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Judit Pogány
Though based on Friedrich Dürrenmatt’s 1958 crime novella The Pledge (which was also the source for Sean Penn’s 2001 film of the same name), György Fehér’s Twilight plays more like an existential horror film than a noir or police procedural. Indeed, the ins and outs of the investigation into the mysterious murder of a child are of little concern to Fehér, who crafts a mood piece that’s keyed to the aura of dread and despair that grips a community in the wake of this and other similar murders.
Set in a small, remote Hungarian town surrounded by vast hills and dense thickets of trees, Twilight exists in a sort of metaphorical purgatory. Throughout, the film’s spare black-and-white images, deliberate pacing, and glacial camera movements, coupled with the near-constant rumbling ambiance that dominates the soundtrack, brilliantly conjure how an unseen but ubiquitous evil haunts the townsfolk. Long tracking...
Set in a small, remote Hungarian town surrounded by vast hills and dense thickets of trees, Twilight exists in a sort of metaphorical purgatory. Throughout, the film’s spare black-and-white images, deliberate pacing, and glacial camera movements, coupled with the near-constant rumbling ambiance that dominates the soundtrack, brilliantly conjure how an unseen but ubiquitous evil haunts the townsfolk. Long tracking...
- 2024-02-15
- par Derek Smith
- Slant Magazine
Though based on Friedrich Dürrenmatt’s 1958 crime novella The Pledge (which was also the source for Sean Penn’s 2001 film of the same name), György Fehér’s Twilight plays more like an existential horror film than a noir or police procedural. Indeed, the ins and outs of the investigation into the mysterious murder of a child are of little concern to Fehér, who crafts a mood piece that’s keyed to the aura of dread and despair that grips a community in the wake of this and other similar murders.
Set in a small, remote Hungarian town surrounded by vast hills and dense thickets of trees, Twilight exists in a sort of metaphorical purgatory. Throughout, the film’s spare black-and-white images, deliberate pacing, and glacial camera movements, coupled with the near-constant rumbling ambiance that dominates the soundtrack, brilliantly conjure how an unseen but ubiquitous evil haunts the townsfolk. Long tracking...
Set in a small, remote Hungarian town surrounded by vast hills and dense thickets of trees, Twilight exists in a sort of metaphorical purgatory. Throughout, the film’s spare black-and-white images, deliberate pacing, and glacial camera movements, coupled with the near-constant rumbling ambiance that dominates the soundtrack, brilliantly conjure how an unseen but ubiquitous evil haunts the townsfolk. Long tracking...
- 2023-06-20
- par Derek Smith
- Slant Magazine
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