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I_John_Barrymore_I

ene 2006 se unió
Floris on No. 89: "Introduced in 1951, No 89 takes its name from the number of the Floris shop, 89 Jermyn Street. Devoted followers include Ian Fleming.

Orange and bergamot blended with lavender and neroli give No.89 its classical cologne aspect. Warmed with a touch of spicy nutmeg, the floral heart is underscored by the dominant woody accord of sandalwood, cedarwood and vetiver in this quintessentially English gentleman’s fragrance."

James Bond on No. 89: [to a rat] "Well, one of us smells like a tart's handkerchief. . . I'm afraid it's me. Sorry, old boy."


Thank-you so much for participating in my thread asking for recommendations from Film General's womenfolk. It'll no doubt take me a while to work my way through these, but I'm really looking forward to it. I'll be seeing them in whatever order I can.

UPDATE!: It looks like it'll take a very long time - perhaps a year or so - to get to some of these as the more I look into it availability in my region is a problem. I will be seeing them all though.
[cheers]

The list:

marybethtex:
1: The Visitor
2: The Savages
3: Hysterical Blindness

theladykay:
4: The Ghost and Mrs. Muir
5: The Red Violin
6: Truly Madly Deeply

G_a_l_i_n_a:
7: Straight Time
8: Waltz with Bashir * * * * *
9: Fierce Creatures

MrsJohnChard:
10: Let the Right One In

peas-n-carrots:
11: The Two of Us
12: The Wrong Box

zoe_eclisse:
13: The Girls

peas-n-carrots:
14: Just One of the Guys * * * * *

zoe_eclisse:
15: Safe
16: In a Lonely Place


A list of people who intentionally post unannounced spoilers (usually in thread titles) so you can add them to your ignore lists without ever having to read their posts.

Louise_Fletcher_ Queefs http://www.imdb.com/user/ur20747470/boards/profile/
The_White_Mamba http://www.imdb.com/user/ur21222945/boards/profile/
zlaja_dubai19 http://www.imdb.com/user/ur17019106/boards/profile/
http://www.imdb.com/user/ur21349564/boards/profile/
greysquaresonachessboard http://www.imdb.com/user/ur21349564/boards/profile/
Ronnie Barnhardtt http://www.imdb.com/user/ur3912189/boards/profile/
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Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

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Wish list3

    Reseñas85

    Clasificación de I_John_Barrymore_I
    Avatar

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    7.9
  • 8 may 2010
  • Avatar

    Batalla Por La Tierra

    Batalla Por La Tierra

    2.5
  • 18 abr 2009
  • Battlefield Earth: A Saga of the Year 3000

    And 3000 years is about as much time as you'll guess you've been sitting there when the credits roll because, astonishingly, Battlefield Earth really is as bad as you've heard.

    Aimed squarely at kiddies, it's impossible for adults to take seriously. The Psychlos are represented primarily by John Travolta and Forest Whitaker, but their brand of Disney villainy extends only to constant bickering which may well be unintentionally hilarious but it's not the least bit menacing. Indeed Travolta makes for one of the worst screen villains in recent memory, his Terl coming across as petulant, stroppy and very, very campy rather than the terrifying monster the film is so desperately crying out for. It's this need to keep things safe so the little 'uns won't be scared that saps any sense of danger from proceedings. I mean, his big evil plot is to use the humans to mine gold on the side so he can retire. Hardly Earth-shattering stuff. . .

    Still, it's not all bad. Barry Pepper as the heroic Jonnie Goodboy Tyler is magnificent, expertly capturing the awesome personal charisma of the character and - oh who am I kidding? He's as dull as dishwater.

    The modest budget shows in every frame, and much of it appears to have been filmed in the same warehouse re-dressed numerous times. It's all shot in tight close ups at wonky angles in an ill-fated attempt to hide the generally cheap nature of the thing. Right down to the hair extensions and prosthetic Psychlo hands it all has a compromised, that'll-do feel.

    There are huge holes in the plot. And I'm talking about several of them. Gaping ones with barbed wire fencing and flashing warning signs around them to stop audiences falling in. However they're not as jaw-droppingly stupid as the massive chunks they either forgot or couldn't afford to include. But then again this is a film where spending a few hours in a library can enable a man who can't read to become knowledgeable on just about everything - including besting a warrior race at military strategy - and a couple of days in a flight simulator means you become an expert fighter pilot. Logic is not Battlefield Earth's strong point.

    Neither is its score, a truly dreadful effort in which even the instruments it's played on sound like they were found in a skip.

    The final battle is spectacularly inept, and springs from nowhere with no build-up. It's quite amusing actually; before you realise it's started it's there in front of you and then it's not.

    But the most staggering thing about the film is that not only was it not knocked together by a bunch of disinterested monkeys, it was in fact a labour of love for John Travolta. This is something he'd wanted to make for years, so how it turned out so indescribably, monumentally atrocious is a mystery.
    Tribunal en fuga

    Tribunal en fuga

    7.1
  • 18 abr 2009
  • Runaway Jury

    A classy, exciting thriller, and a cut above the usual John Grisham fare.

    This is one of those rare films I can happily watch a couple of times a year and still enjoy because it's so completely satisfying. It's got a great cast all doing fine work, a nifty plot, an exciting score, and is full of fantastic little moments. It's gripping too - which a surprising number of modern thrillers are not - and is generally executed brilliantly.

    It's a shame that so few sparks fly between Gene Hackman and Dustin Hoffman. Their moments together are good but they don't burn up the screen in the way one might hope. Nevertheless Hackman in particular is excellent, and everyone involved looks to be having a lot of fun.
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