed to be more explanation onto what the reveal was and anything about repercussions.

The film is littered with talented people but unfortunately the writing and the structure of the film really lets them down. Its a misfire really, and the film needed to be much better and have a stronger central message. I feel like parts of the film and scenes were left on the cutting room floor. The film isn't exactly terrible but its most certainly unfulfilled and really could have left a stronger impression.

6/10

"Knowing is good, but knowing everything is better." Bailey (Tom Hanks)

How much information is too much? The Circle shows in a direct and melodramatic form that the saturation point is here. Mae (Emma Watson) is hired by a tech-centered firm, an amalgam of Apple, Facebook, and the CIA. Their inclusion-full-knowledge mantra culminates in Mae's agreeing to have complete transparency, a Truman Show for our time.

Bailey is the Steve-Jobs guru, whose weekly assembly for the campus is a model of group think and cultism, launching from the newest technology to the newest invasion of privacy. The willingness of the audience to embrace everything from the unethical farming of information to his obviously self-serving anecdotes suggests Jim-Jones cool-aid-audience imbibing.

The film is an attention-getting, absorbing object lesson in neglecting critical thinking.

The film's provocative theme about full disclosure includes the implied dialectic between the common good and privacy. Knowing where criminals are, such as in our sex-offender laws, is good in the case of creeps but scary when innocent citizens are the object.

Two incidents close to the protagonist illustrate the effects of private invasion, one for survival, the other for denying the efficacy. The former is about saving Mae from drowning because of surveillance and the other about the world seeing her aging parents having sex. No one could wish not to have life-saving surveillance; no one could want parental transparency 24/7.

The Circle is frequently simplistic, e.g., having records that allow automatic registration for voting but also require voting, ignores invasion of privacy and personal choice.

None of this polemic completely negates the efficacy of social media and constant contact. However, transparency, the film suggests, invades and makes circus-like a privacy our Constitution implies.

The camera spends too much time on Mae's bland, wondering stare and meaningless conversations that would be better spent arguing the mission of the Circle. At least it's a start toward better regulation of social information both public and private.