Dans un temps parallèle où le dernier gadget indispensable pour toutes les familles occupées est un «Synth» : un serveur robotique hautement développé qui ressemble tellement à un humain qu'... Tout lireDans un temps parallèle où le dernier gadget indispensable pour toutes les familles occupées est un «Synth» : un serveur robotique hautement développé qui ressemble tellement à un humain qu'il transforme notre façon de vivre.Dans un temps parallèle où le dernier gadget indispensable pour toutes les familles occupées est un «Synth» : un serveur robotique hautement développé qui ressemble tellement à un humain qu'il transforme notre façon de vivre.
- Nominé pour le prix 2 BAFTA Awards
- 3 victoires et 11 nominations au total
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My wife and I operate a three episode policy when deciding to watch a new show. With all the great TV out there it can be hard to choose what to watch and not every show has a great start but develops into something memorable. As a result we always wait until we have DVR'd at least three episodes before watching the first. The other reason we record three is if the show is good we will want more immediately. Humans however left us wanting more after the third episode.
The concepts in this show are not ground breaking for any fan of the genre or any reader of science fiction but the fact it is set in the present day in a very relatable parallel reality (especially for Brits) is where this series gets its mojo. This is a thinking persons show the story is secondary to the compelling analysis of human nature and it's reactions to technology. Those who embrace it, those who reject it both are catered for here.
The production values are so very high and the casting is exemplary. Most people are not well known with the exception of William Hurt but there are familiar faces (again, especially for Brits) in there.
This show is not all action but is guaranteed to thrill you and chill you with it's moody pacing, moments of comedy and disturbing critique of humanity facing the very nature of its own creation.
The concepts in this show are not ground breaking for any fan of the genre or any reader of science fiction but the fact it is set in the present day in a very relatable parallel reality (especially for Brits) is where this series gets its mojo. This is a thinking persons show the story is secondary to the compelling analysis of human nature and it's reactions to technology. Those who embrace it, those who reject it both are catered for here.
The production values are so very high and the casting is exemplary. Most people are not well known with the exception of William Hurt but there are familiar faces (again, especially for Brits) in there.
This show is not all action but is guaranteed to thrill you and chill you with it's moody pacing, moments of comedy and disturbing critique of humanity facing the very nature of its own creation.
I expected this series to be an "I Robot" lite, but in fact I am impressed with the first episode both from its acting and the completeness of this initial 'view' into an alternative world. Keeping my fingers crossed it will maintain this standard. Although I know this was adapted from a Swedish series I'm deliberately staying away from it for now. The opening episode certainly seems to have captured the sense of atmosphere and something impending that Scandinavians do so well. With a cast which is more than able to add some heft to the 'human' side of the story - it was equally gratifying to see the 'synthetics' pull off the difficult balancing act between machine behavior and enough 'emotional' content to set the series up for some dramatic juxtapositions. Although there is a small level of "adult" content I think its use, given the use of technology in our own world, was both relevant and all too believable.
First, this is the kind of series the Brits have shown a knack for, riffing off normal life situations into something creepy and unexpected. (See for example UTOPIA, the original UK version, also reviewed by this scribe.) So even though this is a clone of a European show, it is a natural for English audiences.
Second, the casting of Bill Hurt suggests to the cynically-minded that series was done with a pre-sale to the US market already in the works, with Hurt's job to make the transition more comfortable and discourage yet another "forced cloning" of the show in the US market, a move that more often than not wastes money and creates an inferior product.
Third, the casting is to die for. Gemma Chan is perfectly cast as the main "bot" and reminds this cranky old reviewer of what happened when Barbara Eden first appeared as a family "genie" in the US decades ago. It is now agreed by TV historians that subliminally this appealed to many male viewers who stayed loyal to the show for reasons well beyond the story arc.
And Colin Morgan, once the Merlin of legend, is an under-rated actor who can only make the show better over time.
Looks like a winner to me.
Second, the casting of Bill Hurt suggests to the cynically-minded that series was done with a pre-sale to the US market already in the works, with Hurt's job to make the transition more comfortable and discourage yet another "forced cloning" of the show in the US market, a move that more often than not wastes money and creates an inferior product.
Third, the casting is to die for. Gemma Chan is perfectly cast as the main "bot" and reminds this cranky old reviewer of what happened when Barbara Eden first appeared as a family "genie" in the US decades ago. It is now agreed by TV historians that subliminally this appealed to many male viewers who stayed loyal to the show for reasons well beyond the story arc.
And Colin Morgan, once the Merlin of legend, is an under-rated actor who can only make the show better over time.
Looks like a winner to me.
Enjoyed all three series.
Plenty of food for thought, and more straightforward understandable than something similar like the big budget Westworld.
Female leads were terrific especially Katherine Parkinson,Gemma Chan and the best of all Emily Berington.
Plenty of food for thought, and more straightforward understandable than something similar like the big budget Westworld.
Female leads were terrific especially Katherine Parkinson,Gemma Chan and the best of all Emily Berington.
Le saviez-vous
- AnecdotesGemma Chan said in a interview that she and the other synths in the series had to go through a synth school.
- ConnexionsFeatured in The Wright Stuff: Episode #20.120 (2015)
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- 異人類
- Lieux de tournage
- St Albans, Hertfordshire, Angleterre, Royaume-Uni(Town the Hawkins visit with no Synths.)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
- Durée42 minutes
- Couleur
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