Une soirée tourne mal lorsqu'un jeune garçon tente d'espionner sa baby-sitter.Une soirée tourne mal lorsqu'un jeune garçon tente d'espionner sa baby-sitter.Une soirée tourne mal lorsqu'un jeune garçon tente d'espionner sa baby-sitter.
Zachary Alexander Rice
- Luis
- (as Zachary Rice)
Jean Claude Leuyer
- Cop #2
- (as J.C. Leuyer)
Avis en vedette
In a nutshell, the following:
1. Builds the suspense well
2. When the fun starts, its unrelenting, fast paced and actually thought provoking (except for the shirtless guy)
3. What a great ending, with the last line uttered like it was something out of an Arnold Schwarzenegger movie
Totally cool and worth the watch. Just don't be squeamish as it gets really gross at points, hehe.
WATCH IT NOW TO AVOID DISAPPOINTMENT!
Totally cool and worth the watch. Just don't be squeamish as it gets really gross at points, hehe.
WATCH IT NOW TO AVOID DISAPPOINTMENT!
If anyone watched the trailers. They will know not to expect anything. I didn't expect a good film and I was pleasantly surprised with this one.
It knows exactly what it is. A cheesy B rated movie. It plays to that.
I expected utter crap, but got B movie cheese gold. I enjoyed the hell of out is this one. It makes no logical sense at all but it's funny and enjoyable.
Go in to expect cheese and you will love it.
It knows exactly what it is. A cheesy B rated movie. It plays to that.
I expected utter crap, but got B movie cheese gold. I enjoyed the hell of out is this one. It makes no logical sense at all but it's funny and enjoyable.
Go in to expect cheese and you will love it.
Hot babysitter turns out to be part of a satanic cult that kills people as sacrifice. Pretty standard stuff, right?
It turns out that the movie starts with a "boom": funny, well paced, well edited and actually smart for once. Cinematography, lightening and, again, editing were innovative and riveting (somewhat remembered me of Nicolas Winding Refn) but the cutting-edge aspects died down as the movie stalled through the common route taken by many other horror movies. Along that path, absurdity grew as the originality diminished, resulting in a predictability, but once again showed improvement in the last few minutes of the film.
Still, it's worth remembering the whole experience was very enjoyable and funny. Sometimes even edge-of-your-seat tense. The few jumpscares weren't effective in the least, even though a shame, it was to be expected and did not affect my entertainment (and should not affect yours either).
This is the definition of late night flick. It's not bad enough to make you cringe, not complicated enough to give you headaches, but rather gory and funny enough to make you relax and enjoy your evening.
It turns out that the movie starts with a "boom": funny, well paced, well edited and actually smart for once. Cinematography, lightening and, again, editing were innovative and riveting (somewhat remembered me of Nicolas Winding Refn) but the cutting-edge aspects died down as the movie stalled through the common route taken by many other horror movies. Along that path, absurdity grew as the originality diminished, resulting in a predictability, but once again showed improvement in the last few minutes of the film.
Still, it's worth remembering the whole experience was very enjoyable and funny. Sometimes even edge-of-your-seat tense. The few jumpscares weren't effective in the least, even though a shame, it was to be expected and did not affect my entertainment (and should not affect yours either).
This is the definition of late night flick. It's not bad enough to make you cringe, not complicated enough to give you headaches, but rather gory and funny enough to make you relax and enjoy your evening.
Cole (Judah Lewis) is a 12 year old bullied pushover. His parents are often away. Bee (Samara Weaving) is his beloved, ultra-sexy, ultra-tough, and ultra-cool babysitter. His best friend Melanie claims that all babysitters have sex with their boyfriends after the kids go to sleep. Cole decides to stay up and sneak downstairs to spy on Bee. He finds that she's doing much more than having sex.
I am pleasantly surprised that I actually liked this movie. I expected something stupid but this is loads of fun. It's a comedy action horror from McG. It has some of his silly fast-cut comedy style. It's not overwhelming while keeping his sensibilities which helps a lot. The writing has plenty of knowing comedy without the excesses of his silliness. I love Weaving and this kid Lewis. Maybe the lowered expectations got me but I quite enjoyed this.
I am pleasantly surprised that I actually liked this movie. I expected something stupid but this is loads of fun. It's a comedy action horror from McG. It has some of his silly fast-cut comedy style. It's not overwhelming while keeping his sensibilities which helps a lot. The writing has plenty of knowing comedy without the excesses of his silliness. I love Weaving and this kid Lewis. Maybe the lowered expectations got me but I quite enjoyed this.
This is exactly what a good Halloween prank should look like. A little bit of gore, a little bit of T&A, outrageously stereotypical high school kids, and nothing in the way of a plot to worry about.
That's not to say it's not extremely successful at what it aspires to: good, silly fun for Halloween.
Completely self-aware of all the slasher films it mimics, and more than able to mine the comedy in those memes, this film is just a hoot. Not anywhere near as serious as the Scream franchise tries to be with the horror/slasher genre, this film takes the opposite tact: remember that these films are for fun and a bit of escapism.
A soft PG-13 would be the MPAA rating for this if it wasn't Netflix, and it's appropriate for your tweens. But if you're in your 30s or 40s, it's gonna be a lot more enjoyable, since you know and recognize all the tropes at play, but know that the filmmakers know and are just letting you have fun watching them play out.
I hope the three leads get more good work out of this, because they all do a fabulous job with the material - there's not a lot to work with, but each of the three (the babysitter, boy kid, and his bestie girl) give you a good show and don't fall into the trap that this film could easily have done: there's not a scenery chewer among them, and they all do a great job of keeping their eye on the prize: a silly, fun, bit nostalgic, Halloween slasher.
That's not to say it's not extremely successful at what it aspires to: good, silly fun for Halloween.
Completely self-aware of all the slasher films it mimics, and more than able to mine the comedy in those memes, this film is just a hoot. Not anywhere near as serious as the Scream franchise tries to be with the horror/slasher genre, this film takes the opposite tact: remember that these films are for fun and a bit of escapism.
A soft PG-13 would be the MPAA rating for this if it wasn't Netflix, and it's appropriate for your tweens. But if you're in your 30s or 40s, it's gonna be a lot more enjoyable, since you know and recognize all the tropes at play, but know that the filmmakers know and are just letting you have fun watching them play out.
I hope the three leads get more good work out of this, because they all do a fabulous job with the material - there's not a lot to work with, but each of the three (the babysitter, boy kid, and his bestie girl) give you a good show and don't fall into the trap that this film could easily have done: there's not a scenery chewer among them, and they all do a great job of keeping their eye on the prize: a silly, fun, bit nostalgic, Halloween slasher.
Le saviez-vous
- AnecdotesFilmed in 2015 but not released until 2017. It was intended to play in theatres until Netflix acquired the rights for streaming. It was released in October on Friday the 13th.
- GaffesWhile Cole leaves his room to watch the group downstairs, he turns off the light next to his bed, but when he comes back into his room the light is on.
- Générique farfeluAt the end of the initial credits there is a short scene with a jump scare.
- ConnexionsFeatured in FoundFlix: The Babysitter (2017) Ending Explained + What is Bee (2017)
- Bandes originalesFront & Center
Written by Craig Smith, Cheapshot (as Colton Fisher), Jason Rabinowitz, Jaron Lamot
Performed by Craig Craig
Published by Bat at Math Songs, The Math Club Music
Courtesy of THE MATH CLUB
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- La niñera
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée1 heure 25 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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