inyourglass
nov 2013 se unió
Te damos la bienvenida a nuevo perfil
Nuestras actualizaciones aún están en desarrollo. Si bien la versión anterior de el perfil ya no está disponible, estamos trabajando activamente en mejoras, ¡y algunas de las funciones que faltan regresarán pronto! Mantente al tanto para su regreso. Mientras tanto, el análisis de calificaciones sigue disponible en nuestras aplicaciones para iOS y Android, en la página de perfil. Para ver la distribución de tus calificaciones por año y género, consulta nuestra nueva Guía de ayuda.
Distintivos2
Para saber cómo ganar distintivos, ve a página de ayuda de distintivos.
Reseñas7
Clasificación de inyourglass
Audio engineer should be disqualified from ever again working in this industry. For that matter, so should whoever did the lousy subtitles. This is, in fact, a reasonably decent documentary about Anne Frank but is rendered almost unwatchable by the botched soundtrack. Can't this be fixed??
Why do directors permit their leading actresses to look like they're about to burst into tears? The character is a bold, take-charge woman who runs a string of high-class escorts, yet she's always on the verge of a nervous breakdown. Similarly Laura Sepul in "Banking District" ... who runs a multibillion-euro empire but spends every episode wiping her eyes.
Come on, if you're going to make a whole movie about a specific wine region (e.g. Port), you really should, early on, explain WHAT IT IS. But noooo, the producers have decided you are not entitled to this information. Instead, we get a lot of fanfare, hoopla, cricket, bike riding, and the like. Nothing that even suggests that port is a world-famous after-dinner wine, sweet wine, etc etc etc. Why not? Does David Kennard think we are too stupid?
The other gross insult is at the end, when the music to illustrate the Douro flowing down the hillsides is ... the Moldau by Smetana. Truly gross.
I think Martine Saulnier deserves both credit and blame. Credit for having bankrolled these European vineyard extravaganzas, blame for using them so shamelessly to exploit her own import businesses.
rating six but really should be three.
The other gross insult is at the end, when the music to illustrate the Douro flowing down the hillsides is ... the Moldau by Smetana. Truly gross.
I think Martine Saulnier deserves both credit and blame. Credit for having bankrolled these European vineyard extravaganzas, blame for using them so shamelessly to exploit her own import businesses.
rating six but really should be three.
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