Humans

Another fantastic show canceled while reality rubbish keeps on spewing.

This is an excellent series, with great scripting, terrific acting and lots to think about. The focus is totally on the humanity and morality aspects, and not the sci-fi aspects.

Analogies may be drawn between the synths and any other minority you care to name (anything with the label 'different' or 'other'). And that is the show's strength - how do we as a community react to outsiders entering our world? Do we accept and embrace, or do we fear and reject?

Having an average middle-class family being the central focus of the story keeps everything grounded, rather than dealing with leaders and renegades. Everything keeps gravitating back to them.

If you are looking for whizzy special effects and explosive action pieces, go elsewhere. If you are looking for thoughtful storytelling and an exploration about what it means to be human, you have come to the right place.

First, this is the kind of series the Brits have shown a knack for, riffing off normal life situations into something creepy and unexpected. (See for example UTOPIA, the original UK version, also reviewed by this scribe.) So even though this is a clone of a European show, it is a natural for English audiences.

Second, the casting of Bill Hurt suggests to the cynically-minded that series was done with a pre-sale to the US market already in the works, with Hurt's job to make the transition more comfortable and discourage yet another "forced cloning" of the show in the US market, a move that more often than not wastes money and creates an inferior product.

Third, the casting is to die for. Gemma Chan is perfectly cast as the main "bot" and reminds this cranky old reviewer of what happened when Barbara Eden first appeared as a family "genie" in the US decades ago. It is now agreed by TV historians that subliminally this appealed to many male viewers who stayed loyal to the show for reasons well beyond the story arc.

And Colin Morgan, once the Merlin of legend, is an under-rated actor who can only make the show better over time.

Looks like a winner to me.

My wife and I operate a three episode policy when deciding to watch a new show. With all the great TV out there it can be hard to choose what to watch and not every show has a great start but develops into something memorable. As a result we always wait until we have DVR'd at least three episodes before watching the first. The other reason we record three is if the show is good we will want more immediately. Humans however left us wanting more after the third episode.

The concepts in this show are not ground breaking for any fan of the genre or any reader of science fiction but the fact it is set in the present day in a very relatable parallel reality (especially for Brits) is where this series gets its mojo. This is a thinking persons show the story is secondary to the compelling analysis of human nature and it's reactions to technology. Those who embrace it, those who reject it both are catered for here.

The production values are so very high and the casting is exemplary. Most people are not well known with the exception of William Hurt but there are familiar faces (again, especially for Brits) in there.

This show is not all action but is guaranteed to thrill you and chill you with it's moody pacing, moments of comedy and disturbing critique of humanity facing the very nature of its own creation.

I expected this series to be an "I Robot" lite, but in fact I am impressed with the first episode both from its acting and the completeness of this initial 'view' into an alternative world. Keeping my fingers crossed it will maintain this standard. Although I know this was adapted from a Swedish series I'm deliberately staying away from it for now. The opening episode certainly seems to have captured the sense of atmosphere and something impending that Scandinavians do so well. With a cast which is more than able to add some heft to the 'human' side of the story - it was equally gratifying to see the 'synthetics' pull off the difficult balancing act between machine behavior and enough 'emotional' content to set the series up for some dramatic juxtapositions. Although there is a small level of "adult" content I think its use, given the use of technology in our own world, was both relevant and all too believable.