dcovec
mar 2005 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas1
Clasificación de dcovec
Jarman to a T: Brilliant, atmospheric, imagistic, eccentric, and sometimes homo-erotic. An incredible blend of one of the great 20th century musical works on (or rather against) war and the cinematographic art.
I've seen this film twice now. Some of the comments given by other reviewers seem to miss the point of the film- it is dark and sometimes jarring. Jarman uses historic footage, color and colorization as a technique to refocus the viewer's eyes and thoughts. Jarman is not interested in narrative so much as building a series of images that take the poem and music to a new place of understanding.
Perhaps this film is not for everyone- but then I would love to tie every politician to his or her chair and force its viewing.
I've seen this film twice now. Some of the comments given by other reviewers seem to miss the point of the film- it is dark and sometimes jarring. Jarman uses historic footage, color and colorization as a technique to refocus the viewer's eyes and thoughts. Jarman is not interested in narrative so much as building a series of images that take the poem and music to a new place of understanding.
Perhaps this film is not for everyone- but then I would love to tie every politician to his or her chair and force its viewing.