carlo-70

I just seen movie at ToHorror Festival, also with subtitle is an incredible movie, for everyone like horror, like to see backstage of movie, or work in this mad world. It's very difficult to talk about this movie without doing spoiler, but i try to do it. Acting : terrible enough to be enjoyable, and right to very realist Shooting : double Dop for a double feature, both work fine to obtain the right result, a funny horror result. Direction is very complex and i think Directors did a great work. If like horror you must see it, without reading more about plot, to avoid to waste the suspence. Great Movie

Sergio Stivaletti IS ones of Italian Horror movie future, i see only DVD version, i can't see at cinema, but i think that movie collect all fashion of old movies that a lot of people love.

For an old movies fan like me, that love old style horror movies, it's a masterpiece, that show a very good direction, a nice photography, and old, simple, but good stories.

if you like old movie with actor like vincent price, peter cushing, directed by master of horror like Terence Fisher, Corman, Bava, Freda, and more, you like that movie, which is an honest homage to these old movies.

Stivaletti is ones of few men in Italy that try and risk in first person to produce that kind of movie, that actually are not more produced in Italy, but them are our past (yes, i'm an Italian guy), and i would like to be the present and future of Italian production.

how many people can tell to risk in first touch? in my mind i can think to people like R.rodrigez, S.raimi, but are few people, well, here there is another talented guy, Sergio stivaletti.

p.s. i ear English track, and i show (i show the movie, to be correct) to some my friends (not italians friends), Australian and German, and they tell my that is not so terrible English.

p.p.s. check first edition of mad max, and try to understand that mel Gibson told in that movie.... you discover that is not simple to act and talk fluently in English, also if is your first language.