the_hawk8

Yes, this show is way over the top. Like ridiculously over the top. It is meant to be. That's what makes it a fun watch. It is in the same vein as Élite but it goes a more absurd route.

Lots of hot people, lots of sex (gay and hetero between women and between men), and some sports thrown in. There is a plot but it is a bit almost secondary to the spectacle.

Come for the fun, stay for the fun.

For some of the bad reviews, they just need to understand not every TV show is meant to or created to be the "best" TV show in history. Movies and TV have niches. People want to see different things. Enjoy the ride. Enjoy life.

"Emilia Pérez" is a cinematic misstep that egregiously mishandles its subject matter, resulting in a film that is both offensive and insipid. Directed by Jacques Audiard, this so-called musical attempts to tell the story of a Mexican cartel leader who transitions genders to escape his past-a premise that is as ill-conceived as its execution.

The film's portrayal of Mexican culture is nothing short of a caricature, laden with stereotypes that reduce a rich and diverse heritage to a series of clichés. The narrative is riddled with superficial depictions of narco violence, offering no meaningful insight into the complexities of the issues at hand. Instead, it opts for sensationalism, trivializing the very real suffering associated with drug cartels.

Moreover, "Emilia Pérez" fails spectacularly in its representation of the transgender experience. The protagonist's transition is portrayed as a convenient plot device, devoid of authenticity or sensitivity. This not only undermines the struggles and triumphs of the transgender community but also perpetuates harmful misconceptions. GLAAD rightfully criticized the film for its "profoundly retrograde portrayal of a trans woman," highlighting its regressive stance on gender identity.

The casting choices further exacerbate the film's shortcomings. Selena Gomez's performance is particularly egregious; her Americanized Spanish and lackluster acting contribute to a portrayal that is both unconvincing and grating. Eugenio Derbez aptly described her performance as "indefensible," a sentiment echoed by many viewers.

Despite garnering numerous awards and nominations, including 13 Oscar nods, "Emilia Pérez" stands as a testament to Hollywood's misguided attempts at inclusivity. The film's accolades are baffling, given its glaring deficiencies in storytelling, character development, and cultural representation. It is a stark reminder that recognition does not equate to quality or respectfulness.

In conclusion, "Emilia Pérez" is a deeply flawed film that offends more than it entertains. Its superficial treatment of complex issues, combined with poor performances and a lack of cultural sensitivity, make it a regrettable addition to contemporary cinema. Audiences seeking meaningful representation and storytelling would do well to look elsewhere.

This was such an amazing episode. The relationship between Frank and Bill was deep and so well done. Nick and Murray really understood the assignment and knocked it out of the park.

This episode hits you like a brick. It's tense and then really loving. And ultimately it rips your heart out and stomps on it. You will cry harder than you have in years.

Then you have the burgeoning relationship between Ellie and Joel. Joel cares so much and it seems like he is constantly disappointing himself. Truly this show has it.

If yo want to ugly cry, this is the episode for you. Beautiful and brutal. Wow

If yo want to ugly cry, this is the episode for you. Beautiful and brutal.