Mario Bava(1914-1980)

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Bloody Beginnings of the Summer Camp Slasher

Mario Bava est né le 31 juillet 1914 en Italie. Il était directeur de la photographie et réalisateur. Il est connu pour La baie sanglante (1971), La maison de l'exorcisme (1973) et L'atelier de la mort (1964). Il était marié à Iole Sergio. Il est mort le 25 avril 1980 en Italie.

6,5

6,2

7,1

6,2

Les démons de la nuit
6,3
- special effects (uncredited)
- 1977
Moses the Lawgiver
6,1
Mini-série télévisée
- special effects
- 1974
La vita, a volte, è molto dura, vero Provvidenza?
5,5
- special effects (uncredited)
- 1972
Le baron vampire
5,9
- special effects (uncredited)
- 1972
La baie sanglante
6,5
- matte paintings
- special effects (uncredited)
- 1971
Quante volte... quella notte
5,7
- matte paintings
- special effects (uncredited)
- 1971
Waterloo
7,3
- special effects (uncredited)
- 1970
Roy Colt & Winchester Jack
4,7
- matte paintings
- special effects (uncredited)
- 1970
5 filles dans une nuit chaude d'été
5,7
- matte paintings
- special effects (uncredited)
- 1970
Odissea
8,4
Mini-série télévisée
- special effects (segment "Polifemo", uncredited)
- 1968
Danger: Diabolik!
6,5
- matte paintings
- special effects (uncredited)
- 1968
Le spie vengono dal semifreddo
4,1
- special effects (uncredited)
- 1966
Opération Peur
6,9
- special effects (uncredited)
- 1966
I coltelli del vendicatore
5,6
- special effects (uncredited)
- 1966
Les dollars du Nebraska
5,5
- matte paintings (uncredited)
- 1966

autres noms
- Mario Baja
Naissance
- 31 juillet 1914
- Sanremo, Liguria, Italie
Décédé(e)
- 25 avril 1980
- Rome, Lazio, Italie(crise cardiaque)
Conjoint(e)
- Iole Sergio9 janvier 1938 - 27 avril 1980 (son décès, 2 enfants)
Enfants
- Lamberto Bava
Parents
- Eugenio Bava
Autres travaux
1970: TV commercial for Mobil Oil for the Italian show Carosello.
Offres publicitaires

Anecdotes
He trained as a painter and was able to execute a number of matte and glass paintings for his films.

Citations
Movies are a magician's forge, they allow you to build a story with your hands--at least, that's what it means to me. What attracts me in movies is to be presented with a problem and be able to solve it. Nothing else; just to create an illusion, an effect, with almost nothing.