drystyx

Unfortunately, director Aldridge-Neil uses all of his resources to just continue the ignorant misinterpretation of demonic beings that led to the horrors that come from believing that humans are demons instead of the reality that is clearly taught by the one we call Jesus.

The narrator gives instances in History of these false narratives about demons. Demons are clearly supernatural forces, but Aldridge-Neil is trying to keep us in the Middle Ages with the same "rationalization" that existed in those days.

Aldridge-Neil insists that the superstition is based on the belief that the demons were supernatural, when he clearly admits that people in those times claimed that the demons were "material". This was "materialism.

It's not brain surgery. It's simple honesty in reading the facts. For example, the floating test that was lethal to the subject no matter what happened. If the subject sank, the subject was not guilty and drowned. If the subject floated, the subject didn't drown, but was declared a "material" witch and executed.

Everyone knows that muscle mass is heavier than adipose tissue (pleasant way to say "fat"). The people lived in actual "lifeboat situations" with Winter being a time of possible famine, and only so many people sustainable. It was natural to believe in the staunch pilgrim principle of "don't work, don't eat", so those with more muscle were deemed worthier of life. Even if they didn't do more work, they appeared to do more work. People who were hurt and laid up and not usable any more, were not usable.

"Rationalization" is the reason for almost everything.

The ignorance of the masses was never about "religion". We know this because even the narrator here admits that the belief was in physical presences of demons, of witches being materialistic beings with super powers.

This was always contrary to every religion that acknowledged that demonic forces were supernatural principalities. It is only possible for materialistic people to believe in this Middle Ages concept.

And that's what the director does by his own words. Ironic.

This program is exactly the same Middle Ages concept of materialistic rationalization that caused the atrocities explained by the narrator. Super Ironic that the director continually claims it to be the opposite. Very moronic video that pawns itself.

Come and See is an avant garde style war film set in the WW2 Western Russia area that was full of horror from Nazi atrocities.

On the surface, the movie appears to get much of the grit correct, so that makes it more important to get the reality correct as well. It's the same with other "grit" movies that try to deliver realistic settings and atmosphere, but fail to deliver, making them "style over substance" movies.

This one is totally "style over substance". The atrocities are realistic enough, as is the chaos. The "contrived" matters make it less than meets the eye.

The events are seen through the eyes of a boy who loses a lot in becoming a partisan against the invading Nazis. His attitude and his emotions are totally believable. That much is well done.

However, the writer director team only pretends to be anti Nazi, when in fact we get too much worship of Hitler's number one ideology of the blond pale woman being immortal. There are many women in this moive, but the only woman who is an evil Nazi serving their propaganda machine is also the only woman in the movie who is not an Aryan blond woman.

This cannot possibly be an accident. Instead, it is on purpose a celebration and praise of the most unnatural and foremost number one ideology of Hitler and the Nazis, that women were the fair sex, totally pale and blond and Aryan. This was their number one goal, and it is what they preached above all else.

Which makes this movie actually a Nazi propaganda movie. Germany lost their war, but Hitler won his war, thanks to directors and writers who preach Hitler's sermons even today.

It's too bad. This could have been a better movie, but instead it preaches too much for what it proposes to be against.

I've seen enough of Emile Smith now to convince me that he's just another hack director who only gets to direct because he is part of the neo Nazi program that took over Hollywood in the late sixties and early seventies.

Sadly, the ignorant masses of today are totally brainwashed by these Nazis.

The sheep continually miss the forest for the trees. This movie disguises as being anti Hitler, but in fact praises Hitler's ideals.

A plane from the 21st century magically transports to 1940 and just happens to be in a war zone over Germany at the right time.

The characters are not credible, the story is totally manipulated for Smith to again do what he always does, take one of the few dark haired women in a plane full of blond women and contrive a way to kill her.

Now, every guy has been jilted by a dark haired babe, but only Nazis like Smith let it turn them into Hitler worshipers.

That's the only thing that this movie is really about. If you get anything more out of it, you're looking for trees. Smith does this on purpose, because he is totally out of control to the Nazi demonic force.

It doesn't matter if Smith says that God is a Nazi or that Nature is a Nazi. Either way, it is not natural.

Hopefully, some day, someone who isn't a Hitler ideologist will get to rise to the rank of director in this unnatural culture. I won't hold my breath. I will point it out.