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JAP_EMAIL

nov 2004 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.

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Calificaciones8

Clasificación de JAP_EMAIL
Il delitto Matteotti
7.02
Il delitto Matteotti
Signori si nasce
7.110
Signori si nasce
Un turco napoletano
6.99
Un turco napoletano
L'imperatore di Capri
6.410
L'imperatore di Capri
Il compagno Don Camillo
6.910
Il compagno Don Camillo
Riuscirà il nostro eroe a ritrovare il più grande diamante del mondo?
4.11
Riuscirà il nostro eroe a ritrovare il più grande diamante del mondo?
La ballata dei mariti
5.12
La ballata dei mariti
Un maldito enredo
7.48
Un maldito enredo

Reseñas11

Clasificación de JAP_EMAIL
Il delitto Matteotti

Il delitto Matteotti

7.0
2
  • 15 ene 2019
  • Bravo Signor Mario Adorf !

    This film may or may not like for a variety of different reasons, but as far as I'm concerned, it's definitely worth seeing even just for the superb interpretation of the "Duce" by Mario Adorf. Personally, I do not like the film inasmuch it's clearly hagiographic, for the benefit of the "winners", as always sadly happens; the History doesn't earn any good: all the ills are attributed to the "bad and ugly" ones and all the merits are attributed to the "handsome (so to speak) and good" ones . Before viewing this film, I considered Mario Adorf a good character-actor, able to get by in the most disparate roles, but still as a side actor. Considering this role - not at all simple for a non-Italian, and what's more of Teutonic origin - I have gladly changed my mind and reconsidered his other interpretations with different eyes. The few scenes in which he appears - albeit dubbed by the equally splendid Ivo Garrani, that gives him the right dialectal accent - are beautiful cameos, and if I see this film willingly when it goes on TV, it is just to enjoy his interpretation. A performance that is certainly the result of a profound study of historical footage. He's never above the lines , not forced nor trivial. If I can push myself to the paradox, he is even more credible than Mussolini himself. It would have deserved - on that occasion in my humble opinion - the Oscar for best supporting actor. Bravo Signor Mario Adorf !
    Signori si nasce

    Signori si nasce

    7.1
    10
  • 23 dic 2017
  • Signori si nasce (Nobleness is by birth): This is indisputably a masterpiece, from Italian comedy prospect.

    This is indisputably a masterpiece, from Italian comedy prospect. Not easy to grasp (even with subtitles) for non Italian-spoken persons. The main theme recals that of the famous Poem by Aesop, The Ant and The Cricket: Two brothers live opposite lives, one being an extreme economizer and sober family man (Peppino/Pio), while the other just a big spender and pleasure-seeker (Totò/Zazà). The latter also boasts about a supposed nobleness whenever creditors complain about his debts and often he gets away with it this way. With his greed for money and sex, Zazà gets accidentally involved in the production of a stage revue; not having money of his own he tries to involve his rich brother into the business, just to please a young dancing-girl he's fond of. The plot gets all the more entangled as new characters get into the picture all along, because of various misunderstandings. Every single line of this movie gives Totò the chance of cracking jockes, one after the other ... I've seen it quite a few times, and it always makes me cry with laughter (regardless of age and fashions). Once again, to his side we find one of the best of Totò's "stooges": the great Peppino DeFilippo (brother of the "monster" Eduardo). Being a comedy the muddle will eventually untangle, and all the characters will end up happy ever after.
    Un turco napoletano

    Un turco napoletano

    6.9
    9
  • 7 oct 2017
  • the perfect example.

    This film is a perfect example of the great comedy art of Totò. As always the story offers opportunities for the brilliant improvisations of the great comedian. As always, it is very difficult for those who don't speak the language to seize all the nuances and subtleties in the dialogues. The story, however, is quite original in itself: it is all about a couple of unwary thieves who go on from one theft to another, until one of them finds -within the swag- a letter of appointment -from a local politician to one of his countryman- that recommends the Turk himself (the victim of their theft) for a job at a wealthy trader's shop. The story unfolds between misunderstandings of all kinds and is based on the unawareness of Toto's character that the letter assignment tacitly assumes that the bearer is supposed to be an eunuch ... Dialogues at this point become kind of pyrotechnic, and the comedian is triggered in a series of puns and jokes that can bring down the ceiling. In the end, the deceit will come to light, but the devilish petty thief will find once again the way of breaking the rules by turning the situation to his advantage and of solving all the intrigues that threatened the happiness of the other characters. Among the pretty actresses in this movie we can admire the late wife of Totò's, Franca Faldini; there're also the right-hand men Carlo Campanini, the unfailing Mario Castellani, and -as a real treat- a very young Aldo Giuffrè, who will be -later on- impersonating the famous Alcoholic Union Captain of the unforgettable "The Good, the Bad and the Ugly". Altogether one of my favorite films of the period of Totò's artistic maturity, though still soaked in a fair dose of naivety, which leaves a pleasing aftertaste of old times in your mouth. In one of the scenes, when the eunuch is attending the women on the "forbidden-to-men" side of the beach, and he's telling his adventures in exotic lands, the women ask him how many wives do they have over there. He answers of course they have many ... up to 50 and more! ... Wow, go the ladies ... But you have to reckon - he continues - that it implies also 49 mothers-in-law ... Why only 49? ... asks one of them, a young woman ... Well, you see ... averaging, you certainly will find at least one orphan among 50 ladies ... These were the kind of unearthly things Totò could conjure up, out of his magician's hat: 1953! Can you recall what other comedians around the world were proposing in those days? ... Bye, Pino.
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