Polar

First of all, the film shouldn't be a movie you'll definitely take seriously. Please leave your brain if you decide to watch this movie. Because this film is a crunchy film that focuses entirely on the action and the charm of ferocity. So there is no deeper meaning nor a deep scenario.

The visuals are great, the color palette is so good that even the nature looks modern. It looks like an Instagram filter has been applied to a picture taken with a proper camera. The girls are beautiful, the main character is charismatic, the bad character is a fat asshole. There are plenty of clichés. You can predict what's going to happen. Predicting what will happen is a problem in such films because it eliminates the thriller factor.

You don't have to pay much attention to, it's a fun movie. If you love action you can watch. 7/10

Somehow Mikkelsen and Hudgens are brilliant in this. I would've liked it if the movie focused more on their characters relationship. Because the script, and in particular the dialogue, is just awful. I understand that this movie is based on a webcomic, which I haven't seen, and it's painfully obvious. The characters, except for Mikkelsen and Hudgens, are cartoonish and completely over the top, and not in a good way like Kick-Ass.

Even if Hudgens deserved a lot more screen time, she made the most of what she got. And Mikkelsen is a solid 9 in a dedicated performance. Everything else is at best a 3 out of 10, which makes this movie a 6/10.

Novice (mainly music videos and short film - only a handful of full length feature films) director Jonas Åkerlund, and novice screenwriter Jayson Rothwell, did an outstanding job creating a crazy action noir film adaptation from the graphic novel by Víctor Santos.

The directing was outstanding - props to Jonas Åkerlund for nailing this one. The great cinematography and use of high-contract colors really added to the film, as did his camera work. The screenplay's use of character introductions - although done many times before, worked really well, and combined with the writing and directing, gave this film a Quentin Tarantino feel.

At first I felt the characters were way too animated and overshadowed Mads Mikkelsen's monotonic and bland character, and thus was disappointed in this film. But as the story progressed, I felt this wasn't your typical 'assassin retires' movie. The story developed slowly, and I do feel the 118 min length was a little long, but the pace kept up well, help keep me interested and intrigued, and eventually found myself to start liking it.

The actors where cast perfectly and performed really well . The soundtrack by Deadmau5 was perfect for this film.

I wanted to hate this B-grade film, but ended up loving it! This is one of those films that stay with you long after you've seen it, and I feel in time will become a cult classic. I do hope for a part 2 - and judging by some unexpected and surprisingly well placed surprises, I'm guessing that will happen.

The critics got this one wrong. Yes, it may not be for everyone, but going in not expecting much, I became a fan. A well deserved 8/10 from me. And if anyone thinks this is a fake review, click my username and you will see my 300+ reviews. :)

The only exceptional thing about this film is Mads Mikkelsen, who is always worth watching. Otherwise, the film is mediocre, predictable, schmaltzy in parts, your typical beat-em-up shoot-em-up extravaganza, complete w/closeups of wounds and dead people. Too much money was spent for a mediocre movie. Surely Mikkelsen doesn't need the money this much, does he? He can afford to be more discriminating.

A good action movie is like a classic meat-and-potatoes meal; standard fare that although might be seasoned differently is both filling and unsurprising. Occasionally a genre-breaking film will surprise everyone and pop open a bottle of Malbec to serve with a little filet mignon. Usually? The plot, situation, even the action itself, is as recycled as a hot dog washed down with a Coors Light. Forgettable. Ordinary. Monotonous. Then there is Polar.

The film is Irish-carbomb crazy; chopped meat that's charbroiled yet still pink-on-the-inside, along with plenty of extra cheese.

The film's plot is insanely generic. Older hitman seeks retirement but his boss won't let him go. In fact, said boss, a maniacal Matt Lucas who was given free reign of Elton John's wardrobe circa 1987, would much rather see Duncan (Mads Mikklesen) dead than pay him his owed bank. A squad of diverse goons head out in hopes of retiring Duncan in cleverly ridiculous ways only to discover - shock - that old Duncan is more wily than initially estimated. Silliness ensues.

The slick camera-work and kinetic editing is an over-the-top, ADD-infused assault. Think Tony Scott helming John Wick. Adapted from a Dark Horse graphic novel and directed by Jonas Åkerlund, Polar looks like a full-length Rammstein music video, albeit scored by Deadmau5, and comes complete with Instagram-worthy title cards.

The film is soaked with annoying characters, absurd situations (Richard Dreyfuss on karaoke, anyone?), and a devilish weapon-fetish. Duncan, however, hi-jacks the film with his heart of plated gold, a desire for a pet, and the smooth handling of an axe.

Every plot point was slashed to bits with a dull sword. Betrayals were telegraphed as subtlety as a missile strike. And the ending was as secure as an A-Team mission. Through all that, Polar is deep-fried fun that makes an otherwise-forgettable Tuesday night slightly more memorable.

If only there were an explanation of the film's title...