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oofuss

mar 2006 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

Distintivos3

Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Explora los distintivos

Calificaciones2.4 k

Clasificación de oofuss
Exterminio: La evolución
7.06
Exterminio: La evolución
El imitador
6.67
El imitador
Equilibrium
7.37
Equilibrium
Generation Loss
8.77
Generation Loss
Années Folles
8.17
Années Folles
Well Enough Alone
7.67
Well Enough Alone
Zhuangzi
8.57
Zhuangzi
Fidelity
8.18
Fidelity
Metanoia
8.28
Metanoia
Que Será, Será
6.97
Que Será, Será
The Auguries
7.27
The Auguries
Crisis Theory
7.28
Crisis Theory
Passed Pawn
7.89
Passed Pawn
Decoherence
8.28
Decoherence
Genre
7.98
Genre
The Mother of Exiles
8.78
The Mother of Exiles
The Absence of Field
8.18
The Absence of Field
The Winter Line
8.18
The Winter Line
Parce Domine
8.28
Parce Domine
The Passenger
8.79
The Passenger
Vanishing Point
8.79
Vanishing Point
Les Écorchés
8.59
Les Écorchés
Phase Space
8.08
Phase Space
The Riddle of the Sphinx
8.99
The Riddle of the Sphinx
Virtù e Fortuna
7.99
Virtù e Fortuna

Lista de videos2.3 k

Prueba de vida
6.3
Prueba de vida
Adolescencia
8.2
Adolescencia
Juror #2
7.0
Juror #2
Código Negro
6.7
Código Negro
Last Exit to Brooklyn
6.8
Last Exit to Brooklyn
Basquiat
6.9
Basquiat
Laggies
6.4
Laggies
He Died with a Felafel in His Hand
7.0
He Died with a Felafel in His Hand
Día Cero
7.0
Día Cero
El abismo secreto
6.7
El abismo secreto
American Primeval
8.0
American Primeval
Low Down
6.1
Low Down
Hereje
7.0
Hereje
Say Nothing
8.2
Say Nothing
Gladiador II
6.5
Gladiador II
Blitz
6.2
Blitz
La agencia
7.4
La agencia
Salvaje de corazón
7.2
Salvaje de corazón
Twin Peaks
8.7
Twin Peaks
My Old Ass
6.9
My Old Ass
Reality
6.7
Reality
Pasante de moda
7.1
Pasante de moda
Palomas negras
7.2
Palomas negras
Al caer la noche
6.5
Al caer la noche
Fantasmas del pasado
6.1
Fantasmas del pasado
Vesper
6.0
Vesper
La luz que no puedes ver
7.5
La luz que no puedes ver
Banda de hermanos
9.4
Banda de hermanos
The Pacific
8.3
The Pacific
Los amos del aire
7.8
Los amos del aire

Wish list1

  • Tri orísky pro Popelku (1973)
    Top 20 Alternative Christmas Movies
    • 20 títulos
    • Público
    • Modificado el 21 dic 2014

Reseñas4

Clasificación de oofuss
The Glass Room

The Glass Room

5.5
4
  • 5 mar 2021
  • A near perfect example of how not to adapt a novel

    The Glass Room (novel) is a fantastic story about a house. the people whose lives are connected to it, their relationships, and the transformations of the country it is in.

    The Glass Room (Film) is a mess.

    Everything that was great about the book is missing from the film. The characters are mere cardboard cut outs of those that grow and develop so wonderfully in the novel. No time is spent establishing any of them, nor their relationships.

    The star of the novel, the house, is never shown in its glory in the film, only a few overly repeated angles that never let the house truly shine. And the many significant historical milestones are flipped from one to the other as if mere inconveniences.

    Those who have not read the book must spend the first 30 minutes of the film in complete and utter confusion, barely having a clue who each person on screen is and what they mean to each other.

    As such they will be frustrated. Likewise those who enjoyed the book, seeing its essence removed and only a watery reflection of it remaining. Those who watch based on the marketing, especially from the US where it goes by the thoroughly misleading title The Affair, who think they are watching a Lesbian love story will be frustrated for the most part.

    A real shame that such an excellent story, cast and location are wasted on this terrible film.
    The Future

    The Future

    6.1
    5
  • 15 dic 2012
  • A good film as it makes you want to punch Hipsters.

    I can't decide if this film was good or horrible, the problem is that which way i sway depends on Miranda July's intentions. If she set out to make a story about two of the most loathsome characters not in a horror movie, whom you want to end up together, solely so that they have to suffer each other for the remainder of their days. with the added extra that you feel compelled to punch the next hipster you come across, then she has done a very good job.

    However, I can't shake the feeling that although she was intending for the couple to be unlikable, she did want us to have some level of sympathy for them. Sorry, not feeling a thing. The only person i felt sorry for was the daughter of Marshall, and the cat obviously.

    The cat is the star, and Ms July shows her talent with the way she presents it's thoughts and moods. So if she was trying to highlight the human race as a plague upon the Earth, then kudos to you. Otherwise, stop the world, i want to get off.
    Orgasm Inc.

    Orgasm Inc.

    5.9
    7
  • 20 jul 2011
  • An entertaining and sometimes shocking look at drug companies

    In my opinion there are two great skills required to be an excellent documentary film maker. The first is being able to make your subjects comfortable enough with you to be themselves and the second is to be able to edit together your multitude of interviews, graphics, animations, and other footage into a story. The first skill is far harder to learn than the second.

    In Orgasm Inc. Elizabeth Canner, far exceeds any other film maker I have ever seen in the former, and this more than makes up for the ever so slight failing of the the latter. Her ability to get people who have been trained to deal with the media and the public,who have practised for hours in delivering the company line, to then reveal, on camera, things that you can clearly see they know they shouldn't even tell their own mother, is phenomenal.

    At first i thought it was just down to the fact that the original company she was hired to work for trusted her because they saw her as an employee, one of theirs so to speak, but she does it with almost every drug company rep and dodgy doctor she speaks with.

    The story begins with one company's attempts to corner the market on a "Cure" for Female Sexual Dysfunction, but quickly moves to the question of if this is a real disease or not, then we see the competition's efforts and focus on one women's journey as a trialist for one of the products and finally the efforts of a campaign group in trying to convince the FDA not to approve a drug for this "condition".

    Canner was granted access that will probably never be available again and she has used this privilege exceedingly well, my only complaint is that the sequencing and timing of certain scenes didn't work for me, she could have edited the material a little better to improve the overall flow.

    However unlike the ability to get people to reveal things they shouldn't, this is something that should improve in her work with experience.

    A film that needs a far wider audience than it will unfortunately ever get, Canner has all of the good qualities of Michael Moore, she champions the underdog battling against the big corporate giant, has a playful sense of humour, and an ability to make linear connections, however, she doesn't share his ego, aggressiveness or rudeness, she let's her subjects speak and lets them tell the story.

    Fortunately for us, some may wish they never met her.
    Ver todas las reseñas

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