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After a few months even I'm crying after the time wasted to see this stuff. A mixture of (what?): body lotion, scented hair gel, some uranium, french perfumes, goulash, absurd stunts, syrupy kisses, whatever. Strong cut scenes (being imperfect anyway), lustrous actors, the feeling that they come from marketplace at their headquarter, fashion parade at the end of the series , unbelievable acts, a Kim Tae-he looking towards nowhere in many crucial points. What? A nuclear attempt? With the most unbelievable pretext? What a joke! All the series seems a huge, monumental joke; of bad taste. The actor Lee Byung-Hun is blank as always. For me, he never rises to convey an extraordinary state of life. Only the actor Jeong Jun-Ho saved a bit this messed movie. And actress Kim So-Yeon, yep, she really performed OK. I have all my respect for art and the work in movies but we are here, this years 2000 plus and this movie has not a valid message.

The scenario is so good! Anyone can be found in one or another of the characters, with a great empathy, I think so. For a comedy, the script have a little shadow of tragic, consequently enough to amaze us with bold, funny, great dialogues. If the dialogues deserves a few positive adjectives, the acting deserves tens. The main actresses plays their roles perfectly, in the most realistic way; you may forget that you see a movie. All the gestures of Yang Mi-sook (Kong Hyo-jin), of nervousness, of embarrass, of guilt or joke, finally, are prodigious. I'm impressed how the director (and the writer) Lee Kyoung-mi managed to film, to point out, all that wonderful gestures; plus that amazing face of Kong Hyo-jin. And it's not only the actress Kong Hyo-jin; are the faces filmed over the computers in sending messages (Seo Woo, Hwang Woo S.H.), the pointed out of the back and the underwear of Yang's competitor, all that little movements, but so suggestive, marvelous. The director present us a wonderful show, without a trace of feminism. I found so much equidistance in this movie. The images; some of them are really unforgettable even, to say, for a close-up filming technique. And that photo from first, is remarkable, an icon. Great work.

It's a good drama because shows how unimportant are lots of promises made out or in your mind, how superficial are sometimes the moves of human being in society; after that all things have their own laws, own movement, own chemistry. Like actress Kim Ha Neul knows, another actors and actresses knows well this sort of things, this chemistry, this physics. Don't stunt us but show the inner or hidden laws of love, death and one's action; quite silent laws, strong, inescapable. For mature people I think it is a good, perfect drama. The acting, the script I find to be good, really good. Mrs. Kim Ha Neul, the actors and actresses, plays in concordance with the underlined laws.