Screen_O_Genic

Weird, strange, quirky, futuristic, innovative and all out rockin', Devo was unlike any other. An oddball hodgepodge of bizarro literature, Experimental music, Sci-Fi garb and pointedly biting anti-American satire that extends all over the globe, this motley troublemaking geeks rode out a run of great music and striking visuals during their peak late 1970s - early 1980s run. Fueled by the Kent State Massacre (which some of the band members witnessed firsthand), a desire to be different visually and musically, a manifesto unflattering to the human species and Punk Rock, the Akron, Ohio spud boys became an unlikely success offering a very different slant to Popular Music at the time.

"DEVO" charts the surreal saga in characteristic fashion: colorful and over the top in its barrage of visuals comprising interviews with the band members (an impressively articulate Gerald Casale stands out) as they go toe to toe with snippets of live footage and a varied array of films and images from vintage reels to historical snapshots. The result is a cornucopia of sight and sound and great music.

For a band as fun and as eccentric the documentary strangely moves at a conventional and sedate pace at the first half. A lack of perspective ensues with a failure to give emphasis on the band's impact and influence on music and the entertainment industry as a whole. Also, the band members' careers after the band's heyday are given short mention which is a shame considering Mark Mothersbaugh and Gerald Casale pursued eclectic and quite interesting artistic endeavors. This is a doc that could have been another hour long.

Whether looking like aliens in janitor's uniforms or a bunch of nerdy autists in early 20th-Century swimwear, all topped by those memorable saucer-shaped hats, Devo, all robotically-synchronized stage movements and mainstream infiltration-subversion, and again, great music (re-listening to their songs I was struck how fresh and much better they sounded) left a distinct and enduring mark. A fine tribute to a brilliant band, this is one fans and Rock enthusiasts should see.

A BBC release in commemoration of the centenary of the First World War, "The Passing Bells" is a period drama on the illusions of war and the innocence shattered and victims claimed. A sentimental story of two young men with hopes of the future who find their fates intertwined in the most fateful turn of events, the television series is a Hallmark-lite family period piece that sanitizes the brutality, vulgarity and gore of war but redeems itself with its tragic ending that highlights and magnifies the crushing reality of war where nothing is precious and a dark destiny hovers over everyone affected. See this for that alone.

There should be more De Niro on TV.

An impressive emblem of the times wrapped in gleaming celluloid, "Zero Day" is the present in ace cinema presentation. Robert De Niro is George Mullen, a former president of the United States who left office for personal reasons riddled with murky gossip and rumors. Convinced out of retirement to head a group in combatting a mysterious and sinister body of hackers who launched a cyber attack that terrified a nation and claimed fatalities in the thousands, Mullen and his crew are in a race against time to outsmart and capture the criminals before the techy goons nail another devastating strike. The intense discussions, heated arguments, compelling brainstorms and intriguing mysteries all build up to an escalating tension that spirals the series to a full and satisfying finish. De Niro is the star and main focus with his endless poker face grimace as he battles naysayers, cyber attacks, colleagues and his own family in his quest to save his country. Joan Allen is the smart and kindly stoic wife who is a quiet bastion to her husband's late life ordeal. Lizzy Caplan's annoying and confused portrayal as the attractive daughter who serves as counterpoint to her father's composed and self-assured decisiveness serves as the irritating factor in this game of politics where she is way over her head. Angela Bassett is the pc quota as the stately and composed president while Matthew Modine is effective as the smug and ambitious antagonist.

With its direct depictions of technology, terrorism, conspiracy theories, fake news, ubiquitous talking heads and the cultural, social and racial divides that dominate contemporary American society, "Zero Day" may very well be the artistic representative of the era. Thrilling, riveting and relevant it's one of the standout television series and is a must see.