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El tenis de mesa como nunca lo imaginaste. © A24

A24 ha desvelado el primer tráiler y póster de la película Marty Supreme, dirigida en solitario por Josh Safdie y escrita por Ronald Bronstein, el dúo que –junto a Benny Safdie– nos regaló Diamantes en bruto y Good Time.

La premisa es oro: «Un joven con un sueño que nadie respeta pasa por un infierno en su búsqueda de la grandeza». Ese joven es Marty (Chalamet), un pasante de apuestas que descubre su pasión por el tenis de mesa. Comenzando en clubes clandestinos, su estilo intrépido y carismático lo llevó a ganar 22 importantes títulos, representando además a Estados Unidos en torneos mundiales, siendo el campeón más veterano en este deporte con 67 años.

La película está encabezada por Timothée Chalamet junto a Gwyneth Paltrow (Shakespeare enamorado, El talento de Mr. Ripley) como Kitty, una mujer adinerada que introduce a Marty en un mundo de lujo,...

The 2025 fall movie season is shaping up to be an embarrassment of riches for fans of Josh and Benny Safdie. The filmmaking duo went their separate creative ways after “Uncut Gems,” each choosing to embark on their own ambitious project… which just means there are twice as many Safdie movies to enjoy this fall. Benny Safdie’s Dwayne Johnson-led Mma drama “The Smashing Machine” is up first, and then cinephiles will receive a holiday gift in the form of Josh Safdie’s “Marty Supreme,” which hits theaters on Christmas Day and just dropped its first trailer.

The film stars Timothée Chalamet as fictional table tennis star Marty Mauser in what has been characterized as an adventure film in the vein of “Catch Me If You Can.” Safdie and co-writer Ronald Bronstein (who also co-wrote and co-edited “Good Time” and “Uncut Gems”) took inspiration from the life of real ping pong pro Marty Reisman,...

A24’s “Marty Supreme” is ready to leave its mark.

The 1950s-set drama, starring Timothée Chalamet as Marty Mauser, a ping-pong phenom partially based on real-life personality Marty Reisman, will be released on Christmas Day. But you can get your first taste of the Josh Safdie-directed film via the brand-new trailer, scored to Alphaville’s 1984 single “Forever Young.” Watch it below.

The studio is describing the movie as “an original work,” with Chalamet playing “a young man with a dream no one respects, who goes to hell and back in pursuit of greatness.” The absolutely bonkers supporting cast includes Gwyneth Paltrow, Odessa A’zion, Tyler Okonma aka Tyler, the Creator, magician Penn Jillette, Kevin O’Leary from “Shark Tank,” filmmaker Abel Ferrara and Fran Drescher as Marty’s mom.

Safdie wrote the screenplay with longtime collaborator Ronald Bronstein, with legendary cinematographer Darius Khondji re-teaming with Safdie after “Uncut Gems.” Another key collaborator,...

Six years since Uncut Gems, Josh and Benny Safdie have forged separate paths—both are set to release major new films from A24 this fall. After Benny Safdie’s The Smashing Machine will hit theaters on October 3, A24 will debut Josh Safdie’s Marty Supreme in theaters on Christmas. Ahead of the release, the first trailer has now dropped.

With a cast including Timothée Chalamet, Gwyneth Paltrow, Tyler Okonma, Odessa A’zion, Penn Jillette, Kevin O’Leary, Abel Ferrara (!), Fran Drescher, Sandra Bernhard, Spenser Granese, and Philippe Petit, the film follows ping pong legend Marty Reisman, a hustler who’d regularly win off bets. His astonishing career spanned 22 major titles between 1946 and 2002, five bronze medals at the World Table Tennis Championships, and the distinction of being “the oldest player to win an open national competition in a racket sport.”

“He wanted to be like a real [professional] ping pong player when he started shooting,...

The trailer for Josh Safdie’s highly anticipated film “Marty Supreme” features Timothée Chalamet as ping pong player Marty Mauser in the 1950s. The synopsis teases: “A young man with a dream no one respects goes to hell and back in pursuit of greatness.”

Chalamet stars in the film opposite Gwyneth Paltrow, who plays a famous movie star that Marty begins an affair with on the road. The wide-ranging cast also includes Fran Drescher as Marty’s mother, rapper Tyler, the Creator, magician Penn Jillette, Odessa A’zion, “Shark Tank” personality Kevin O’Leary (aka Mr. Wonderful) and “Bad Lieutenant” filmmaker Abel Ferrara.

“Marty Supreme” marks Josh Safdie’s first time directing since co-helming “Uncut Gems” with his brother Benny Safdie, and his first solo feature since his 2008 debut, “The Pleasure of Being Robbed.” Josh Safdie wrote “Marty Supreme” with Ronald Bronstein; the two produce alongside Eli Bush, Anthony Katagas, Chalamet and...

Danny Boyle is one of the greatest filmmakers currently working. He is known for renowned works like “28 Days Later” (2002), “Trainspotting” (1996), “127 Hours” (2010), and “Slumdog Millionaire” (2008). Boyle is one of those filmmakers who has created and adapted a style so distinctive that every time we see something similar in another film, it immediately reminds us of him. His signature often includes documentary-like, shaky handheld camerawork. Boyle frequently collaborates with cinematographer Dod Mantle and writer/director Alex Garland, with Mantle bringing influences from Cinéma Vérité and Dogme 95. Interestingly, however, the cinematography in “The Beach” (2000), handled by Darius Khondji, is remarkably steady and polished, a departure from Boyle’s usual style.

The Beach (2000) Plot Summary & Movie Synopsis:

The film begins with Richard (played by Leonardo DiCaprio) narrating the story of how he left his life in the United States and why he ended up in Thailand. Richard is a young man—too...

In an interview with the Los Angeles Times, “Eddington” cinematographer Darius Khondji talked about his filmic approach to Ari Aster’s pandemic-set film, which follows a standoff between a small town mayor (Pedro Pascal) and the local sheriff (Joaquin Phoenix). While he notes that writer/director Aster called it “a European psychological thriller on American land,” visually he saw something different — “a modern western.” This take ended up being not only accurate, but how the feature has been predominantly described in reviews.

“We wanted the exterior to be very bright, like, garishly bright, like the light has almost started to take off the color and the contrast a little bit because it’s so bright, never bright enough,” Khondji said.

Khondji is a legend worldwide, having shot some of the greatest films of all time — “Seven” and “Amour” among them. He landed Oscar nominations for his work in “Evita” and...

There is quite a bit to admire in director Ari Aster’s new film Eddington. But a meandering story arc that leads to a two-and-a-half hour narrative that swerves in and out of various genres and causes the heart of the whole endeavor to get lost along the way.

Taking place in Eddington, New Mexico at the start of the summer of 2020, the film is ostensibly about a feud between Sheriff Joe Cross (Joaquin Phoenix) and Mayor Ted Garcia (Pedro Pascal) for control of the town. But, what begins as an intriguing character piece quickly descends into a mish-mash of genres that never finds its true voice despite trying out several.

Working from his own script, Aster seems intent on creating an epic story on several fronts. The only problem is that it fails to succeed in any incarnation. As a western, it comes up short; as a drama, it...

Note: This review was originally published as part of our 2025 Cannes coverage. Eddington opens in theaters on July 18.

In Eddington, Ari Aster’s latest doom spiral, the proposed building of a data center in nowhere New Mexico provides the catalyst for a long-overdue psychological breakdown. The man in question is Sheriff Joe Cross (Joaquin Phoenix), whose perceived list of ills includes a worryingly online mother-in-law (Deirdre O’Connell), a disinterested, catatonic wife (Emma Stone), a woke mayor (Pedro Pascal) with plans to build a state of the art data centre, and the familiar inconveniences of Covid-19. Should even reading that word cause discomfort, it’s nothing if not intended: since rewiring the horror genre with A24, Aster has been repositioning himself as cinema’s patron saint of debilitating anxiety. Hereditary is probably best-remembered for its brutal decapitation but, all these years later, one suspects the scariest thing for Aster was whether or not his protagonist,...

When it comes to life's impactful events, there is a distinction between acknowledgement and understanding. The latter can only come with distance and time; no era can be fully understood while we're still living in it, no matter how long or how short it lasts. The former is much more immediate, as all it takes is a brief glance at major news headlines to grasp when something is happening. Unfortunately, acknowledgement has much more potential to lead to emotional upheavals especially because an event or problem is still ongoing. It's why the term "doomscrolling" has entered the common parlance, and why recent national issues (never mind international ones) have contributed to an overall mental health crisis that so many of us are experiencing these days. It's not paranoia if the news seems like it's really out to get you, in other words.

America's current descent into cultural madness has many contributors,...

A24 has revealed the final trailer for the Eddington movie, the upcoming Western black comedy written and directed by Ari Aster. The film had its world premiere at the main competition of the 2025 Cannes Film Festival on May 16.

Opening in theaters on July 18, the Eddington movie has been rated R by the Motion Picture Association (MPA) for strong violence, some grisly images, language, and graphic nudity.

From writer-director Ari Aster comes a modern Western and paranoid thriller set in the American Southwest during the tumultuous summer of 2020. Isolated and sheltered in place, in a global pandemic, a nation under pressure found itself sifting reality through the haze of social media and lost its collective mind.

Eddington stars Joaquin Phoenix as small-town sheriff Joe Cross, who runs for mayor when progressive incumbent Ted Garcia (Pedro Pascal) attempts to modernize their dusty hamlet by attracting a new artificial-intelligence data center.

Aster’s...

With Wes Anderson’s newest film The Phoenician Scheme now in theaters, he’s now reteamed with Montblanc for a new short film following last year’s collaboration, which was shot by Linus Sandgren. This time shot by Darius Khondji, who worked with Anderson on the 2013 Prada short Castello Cavalcanti, it features Anderson directing himself alongside Rupert Friend, Michael Cera, Waris Ahluwalia, and Esther McGregor.

Here’s the official description of the short, co-directed by Roman Coppola: “We are proud to present “Let’s Write,” the next chapter in our ongoing collaboration with visionary filmmaker Wes Anderson. The new campaign, with a short film by Wes Anderson, returns to the Montblanc Observatory High-Mountain Library in a literal, metaphorical, and poetic journey—one that celebrates writing, creativity, and Montblanc’s unique spirit of storytelling.”

Luke Hicks said in our Cannes review of The Phoenician Scheme, “Watching The Phoenician Scheme is...

Meet the good people of Eddington with a new one-sheet and six character posters for the contemporary western set against the backdrop of the Covid-19 pandemic.

The fourth film from writer-director Ari Aster blasts into theaters on July 18 via A24.

Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Amélie Hoeferle, Clifton Collins Jr., William Belleau, Austin Butler, and Emma Stone star.

In May of 2020, a standoff between a small-town sheriff (Phoenix) and mayor (Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.

A24 produces alongside Square Peg Films and 828 Productions. Darius Khondji serves as director of photography.

Eddington premiered at at Cannes last month and will be the opening film at Fantasia next month.

The post Meet the Residents of ‘Eddington’ on New Posters for Ari Aster’s Pandemic Western appeared first on Bloody Disgusting!.

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Robert Downey Jr.'s talent was always obvious, but his appetite for drugs and alcohol made it easy for studios to deny him work throughout the first few decades of his career. The son of trailblazing independent filmmaker Robert Downey (whose "Putney Swope" is one of the most scabrous pieces of pop cultural satire you will ever see), Downey fils popped up on the periphery of 1980s favorites like "Weird Science" and "Back to School" before delivering his breakout performance as the redlining addict Julian Wells in Marek Kanievska's adaptation of Bret Easton Ellis' "Less Than Zero."

Downey had the gift. He had it all. He was always the most exciting person on screen, which probably cheesed off some of his co-stars, but the kid couldn't help it. Like Eddie Murphy or Robin Williams, you were primed to laugh...

A24 released the first full trailer for Ari Aster’s Eddington on June 10, heightening anticipation for the pandemic-era Western ahead of its July 18 U.S. release.

The footage, shared across A24’s social channels and YouTube, quickly drew hundreds of thousands of views as fans dissected a sequence of Joaquin Phoenix’s sheriff unleashing gunfire down an empty main street.

Phoenix faces Pedro Pascal’s mayor in a small New Mexico town where Covid-19 mandates ignite a culture war—a plot Aster says he wrote while trapped in “a state of fear and anxiety about the world” during lockdown.

Emma Stone, Austin Butler, Luke Grimes and Deirdre O’Connell round out a cast that The Playlist calls the filmmaker’s “most star-studded ensemble.”

After premiering in competition at Cannes on May 16, the 145-minute film divided reviewers; The Guardian dismissed it as “bafflingly dull,” while Time labeled it a “wigged-out modern Western overstuffed with ideas.

A24 has revealed the new trailer for Eddington, the upcoming Western black comedy film written and directed by Ari Aster. The film had its world premiere at the main competition of the 2025 Cannes Film Festival on May 16.

Not yet rated by the Motion Picture Association (MPA), Eddington will be released in theaters on July 18.

The film is officially described as follows: “In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.”

The cast includes Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Amélie Hoeferle, Clifton Collins Jr., and William Belleau, with Austin Butler and Emma Stone.

Production for the film began in March 2024, with Aster writing, directing, and producing alongside Lars Knudsen under their Square Peg production company. A24 is financing and producing the movie.

Two-time Academy Award nominee...

Stars: Robert Pattinson, Mark Ruffalo, Toni Collette, Steven Yeun, Naomi Ackie, Holliday Grainger | Written and Directed by Bong Joon Ho

Writer-director Bong Joon Ho (Snowpiercer) returns to futuristic sci-fi for this space exploration thriller based on the 2022 novel by Edward Ashton (entitled Mickey7). As such, it’s not without its flaws, but it’s still a lot of fun, thanks to its gleefully bonkers premise and pair of committed central performances from Robert Pattinson.

Set in the distant future, the film centres on Mickey Barnes (Pattinson), a spaceship worker who has been designated an “expendable”, so-called because his body can be reprinted and his memories restored if he dies, which he does, a lot. While on a mission to colonise a remote ice planet, Mickey’s 17th iteration (known as Mickey 17) falls down a crevasse and is presumed dead, so when he miraculously survives and returns to base camp, he...

The Doha Film Institute has unveiled the shape of its upcoming Doha Film Festival, which looks poised to become a prominent event dedicated to auteur cinema from around the world in the Middle East and North Africa region.

The fest transforms the Dfi’s existing Ajyal Film Festival dedicated to youth and family-friendly cinema into a more ambitious international event for a broader audience. It will have four competition strands: international feature film competition; short film competition; the Ajyal film competition, judged by the festival’s unique youth jury; and the Made in Qatar competition, dedicated to projects made in Qatar, regardless of the director’s provenance.

The reconfigured event is being endowed with a total prize pot of over $300,000 that places it on a monetary par with Saudi Arabia’s more glitzy Red Sea Film festival in Jeddah.

In the international sphere, the top prizes to be dished out will be best narrative,...

Cannes film festival

Joaquin Phoenix, Pedro Pascal, Emma Stone and Austin Butler have little to work with in this disappointing dud from the Hereditary and Midsommar director

Ari Aster now worryingly creates a losing streak with this bafflingly dull movie, a laborious and weirdly self-important satire which makes a heavy, flavourless meal of some uninteresting and unoriginal thoughts – on the Covid lockdown, online conspiracy theories, social polarisation, Black Lives Matter, liberal-white privilege and guns.

The movie looks good, courtesy of Darius Khondji’s cinematography, but has nothing new or dramatically vital to say, and moreover manages the extraordinary achievement of making Emma Stone, Pedro Pascal and Joaquin Phoenix look like boring actors. This is by virtue of its moderate script and by the unvarying stolid pace over its hefty running time which might have suited a 12-episode streamer.

Eddington is a fictional small town in New Mexico in the US,...

Warner Bros. Pictures’ Mickey 17 will make its global streaming debut on Max (soon to be HBO Max again) on Friday, May 23. In addition to the Mickey 17 Max release, the film will debut on HBO linear on Saturday, May 24 at 7:40 p.m. Et.

From Bong Joon Ho, the Academy Award-winning writer/director of Parasite, comes this groundbreaking cinematic experience. The unlikely hero, Mickey Barnes (Robert Pattinson), has found himself in the extraordinary circumstance of working for an employer who demands the ultimate commitment to the job… to die, for a living.

The movie, which was rated R for violent content, language throughout, sexual content, and drug material, opened in theaters on March 7, 2025. The film grossed $131.8 million at the global box office, with $46 million coming from North American theaters and $85.8 million from international markets.

Written and directed by Bong Joon Ho, Mickey 17 stars Robert Pattinson, Naomi Ackie (Star Wars: The Rise of Skywalker...

Qatar, the tiny Arab state rich in oil and gas that recently offered to replace Donald Trump’s Air Force One with a $400 million jet likened to a “palace in the sky,” is at Cannes signaling its ambitions to take its nascent film and TV business to the next level.

The Qatar Film Committee, an official body that is part of the Media City Qatar hub and is tasked with driving growth of the country’s entertainment industry, is at the festival and led by Hassan Al Thawadi. He is the Qatari lawyer who oversaw 2022 FIFA World Cup soccer tournament, which was considered a triumph for the country. Al Thawadi has now added the movie biz to his oversight. Furthermore, two sources familiar with the global film scene said top players in the emirate have initiated discussions with U.S. showbiz executives about co-financing and producing original content.

It comes as Hollywood,...

It’s the most exciting time of the year for a cinephile: the Cannes Film Festival is set to kick off next week, running May 13th-25th. Ahead of festivities we’ve rounded up what we’re most looking forward to, and while we’re sure many surprises await, per every year, one will find twenty films that should be on your radar. Check out our picks below and be sure to subscribe to our daily newsletter for the latest updates from the festival.

Alpha (Julia Ducournau)

Winning the Palme d’Or for your previous film is a pretty high bar to clear for your next. It’s also among the best problems any filmmaker could have. Four years after Spike Lee’s jury handed the coveted prize to the first female filmmaker in Cannes history––and one of the most violent films to ever take home a Palme––maverick...

Oscar-nominated movie star Timothée Chalamet may have graduated from high school 12 years ago, but he came back recently to pay a visit during his alma mater’s career day. The A Complete Unknown star, who graduated in 2013, returned to New York City’s Fiorello H. Laguardia High School to speak with students in a Career Management class there. This follows his recent Oscar nomination for A Complete Unknown, which was his secont Best Actor nomination after he was up for Call Me by Your Name in 2018.

The school posted several pictures from the event on its official Instagram page, thanking the Dune actor for speaking there. The school captioned the picture: When you have a guest speaker for your Career Management class……. and Timothée Chalamet walks in the room…. you know it’s going to be a great day! Thank you [Chalamet] for visiting Lag today and providing important advice for our aspiring actors.

A24 has released the official trailer for Eddington, the upcoming Western black comedy film written and directed by Ari Aster. The movie will have its World Premiere at the main competition of the 2025 Cannes Film Festival.

Not yet rated by the Motion Picture Association (MPA), Eddington will be released in theaters on July 18, 2025.

The film is officially described as follows: “In May of 2020, a standoff between a small-town sheriff (Joaquin Phoenix) and mayor (Pedro Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.”

The cast includes Joaquin Phoenix, Pedro Pascal, Luke Grimes, Deirdre O’Connell, Micheal Ward, Amélie Hoeferle, Clifton Collins Jr., and William Belleau, with Austin Butler and Emma Stone.

Production for the film began in March 2024, with Aster writing, directing, and producing alongside Lars Knudsen under their Square Peg production company. A24 is financing and producing the movie.

Two-time Academy Award nominee Darius Khondji...

Ari Aster’s “Eddington” is already creating buzz, weeks before its Cannes premiere. Aster reunites with his “Beau Is Afraid” star Joaquin Phoenix for the secretive dark comedy. Per scarce plot details, Phoenix plays a small-town New Mexico sheriff with higher aspirations, who gets into a conflict with the town mayor (Pedro Pascal). The film’s first teaser, below, situates us clearly in 2020 as Phoenix’s character doom-scrolls through images of 2020 involving Covid and Black Lives Matter protests.

Emma Stone, Austin Butler, Luke Grimes, Deirdre O’Connell, Micheal Ward, Clifton Collins Jr., William Belleau, Cameron Mann, Matt Gomez Hidaka, and Amélie Hoeferle also star in Aster’s fourth feature. The film’s official logline reads: “In May of 2020, a standoff between a small-town sheriff (Phoenix) and mayor (Pascal) sparks a powder keg as neighbor is pitted against neighbor in Eddington, New Mexico.”

There have also been rumors that the movie also...

It’s official: Ari Aster‘s “Eddington” will have its world premiere in competition at the 2025 Cannes Film Festival. And to celebrate, A24 has a new first-look image and poster for the upcoming film. It’s not much (and it’s not an official release date), but enough to confirm Aster’s latest will be in theaters soon enough.

Read More: ‘Eddington’ First Look: Ari Aster’s Cannes-Bound Western Pic Starring Joaquin Phoenix, Emma Stone & More

Movie fans already knew “Eddington” was likely headed to Cannes thanks to comments made by the film’s Dp Darius Khondji last weekend.

Continue reading ‘Eddington’ First-Look Pic & Poster: Ari Aster’s Pandemic-Era Western Will Premiere In Competition At Cannes 2025 at The Playlist.

The Doha Film Institute’s Qumra workshop wrapped on Wednesday after six days of masterclasses, labs and mentoring sessions held in the Qatari capital aiming to connect the Arab filmmaking community with the rest of the world. The event’s 11th edition unfolded against the backdrop of a broken Middle East ceasefire and U.S. President Donald Trump’s trumpeted tariffs, but these happenings did not disrupt the event’s positive tone.

Qumra, named after the Arab word believed to be the origin of “camera,” saw some 300 top industry reps — including sales agents, producers and top festival programmers — congregate in Doha, which played a key role in mediation efforts between Hamas and Israel. The event unveiled a new crop of first and second works mostly by Arab directors comprising 49 projects, 27 of which are feature films, either in development or post-production.

Many projects are supported by the Doha Film Institute, which...

Doha Film Institute CEO Fatma Al Remaihi has confirmed plans for a new film festival to be launched in the Qatari capital in November 2025, details of which will be unveiled in Cannes.

News that the Dfi was planning a new film event surfaced last November during its Ajyal Film Festival dedicated to youth and family-friendly cinema. Al Remaihi mentioned it during Ajyal’s opening ceremony but she never spoke about it since then.

The new Dfi event will take place during Ajyal’s customary November slot and will be an evolution of Ajyal.

November is a busy time on the Arab film festival circuit between Egypt’s El Gouna in October, Marrakech in late November and Saudi Arabia’s Red Sea Film Festival in December.

“We are very excited about the upcoming edition,” Al Remaihi told Variety. “We will have new programming elements in the festival, both for the industry and the filmmakers,...

Mexican costume designer Anna Terrazas says the uniqueness of Albuquerque, New Mexico helped her understand the “essence” of Ari Aster’s upcoming Eddington.

Speaking to Screen after her masterclass at the Doha Film Institute’s Qumra lab, Terrazas said, “I sent Ari a huge amount of research, and a lot of things did work; but the essence wasn’t truly there. So I had to arrive to Albuquerque [where the film shot] and go out to the streets and towns, just to see what was happening – that place is unique.”

“If people describe it to you, it’s not the same,” said Terrazas. “You...

Costume designer Anna Terrazas has spent her career working between her native Mexico and the U.S., on films and shows including Roma, The Deuce, Bardo – False Chronicle of a Handful of Truths and most recently Eddington.

Speaking to Deadline at the Doha Film Institute’s Qumra project and talent incubator on Tuesday, she revealed her fear as she traveled to the U.S. earlier this year in the wake of Donald Trump’s presidency and his attacks on Mexico.

“I went back to New Mexico for Eddington, for a couple of things, and Trump was president. When we shot, he wasn’t there yet,” said Terrazas.

“For the first time, when I crossed, I had a weird feeling. I have a visa, an O1 visa, that I have been having for almost 15 years… But this time when I entered the U.S, I was a tiny bit afraid. I was like,...

The Cannes Film Festival will reveal its 2025 lineup on Thursday morning European time and expectations are high for a typically bountiful lineup of starry fare and arthouse treats. Cannes remains the Super Bowl for indie film lovers.

It’s always a nervous waiting game for those connected to Cannes hopefuls. Multiple festival regulars have told us that selectors are later than ever in giving them notice. The festival has often announced a major movie or two by now, but not this year. The identity of Juliette Binoche‘s fellow jury members are still also under wraps.

In terms of films in the running, much of the reporting we did in February in our Cannes and Venice prediction piece has either come to pass or is shaping up as we forecast. You can read that story here.

Tom Cruise’s Mission: Impossible – The Final Reckoning remains the most likely big Hollywood studio splash.

Timothee Chalamet trained for months to play ping pong like a professional for his role 'Marty Supreme'.The Hollywood actor plays a ping pong champion who has an affair with an older woman - played by Gwyneth Paltrow - in 'Marty Supreme' and it's now been revealed the 'Dune' star practised hard so he could perform like a "real" player on camera.'Marty Supreme' cinematographer Darius Khondji told Variety: "You can do anything, any camera tricks you want, but you need to have a core [to play ping pong] ... "He wanted to be like a real [professional] ping pong player when he started shooting.Khondji went on to reveal that Chalamet filmed his role in 'Marty Supreme' alongside some real stars of the sport, adding the actor was surrounded by "some of the greatest real ping pong champions playing today".He said of the lead actor: "I don’t...

Fresh off the success of his Oscar-nominated role of Bob Dylan in A Complete Unknown, Timothée Chalamet is set to appear as table tennis legend Marty Reisman in Josh Safdie’s Marty Supreme. The film's cinematographer, Darius Khondji, recently revealed that audiences won't recognize Chalamet "at all" in the film and also provided some insight into how hard the rising star actor worked to bring Reisman to the big screen.

Speaking with Variety, Khondji revealed that Chalamet, who famously spent years preparing to play the iconic folk singer Bob Dylan in James Mangold's A Complete Unknown, used the same work ethic for his role of real-life table tennis legend Marty Reisman in A24'sMarty Supreme. "He wanted to be like a real [professional] ping pong player when he started shooting," Knondji said. Marty Supreme won't be a conventional biopic, instead, it will be loosely based on the life of Marty Resiman,...

Timothée Chalamet trained “for months and months” for his title role in Josh Safdie’s upcoming “Marty Supreme” about professional ping pong player Marty Reisman, reports Darius Khondji, the hotly anticipated film’s ace cinematographer. He added that he expects the A24 film’s Christmas 2025 release “to be box office dynamite.”

Khondji, who spoke to Variety on the sidelines of the Doha Film Institute’s Qumra workshop where he is a mentor, hasn’t yet seen “Marty Supreme,” which is now being edited in New York. But he underlined that “everything I hear is spectacular,” adding that “the shooting was so hard and crazy.”

Chalamet, who prepared for five years to play Bob Dylan in “A Complete Unknown,” also trained intensely for his role as Reisman – who started his career as a hustler in Manhattan and went on to win 22 major ping pong titles from 1946 to 2002 – “because you can do anything,...

Cinematographer Darius Khondji has confirmed that Ari Aster’s upcoming film Eddington is scheduled to premiere at the Cannes Film Festival. Khondji made the comment during an appearance at the Doha Film Institute’s Qumra event over the weekend, where he spoke about his recent and upcoming work.

The French-Iranian cinematographer, a two-time Oscar nominee, said he will be returning to New York to complete color work on Eddington with longtime collaborator Yvan Lucas. “I’m going back to New York to do the color for Eddington that’s going to Cannes, I hear,” Khondji told Deadline. “Ari showed me the film. I heard it was going to Cannes two weeks ago.”

The film, financed and produced by A24, stars Joaquin Phoenix, Pedro Pascal, and Emma Stone. Described as a dark comedy Western thriller, Eddington follows a small-town sheriff in New Mexico navigating a power struggle with a corrupt mayor during a pandemic.

Cinematographer Darius Khondji has confirmed that Ari Aster’s dark comedy Eddington, starring Joaquin Phoenix, Pedro Pascal and Emma Stone, has been selected for the Cannes Film Festival.

Speaking to Deadline at the Doha Film Institute’s Qumra event this weekend, Khondji, who is cinematographer on the title, said the feature was in the final stages of post-production.

“I’m going back to New York to do the color for Eddington that’s going to Cannes, I hear,” said two-time Oscar nominee Khondji. “Ari showed me the film. I heard it was going to Cannes two weeks ago.”

“It’s a great film, a very interesting film. It’s very raw, very, very strong, one of the strongest films that I’ve worked on that I really think is going to be fantastic.”

Billed as a black comedy Western thriller, Phoenix stars as an ambitious small-town New Mexico sheriff who goes up against his mayor,...

Bong Joon Ho, Safdie brothers and Alejandro G. Iñárritu collaborator Darius Khondji may be regarded as one of the most innovative cinematographers of his generation, but he still has a soft spot for celluloid.

Speaking in a masterclass at the Doha Film Institute’s Qumra event over the weekend, Khondji made an appeal to camera makers to revive film models which have not been manufactured since the early 2000s at the latest.

Clarifying his comments to Deadline after the masterclass, Khondji explained: “This is so important. Film cameras are from the 80s. They have not been updated. The camera bodies, the system, the viewing systems… they [directors] are all using old cameras, which is fine, but they’re almost disappearing little by little.”

“People like Panavision or Arri should start investing and putting money into making new film cameras,” he continued. “So many young filmmakers all around the world, everywhere in every country,...

Darius Khondji says Ari Aster’s Eddington is going to be “very different from his other movies”, as he prepares to begin colouring the film ahead of what he claims will be a Cannes launch.

The acclaimed French-Iranian cinematographer spoke to Screen after his masterclass on Saturday, April 5 at the Doha Film Institute’s Qumra lab.

With a cast including Joaquin Phoenix and Emma Stone, Khondji says Eddington has “actors that I was dreaming to work with again.”

“It’s going to be very different from his other movies,” said Khondji. “Ari is a deep, strong filmmaker. He has the talent,...

Fatma Al Remaihi, CEO of the Doha Film Institute (Dfi), spoke out against the attack by Israeli settlers on and arrest by Israeli police of Hamdan Ballal, co-director of Oscar-winning documentary No Other Land.

“The recent attack on Palestinian filmmaker Hamdan Ballal proves that even winning the most prestigious award, an Oscar, does not offer any safety from violent oppression by the occupation,” said Al Remaihi, speaking at the opening of the 2025 edition of the Dfi’s Qumra lab. Ballal was released the day after his arrest.

Remarking that this year marks the 15th anniversaryof Dfi, Al Remaihi said, “We...

Brazilian director Walter Salles kicks off the 11th Doha Film Institute’s Qumra meeting this Friday, in one of his first international appearances since political drama I’m Still Here won the Best International Feature Film Academy Award on March 2.

Running from April 4 to 9 in Doha, and then online from April 12 to 14, annual talent and project incubator Qumra will host the directors and producers of 49 works supported by Qatar’s Doha Film Institute (Dfi) in various stages of development and production.

Salles is attending as a “Qumra Master” alongside Filipino filmmaker Lav Diaz, Iranian and French cinematographer Darius Khondji, Mexican costume designer Anna Terrazas and Hong Kong filmmaker Johnnie To.

In this role, they will each give a masterclass on their careers and lessons learned for the emerging filmmakers in the room and also mentor a...

The Doha Film Institute’s Qumra workshop kicks off Friday with the cream of the Arab cinema crop on display – including several timely Palestinian projects – and a host of top industry professionals expected to make the trek to the Qatari capital.

Standout titles set to be unveiled in Doha – which played a key role in mediation efforts between Hamas and Israel – comprise sci-fi thriller “In Memory of Times to Come” (see concept still above), a first feature from Danish-Palestinian artist Larissa Sansour, who represented Denmark at the 58th Venice Visual Arts Biennale. The film is set 30 years from now when, following an “eco apocalypse,” a woman and her husband lead a peaceful life in a restored Bethlehem townhouse, according to the synopsis.

“In Memory,” which will start shooting this fall is produced by Anna Köhncke (“The Act of Killing”) and multiple Oscar-nominated Monica Hellström. The film delves into the complexities of memory,...

Will the realities of capitalism sink the awards hopes for Mickey 17, a movie that’s a forceful critique of the realities of capitalism? Released on March 7, the Bong Joon Ho science-fiction farce has earned just $40 million in North America and $110 million worldwide, which, according to Variety, may result in a loss of up to $80 million for Warner Bros., the film’s distributor. (There is some dispute about that figure’s veracity; the film cost a reported $118 million before marketing.) Still, despite the negative headlines about its box office and a middling response from general audiences — ticket buyers rated Mickey 17 with a B grade on CinemaScore, which, counterintuitively, is poor for a project at this scale — there is still some hope Mickey 17 might rebound with Oscar voters next year.

The case for Mickey 17

After winning three Oscars for Parasite, including Best Picture, Best Director, and Best Original Screenplay,...

After a brief delay, Bong Joon Ho’s latest sci-fi epic, Mickey 17, is finally playing in theaters. The Live, Die, Repeat-like feature is off to a solid start with $2.5M in Thursday preview screenings. Bong Joon Ho is one of South Korea’s premiere filmmakers, having released films like Snowpiercer, The Host, Okja, and the Academy Award-winning psychological drama Parasite. His latest exploration of sci-fi themes stars Robert Pattinson as an “expendable” who goes on a dangerous mission to colonize an ice planet. As Mickey fails one mission attempt after the other, new versions of him try to complete the mission, but when the process goes awry, Mickey finds himself trapped in a deadly paradox. Mickey 17 has a good chance of reaching the top of the box office this weekend, but what’s the breakdown?

Analysts expect Mickey 17 to bank $17M to $20M domestically and $20M to $25M internationally.

Bong Joon-ho is back, and this time he’s swapping class warfare for existential dread. The Oscar-winning director behind Parasite takes a bold leap into sci-fi territory with Mickey 17, a genre-bending, darkly comic meditation on identity, labour and what it means to be human — all wrapped up in a wildly entertaining package.

Adapted from Edward Ashton’s 2022 novel Mickey7, the film stars Robert Pattinson as Mickey Barnes, a low-ranking worker on an unforgiving ice planet, where human life is cheap and clones are even cheaper. Whenever Mickey dies on the job — and it happens a lot — a fresh version is printed, memories intact, ready to pick up where the last one left off. But things get complicated when Mickey 17 is mistakenly presumed dead, only to return and find Mickey 18 already occupying his bunk, his relationships, and his sense of purpose. What follows is part existential crisis, part slapstick nightmare, with...

“Mickey 17” is here.

The latest from director Bong Joon-ho, coming off of his 2019 Oscar powerhouse “Parasite,” stars Robert Pattinson, Mark Ruffalo, Tony Collette, Naomi Ackie and Steven Yuen. It’s based on a book that was released a couple of years ago by Edward Ashton (it already has a sequel) and had a number of release dates before finally settling on March 7 – that’s this week.

Chances are you’ve seen a trailer. Or maybe a weird, vaguely psychedelic billboard with multiple Pattinsons. But do you know what “Mickey 17” even is? Like, really know? Well, we are here to clear everything up for you. Buckle up.

What is “Mickey 17?”

It’s a major motion picture being released by Warner Bros. on March 7, 2025.

How long is “Mickey 17?”

137 minutes! Pretty good for a sci-fi epic!

What is “Mickey 17” rated?

R. Don’t take the kiddies.

Where is it playing?...

It has been five years since Bong Joon Ho won three Oscars for Parasite, shocking the industry and bringing the cult auteur into the Hollywood mainstream. Finally, the South Korean filmmaker has returned with his biggest project yet: Mickey 17, the long-delayed science-fiction movie that Warner Bros. has out in theaters now.

Set in the near future, Mickey 17 stars Robert Pattinson as the title character and his several other versions. Mickey is known as an “expendable” in Bong’s latest project; those people sacrificed to the greater needs of capitalism and returned to life to do it all over again via scientific whizbang. Pattinson plays two versions of the character simultaneously (something previewed in the trailer). Costars include Naomie Ackie and Steven Yeun, plus Mark Ruffalo and Toni Collette as buffonish fascists who bear a striking resemblance to some of America’s current political leadership.

Mickey 17 is the...

Plot: In the future, Mickey Barnes (Robert Pattinson), who’s in debt to loan sharks, takes the one job no one could ever possibly want. He signs up to be an “expendable” on an off-world colony where he’s given hazardous tasks to perform that no one is expected to survive. Every time he dies, they “print” another copy of him. However, when his seventeenth iteration, Mickey 17, unexpectedly survives a mission, he discovers another version, Mickey 18, has already been printed, and in this society, multiples are expressly outlawed.

Review: One has to give Warner Bros some degree of credit for green-lighting Mickey 17. Easily the most lavish movie of director Bong Joon-Ho’s career, it’s the kind of original, audacious sci-fi we rarely see on the big screen anymore. The fact that it doesn’t entirely work is almost beside the point, as stuff like this so rarely...

The Doha Film Institute (Dfi) has unveiled the 49 projects across all formats that will be showcased at the 11th edition of its Qumra development and networking event in April.

They include Quarter to Thursday from Algerian director Sofia Djama, about three friends on a mission to bury a dachshund in a military base, which is in development. Djama’s last feature The Blessed won a slew of awards in Venice Horizons in 2017, and delivered a breakout best actress role for rising French-Algerian actress Lyna Khoudri.

The selection also features Syrian director Anas Khalaf’s Love 45 about an overweight Lebanese man who is caught in a destructive spiral, which is in production. Khalaf’s previous credits include the Syria, Bashar al-Assad-era set thriller The Translator.

The picture lock line-up includes Tunisian director Erige Sehiri’s Marie & Jolie about three Ivorian women from different generations making a life in in the...

Walter Salles, Johnnie To, Lav Diaz, Darius Khondji and Anna Terrazas will serve as Qumra Masters at the 11th edition of the Doha Film Institute’s annual talent and project incubator.

They follow in the wake of some 50 top cinemas figures who have also taken up the role over the past 10 editions, including Claire Denis, Leos Carax, Tilda Swinton, Gael Garcia Bernal and James Gray.

The event, running from April 4 to 9, will invite the producers and directors of some 40 projects supported by the Doha Film Institute (Dfi) for six days of development support and networking.

Brazilian director Salles (The Motorcycle Diaries) will be in attendance at the meeting fresh from his buzzy awards season with his Oscar-nominated drama I’m Still Here.

Filipino director Diaz brings his vision of a special brand of slow cinema which includes films such as The Woman Who Left and Evolution of a Filipino Family.

Iranian-French...

The Doha Film Institute has recruited Oscar nominee Walter Salles (“I’m Still Here”), iconic Hong Kong director Johnnie To, prominent Filipino auteur Lav Diaz, ace cinematographer Darius Khondji and master Mexican costume designer Anna Terrazas to hold onstage conversations and act as mentors during its upcoming Qumra Arab industry incubator.

The event, now celebrating its 11th edition, will run April 4-9 in the Qatari capital of Doha.

Qumra, which means “camera” in Arabic, blends together a creative workshop, co-production market and festival elements. It was established by the Doha Film Institute (Dfi) to help foster first and second works, mostly by Arab directors, and to create curated networking opportunities between the Arab and international film communities.

The Dfi is a major indie Arab film industry driver and has also been providing funding for Arab TV series for the past few years. Qumra 2025 will feature a selection of top notch Arab films in various stages,...