maggie-122
sep 2005 se unió
Te damos la bienvenida a nuevo perfil
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Distintivos2
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Reseñas7
Clasificación de maggie-122
Too slow for video. They could've just posted a photo. The lead reminds me of how stoic Robert Stack was in "The Untouchables".
Fine for insomniacs; this could be better than a sleeping pill.
I saw the first episode and just don't want to waste my time listening to such slow-paced dialogue. On screen and part of the plot, these agent-instructors were boring their student cops and their TV audience at the same time.
Fine for insomniacs; this could be better than a sleeping pill.
I saw the first episode and just don't want to waste my time listening to such slow-paced dialogue. On screen and part of the plot, these agent-instructors were boring their student cops and their TV audience at the same time.
Don't let the R rating fool you; it stands for Rousing! If the Golden Girls married Sex and the City, this would be their love child. Michon is amazing as the film's Triple Threat: co-writer, director, and star. Supporting cast is also marvelous, which makes it difficult to single out any one performer but for me, the standout was Dot Marie Jones as Christine. Playing the characters straight was a great decision on the part of director Michon. This is one of the best methods in comedy, leaving pratfalls for the kids ... well, actually, there are pratfalls in this as well, in scenes where pratfalls are unexpectedly funny. (W. Bruce Cameron, co-writer with Michon, and known for "8 Simple Rules ... " as well as "A Dog's Purpose," "A Dog's Journey," and "The Dogs of Christmas" made a cameo appearance in Muffin Top as the plastic surgeon.) Michelle Featherstone's music is terrific, as is Tom Clancy's cinematography, Brian O'Hara's sets, and Yoshio Kohashi's flawless editing. If there's a showing near you, see it. If not, download it.
The film had no plot advancement. So many possibilities, so little follow through. It's hard to believe the story we were ultimately led to was one of the least interesting paths to follow. Why bother with flashbacks when the murder, and the motive for it, were never fully realized? There was no story arc. The film seemed to fragment and dissipate into nothing.
What was the point of Richardson's stalker? Why did the Ontkean character turn her down sexually citing "bad timing" and then suddenly they fall into each other's arms with no idea of what happened in between? There was a lack of continuity, such as Richardson having sex with the stalker guy she seemed to like at one point, and her nightgown is down to her waist with exposed breast, but in the immediately following shot, her nightgown is fully up, straps and all.
What was the Fricker tumor thing all about? It seemed to be a temporary distraction, as were most of the scenes.
However, I did stay awake through this dud of a film and that's saying something.
What was the point of Richardson's stalker? Why did the Ontkean character turn her down sexually citing "bad timing" and then suddenly they fall into each other's arms with no idea of what happened in between? There was a lack of continuity, such as Richardson having sex with the stalker guy she seemed to like at one point, and her nightgown is down to her waist with exposed breast, but in the immediately following shot, her nightgown is fully up, straps and all.
What was the Fricker tumor thing all about? It seemed to be a temporary distraction, as were most of the scenes.
However, I did stay awake through this dud of a film and that's saying something.