Marc va mourir d'un cancer. Il choisit d'être cryogénisé et espère être décongelé quand sa maladie pourra être soignée. Il est le premier humain ramené 68 ans plus tard. Peut-il s'adapter me... Tout lireMarc va mourir d'un cancer. Il choisit d'être cryogénisé et espère être décongelé quand sa maladie pourra être soignée. Il est le premier humain ramené 68 ans plus tard. Peut-il s'adapter mentalement et physiquement?Marc va mourir d'un cancer. Il choisit d'être cryogénisé et espère être décongelé quand sa maladie pourra être soignée. Il est le premier humain ramené 68 ans plus tard. Peut-il s'adapter mentalement et physiquement?
- Prix
- 3 victoires et 2 nominations au total
- Rebecca
- (as Johanna Wallmeier)
Avis en vedette
Although there's numerous hints at religion (the Lazarus project :"lazarus ,come forth !"), the fact that immortality may make gain another world but lose your soul ;in fact ,you want to find back what you've lost , but time moves like a jet plane and it's a brand new world you have to face .
Thanks to a brand new technology ,you can record your memories (why not? A hundred years ago ,who would have thought of the computering revolution? ),but those memories are a jumble,for they come from every moment of your life ( cruelty to animals -the lizard and the hen-is gratuitous and pointless);besides , Naomi ,to do what she does ,must have experimented l'amour fou and nothing really shows it (unless a would be torrid sex scene counts);besides, Marc's impossibility to adapt himself to another way of life (the new sex lib is not that much new ,it recalls the hippies) is not fully exploited :it was already brillantly treated in Frankenheimer's sensational film ,"seconds"(1966)
This film is interesting but it is mainly a missed golden opportunity.
To add insult to injury, however, the 2 hour hypotech is stuffed with sentimentality and philosophy, rather than action and sex, as many sci- fi's are. For most people, action and sex are a far better filler than the heartfelt musings of a struggling soul, regardless of the context.
For those of us not seeking to escape to the future, we were treated to a salient, cerebral wine-tasting, of sorts...and a sobering one at that. The film seems to offer up so many spiritual, cultural messages, from so many vantage points, that it's impossible to label one bottle and drink from it. For the single-minded it's a mess. For others, it's an awakening to new flavors of suffering, and a perversion of our taste buds. Some things, once sweet on our tongue, now stain with an aftertaste. Other drinks, like death, may now crisply tinkle in the glass and repel us a bit less.
All I'm saying is that this film is more art than entertainment. Some people drink wine to get drunk and have sex. Others sip it carefully to explore its variety. Realive is certainly a film for the sipping class.
"Realive" is a thoughtful sci-fi by Mateo Gil, the writer of the magnificent "Abre los Ojos". The story is interesting, approaching themes like ethics, afterlife without the original memories, adaptation to a future society with different moral and behaviors and so on. However the narrative is too cold despite the intriguing screenplay and the film does not work well. Marc Javis and Naomi should have been better developed in the beginning in order to make these characters likable. The hot Charlotte Le Bon is also wasted in a very limited character. Anyway, the story is original and provides a different view of immortality that makes the viewer think. My vote is six.
Title (Brazil): Not available
Le saviez-vous
- AnecdotesThe protagonist reminisces about a movie he'd seen, in which Lazarus resents being brought back to life by Jesus. For this flashback, the movie uses a clip from the 1988 film "The Last Temptation of Christ," starring Willem Dafoe. Later, during the fundraising scene at the garden party, Dafoe can be spotted in a cameo as one of the applauding patrons.
- Citations
Marc Jarvis: I don't know.
Marc Jarvis: There is only one thing I can see clearly now.
Marc Jarvis: Life is nothing more than state of matter.
Marc Jarvis: Like a gas. Or liquid.
Marc Jarvis: A form of molecular organisation.
Marc Jarvis: And there's nothing transcendent or devine about it.
Marc Jarvis: It's only objective is to perpetuate itself through motion, change, adaptation.
Marc Jarvis: Life isn't worried about any species. Much or less, any individual.
Marc Jarvis: We are nothing more than the chunks of mud that uses it as a vehicle.
Marc Jarvis: Life is what's scary. Not death.
Marc Jarvis: But it's always on the verge of extinction.
Marc Jarvis: But it exists wherever it shouldn't.
Marc Jarvis: And the soul, you may ask, what about the soul?
Marc Jarvis: Well, maybe the soul is the bit that gets lost when you freeze the meat and then thought out again.
- Bandes originalesDeep Blue
Lyrics & Music by Mark Peters, Elliot Ireland and Alessandro Rizzo
Meilleurs choix
- How long is Realive?Propulsé par Alexa
Détails
Box-office
- Budget
- 7 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 125 680 $ US
- Durée1 heure 52 minutes
- Couleur
- Rapport de forme
- 2.39:1